Charles Dickens - Charles Dickens' Most Influential Works (Illustrated)

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Our Mutual Friend – explores the conflict between doing what society expects of a person and the idea of being true to oneself
The Pickwick Papers – To extend his researches into the quaint and curious phenomena of life, Samuel Pickwick suggests that he and three other «Pickwickians» should make journeys to places remote from London and report on their findings to the other members.
Oliver Twist is an orphan who starts his life in a workhouse and is then sold into apprenticeship with an undertaker. He escapes from there and travels to London, where he meets the Artful Dodger, a member of a gang of juvenile pickpockets led by the elderly criminal, Fagin…
A Christmas Carol tells the story of a bitter old miser named Ebenezer Scrooge and his transformation after visitations by the ghost of his former business partner and the Ghosts of Christmas Past, Present and Yet to Come.
David Copperfield is a fatherless boy who is sent to lodge with his housekeeper's family after his mother remarries, but when his mother dies he decides to run away…
Hard Times is set in the fictional city of Coketown and it is centered around utilitarian and industrial influences on Victorian society.
A Tale of Two Cities depicts the plight of the French peasantry demoralized by the French aristocracy in the years leading up to the revolution, and many unflattering social parallels with life in London during the same period.
Great Expectations depicts the personal growth and development of an orphan nicknamed Pip in Kent and London in the early to mid-19th century.
Bleak House – legal thriller based on true events.
Little Dorrit – criticize the institution of debtors' prisons, the shortcomings of both government and society.
COLLECTED LETTERS
THE LIFE OF CHARLES DICKENS by John Forster

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This morose journeyman had no liking for me. When I was very small and timid, he gave me to understand that the Devil lived in a black corner of the forge, and that he knew the fiend very well: also that it was necessary to make up the fire, once in seven years, with a live boy, and that I might consider myself fuel. When I became Joe’s ‘prentice, Orlick was perhaps confirmed in some suspicion that I should displace him; howbeit, he liked me still less. Not that he ever said anything, or did anything, openly importing hostility; I only noticed that he always beat his sparks in my direction, and that whenever I sang Old Clem, he came in out of time.

Dolge Orlick was at work and present, next day, when I reminded Joe of my half-holiday. He said nothing at the moment, for he and Joe had just got a piece of hot iron between them, and I was at the bellows; but by and by he said, leaning on his hammer, —

“Now, master! Sure you’re not a going to favor only one of us. If Young Pip has a half-holiday, do as much for Old Orlick.” I suppose he was about five-and-twenty, but he usually spoke of himself as an ancient person.

“Why, what’ll you do with a half-holiday, if you get it?” said Joe.

“What’ll I do with it! What’ll he do with it? I’ll do as much with it as him,” said Orlick.

“As to Pip, he’s going up town,” said Joe.

“Well then, as to Old Orlick, he’s a going up town,” retorted that worthy. “Two can go up town. Tain’t only one wot can go up town.

“Don’t lose your temper,” said Joe.

“Shall if I like,” growled Orlick. “Some and their up-towning! Now, master! Come. No favoring in this shop. Be a man!”

The master refusing to entertain the subject until the journeyman was in a better temper, Orlick plunged at the furnace, drew out a red-hot bar, made at me with it as if he were going to run it through my body, whisked it round my head, laid it on the anvil, hammered it out, — as if it were I, I thought, and the sparks were my spirting blood, — and finally said, when he had hammered himself hot and the iron cold, and he again leaned on his hammer, —

“Now, master!”

“Are you all right now?” demanded Joe.

“Ah! I am all right,” said gruff Old Orlick.

“Then, as in general you stick to your work as well as most men,” said Joe, “let it be a half-holiday for all.”

My sister had been standing silent in the yard, within hearing, — she was a most unscrupulous spy and listener, — and she instantly looked in at one of the windows.

“Like you, you fool!” said she to Joe, “giving holidays to great idle hulkers like that. You are a rich man, upon my life, to waste wages in that way. I wish I was his master!”

“You’d be everybody’s master, if you durst,” retorted Orlick, with an ill-favored grin.

(“Let her alone,” said Joe.)

“I’d be a match for all noodles and all rogues,” returned my sister, beginning to work herself into a mighty rage. “And I couldn’t be a match for the noodles, without being a match for your master, who’s the dunderheaded king of the noodles. And I couldn’t be a match for the rogues, without being a match for you, who are the blackest-looking and the worst rogue between this and France. Now!”

“You’re a foul shrew, Mother Gargery,” growled the journeyman. “If that makes a judge of rogues, you ought to be a good’un.”

(“Let her alone, will you?” said Joe.)

“What did you say?” cried my sister, beginning to scream. “What did you say? What did that fellow Orlick say to me, Pip? What did he call me, with my husband standing by? Oh! oh! oh!” Each of these exclamations was a shriek; and I must remark of my sister, what is equally true of all the violent women I have ever seen, that passion was no excuse for her, because it is undeniable that instead of lapsing into passion, she consciously and deliberately took extraordinary pains to force herself into it, and became blindly furious by regular stages; “what was the name he gave me before the base man who swore to defend me? Oh! Hold me! Oh!”

“Ah-h-h!” growled the journeyman, between his teeth, “I’d hold you, if you was my wife. I’d hold you under the pump, and choke it out of you.”

(“I tell you, let her alone,” said Joe.)

“Oh! To hear him!” cried my sister, with a clap of her hands and a scream together, — which was her next stage. “To hear the names he’s giving me! That Orlick! In my own house! Me, a married woman! With my husband standing by! Oh! Oh!” Here my sister, after a fit of clappings and screamings, beat her hands upon her bosom and upon her knees, and threw her cap off, and pulled her hair down, — which were the last stages on her road to frenzy. Being by this time a perfect Fury and a complete success, she made a dash at the door which I had fortunately locked.

What could the wretched Joe do now after his disregarded parenthetical - фото 11

What could the wretched Joe do now, after his disregarded parenthetical interruptions, but stand up to his journeyman, and ask him what he meant by interfering betwixt himself and Mrs. Joe; and further whether he was man enough to come on? Old Orlick felt that the situation admitted of nothing less than coming on, and was on his defence straightway; so, without so much as pulling off their singed and burnt aprons, they went at one another, like two giants. But, if any man in that neighborhood could stand uplong against Joe, I never saw the man. Orlick, as if he had been of no more account than the pale young gentleman, was very soon among the coal-dust, and in no hurry to come out of it. Then Joe unlocked the door and picked up my sister, who had dropped insensible at the window (but who had seen the fight first, I think), and who was carried into the house and laid down, and who was recommended to revive, and would do nothing but struggle and clench her hands in Joe’s hair. Then, came that singular calm and silence which succeed all uproars; and then, with the vague sensation which I have always connected with such a lull, — namely, that it was Sunday, and somebody was dead, — I went up stairs to dress myself.

When I came down again, I found Joe and Orlick sweeping up, without any other traces of discomposure than a slit in one of Orlick’s nostrils, which was neither expressive nor ornamental. A pot of beer had appeared from the Jolly Bargemen, and they were sharing it by turns in a peaceable manner. The lull had a sedative and philosophical influence on Joe, who followed me out into the road to say, as a parting observation that might do me good, “On the Rampage, Pip, and off the Rampage, Pip: — such is Life!”

With what absurd emotions (for we think the feelings that are very serious in a man quite comical in a boy) I found myself again going to Miss Havisham’s, matters little here. Nor, how I passed and repassed the gate many times before I could make up my mind to ring. Nor, how I debated whether I should go away without ringing; nor, how I should undoubtedly have gone, if my time had been my own, to come back.

Miss Sarah Pocket came to the gate. No Estella.

“How, then? You here again?” said Miss Pocket. “What do you want?”

When I said that I only came to see how Miss Havisham was, Sarah evidently deliberated whether or no she should send me about my business. But unwilling to hazard the responsibility, she let me in, and presently brought the sharp message that I was to “come up.”

Everything was unchanged, and Miss Havisham was alone.

“Well?” said she, fixing her eyes upon me. “I hope you want nothing? You’ll get nothing.”

“No indeed, Miss Havisham. I only wanted you to know that I am doing very well in my apprenticeship, and am always much obliged to you.”

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