Charles Dickens - Charles Dickens' Most Influential Works (Illustrated)

Здесь есть возможность читать онлайн «Charles Dickens - Charles Dickens' Most Influential Works (Illustrated)» — ознакомительный отрывок электронной книги совершенно бесплатно, а после прочтения отрывка купить полную версию. В некоторых случаях можно слушать аудио, скачать через торрент в формате fb2 и присутствует краткое содержание. Жанр: unrecognised, на английском языке. Описание произведения, (предисловие) а так же отзывы посетителей доступны на портале библиотеки ЛибКат.

Charles Dickens' Most Influential Works (Illustrated): краткое содержание, описание и аннотация

Предлагаем к чтению аннотацию, описание, краткое содержание или предисловие (зависит от того, что написал сам автор книги «Charles Dickens' Most Influential Works (Illustrated)»). Если вы не нашли необходимую информацию о книге — напишите в комментариях, мы постараемся отыскать её.

Our Mutual Friend – explores the conflict between doing what society expects of a person and the idea of being true to oneself
The Pickwick Papers – To extend his researches into the quaint and curious phenomena of life, Samuel Pickwick suggests that he and three other «Pickwickians» should make journeys to places remote from London and report on their findings to the other members.
Oliver Twist is an orphan who starts his life in a workhouse and is then sold into apprenticeship with an undertaker. He escapes from there and travels to London, where he meets the Artful Dodger, a member of a gang of juvenile pickpockets led by the elderly criminal, Fagin…
A Christmas Carol tells the story of a bitter old miser named Ebenezer Scrooge and his transformation after visitations by the ghost of his former business partner and the Ghosts of Christmas Past, Present and Yet to Come.
David Copperfield is a fatherless boy who is sent to lodge with his housekeeper's family after his mother remarries, but when his mother dies he decides to run away…
Hard Times is set in the fictional city of Coketown and it is centered around utilitarian and industrial influences on Victorian society.
A Tale of Two Cities depicts the plight of the French peasantry demoralized by the French aristocracy in the years leading up to the revolution, and many unflattering social parallels with life in London during the same period.
Great Expectations depicts the personal growth and development of an orphan nicknamed Pip in Kent and London in the early to mid-19th century.
Bleak House – legal thriller based on true events.
Little Dorrit – criticize the institution of debtors' prisons, the shortcomings of both government and society.
COLLECTED LETTERS
THE LIFE OF CHARLES DICKENS by John Forster

Charles Dickens' Most Influential Works (Illustrated) — читать онлайн ознакомительный отрывок

Ниже представлен текст книги, разбитый по страницам. Система сохранения места последней прочитанной страницы, позволяет с удобством читать онлайн бесплатно книгу «Charles Dickens' Most Influential Works (Illustrated)», без необходимости каждый раз заново искать на чём Вы остановились. Поставьте закладку, и сможете в любой момент перейти на страницу, на которой закончили чтение.

Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

When my sister found that Biddy was very quick to understand her, this mysterious sign reappeared on the slate. Biddy looked thoughtfully at it, heard my explanation, looked thoughtfully at my sister, looked thoughtfully at Joe (who was always represented on the slate by his initial letter), and ran into the forge, followed by Joe and me.

“Why, of course!” cried Biddy, with an exultant face. “Don’t you see? It’s him!”

Orlick, without a doubt! She had lost his name, and could only signify him by his hammer. We told him why we wanted him to come into the kitchen, and he slowly laid down his hammer, wiped his brow with his arm, took another wipe at it with his apron, and came slouching out, with a curious loose vagabond bend in the knees that strongly distinguished him.

I confess that I expected to see my sister denounce him, and that I was disappointed by the different result. She manifested the greatest anxiety to be on good terms with him, was evidently much pleased by his being at length produced, and motioned that she would have him given something to drink. She watched his countenance as if she were particularly wishful to be assured that he took kindly to his reception, she showed every possible desire to conciliate him, and there was an air of humble propitiation in all she did, such as I have seen pervade the bearing of a child towards a hard master. After that day, a day rarely passed without her drawing the hammer on her slate, and without Orlick’s slouching in and standing doggedly before her, as if he knew no more than I did what to make of it.

Chapter XVII

Table of Contents

I now fell into a regular routine of apprenticeship life, which was varied beyond the limits of the village and the marshes, by no more remarkable circumstance than the arrival of my birthday and my paying another visit to Miss Havisham. I found Miss Sarah Pocket still on duty at the gate; I found Miss Havisham just as I had left her, and she spoke of Estella in the very same way, if not in the very same words. The interview lasted but a few minutes, and she gave me a guinea when I was going, and told me to come again on my next birthday. I may mention at once that this became an annual custom. I tried to decline taking the guinea on the first occasion, but with no better effect than causing her to ask me very angrily, if I expected more? Then, and after that, I took it.

So unchanging was the dull old house, the yellow light in the darkened room, the faded spectre in the chair by the dressing-table glass, that I felt as if the stopping of the clocks had stopped Time in that mysterious place, and, while I and everything else outside it grew older, it stood still. Daylight never entered the house as to my thoughts and remembrances of it, any more than as to the actual fact. It bewildered me, and under its influence I continued at heart to hate my trade and to be ashamed of home.

Imperceptibly I became conscious of a change in Biddy, however. Her shoes came up at the heel, her hair grew bright and neat, her hands were always clean. She was not beautiful, — she was common, and could not be like Estella, — but she was pleasant and wholesome and sweet-tempered. She had not been with us more than a year (I remember her being newly out of mourning at the time it struck me), when I observed to myself one evening that she had curiously thoughtful and attentive eyes; eyes that were very pretty and very good.

It came of my lifting up my own eyes from a task I was poring at — writing some passages from a book, to improve myself in two ways at once by a sort of stratagem — and seeing Biddy observant of what I was about. I laid down my pen, and Biddy stopped in her needlework without laying it down.

“Biddy,” said I, “how do you manage it? Either I am very stupid, or you are very clever.”

“What is it that I manage? I don’t know,” returned Biddy, smiling.

She managed our whole domestic life, and wonderfully too; but I did not mean that, though that made what I did mean more surprising.

“How do you manage, Biddy,” said I, “to learn everything that I learn, and always to keep up with me?” I was beginning to be rather vain of my knowledge, for I spent my birthday guineas on it, and set aside the greater part of my pocket-money for similar investment; though I have no doubt, now, that the little I knew was extremely dear at the price.

“I might as well ask you,” said Biddy, “how you manage?”

“No; because when I come in from the forge of a night, any one can see me turning to at it. But you never turn to at it, Biddy.”

“I suppose I must catch it like a cough,” said Biddy, quietly; and went on with her sewing.

Pursuing my idea as I leaned back in my wooden chair, and looked at Biddy sewing away with her head on one side, I began to think her rather an extraordinary girl. For I called to mind now, that she was equally accomplished in the terms of our trade, and the names of our different sorts of work, and our various tools. In short, whatever I knew, Biddy knew. Theoretically, she was already as good a blacksmith as I, or better.

“You are one of those, Biddy,” said I, “who make the most of every chance. You never had a chance before you came here, and see how improved you are!”

Biddy looked at me for an instant, and went on with her sewing. “I was your first teacher though; wasn’t I?” said she, as she sewed.

“Biddy!” I exclaimed, in amazement. “Why, you are crying!”

“No I am not,” said Biddy, looking up and laughing. “What put that in your head?”

What could have put it in my head but the glistening of a tear as it dropped on her work? I sat silent, recalling what a drudge she had been until Mr. Wopsle’s great-aunt successfully overcame that bad habit of living, so highly desirable to be got rid of by some people. I recalled the hopeless circumstances by which she had been surrounded in the miserable little shop and the miserable little noisy evening school, with that miserable old bundle of incompetence always to be dragged and shouldered. I reflected that even in those untoward times there must have been latent in Biddy what was now developing, for, in my first uneasiness and discontent I had turned to her for help, as a matter of course. Biddy sat quietly sewing, shedding no more tears, and while I looked at her and thought about it all, it occurred to me that perhaps I had not been sufficiently grateful to Biddy. I might have been too reserved, and should have patronized her more (though I did not use that precise word in my meditations) with my confidence.

“Yes, Biddy,” I observed, when I had done turning it over, “you were my first teacher, and that at a time when we little thought of ever being together like this, in this kitchen.”

“Ah, poor thing!” replied Biddy. It was like her self-forgetfulness to transfer the remark to my sister, and to get up and be busy about her, making her more comfortable; “that’s sadly true!”

“Well!” said I, “we must talk together a little more, as we used to do. And I must consult you a little more, as I used to do. Let us have a quiet walk on the marshes next Sunday, Biddy, and a long chat.”

My sister was never left alone now; but Joe more than readily undertook the care of her on that Sunday afternoon, and Biddy and I went out together. It was summertime, and lovely weather. When we had passed the village and the church and the churchyard, and were out on the marshes and began to see the sails of the ships as they sailed on, I began to combine Miss Havisham and Estella with the prospect, in my usual way. When we came to the riverside and sat down on the bank, with the water rippling at our feet, making it all more quiet than it would have been without that sound, I resolved that it was a good time and place for the admission of Biddy into my inner confidence.

Читать дальше
Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

Похожие книги на «Charles Dickens' Most Influential Works (Illustrated)»

Представляем Вашему вниманию похожие книги на «Charles Dickens' Most Influential Works (Illustrated)» списком для выбора. Мы отобрали схожую по названию и смыслу литературу в надежде предоставить читателям больше вариантов отыскать новые, интересные, ещё непрочитанные произведения.


Отзывы о книге «Charles Dickens' Most Influential Works (Illustrated)»

Обсуждение, отзывы о книге «Charles Dickens' Most Influential Works (Illustrated)» и просто собственные мнения читателей. Оставьте ваши комментарии, напишите, что Вы думаете о произведении, его смысле или главных героях. Укажите что конкретно понравилось, а что нет, и почему Вы так считаете.

x