Charles Dickens - Charles Dickens' Most Influential Works (Illustrated)

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Our Mutual Friend – explores the conflict between doing what society expects of a person and the idea of being true to oneself
The Pickwick Papers – To extend his researches into the quaint and curious phenomena of life, Samuel Pickwick suggests that he and three other «Pickwickians» should make journeys to places remote from London and report on their findings to the other members.
Oliver Twist is an orphan who starts his life in a workhouse and is then sold into apprenticeship with an undertaker. He escapes from there and travels to London, where he meets the Artful Dodger, a member of a gang of juvenile pickpockets led by the elderly criminal, Fagin…
A Christmas Carol tells the story of a bitter old miser named Ebenezer Scrooge and his transformation after visitations by the ghost of his former business partner and the Ghosts of Christmas Past, Present and Yet to Come.
David Copperfield is a fatherless boy who is sent to lodge with his housekeeper's family after his mother remarries, but when his mother dies he decides to run away…
Hard Times is set in the fictional city of Coketown and it is centered around utilitarian and industrial influences on Victorian society.
A Tale of Two Cities depicts the plight of the French peasantry demoralized by the French aristocracy in the years leading up to the revolution, and many unflattering social parallels with life in London during the same period.
Great Expectations depicts the personal growth and development of an orphan nicknamed Pip in Kent and London in the early to mid-19th century.
Bleak House – legal thriller based on true events.
Little Dorrit – criticize the institution of debtors' prisons, the shortcomings of both government and society.
COLLECTED LETTERS
THE LIFE OF CHARLES DICKENS by John Forster

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‘Whose doing is this?’ said Fledgeby.

‘Impossible to imagine,’ said Lammle.

‘Perhaps,’ suggested Fledgeby, after reflecting with a very discontented brow, ‘somebody has been giving you a bad character.’

‘Or you,’ said Lammle, with a deeper frown.

Mr Fledgeby appeared to be on the verge of some mutinous expressions, when his hand happened to touch his nose. A certain remembrance connected with that feature operating as a timely warning, he took it thoughtfully between his thumb and forefinger, and pondered; Lammle meanwhile eyeing him with furtive eyes.

‘Well!’ said Fledgeby. ‘This won’t improve with talking about. If we ever find out who did it, we’ll mark that person. There’s nothing more to be said, except that you undertook to do what circumstances prevent your doing.’

‘And that you undertook to do what you might have done by this time, if you had made a prompter use of circumstances,’ snarled Lammle.

‘Hah! That,’ remarked Fledgeby, with his hands in the Turkish trousers, ‘is matter of opinion.’

‘Mr Fledgeby,’ said Lammle, in a bullying tone, ‘am I to understand that you in any way reflect upon me, or hint dissatisfaction with me, in this affair?’

‘No,’ said Fledgeby; ‘provided you have brought my promissory note in your pocket, and now hand it over.’

Lammle produced it, not without reluctance. Fledgeby looked at it, identified it, twisted it up, and threw it into the fire. They both looked at it as it blazed, went out, and flew in feathery ash up the chimney.

Now , Mr Fledgeby,’ said Lammle, as before; ‘am I to understand that you in any way reflect upon me, or hint dissatisfaction with me, in this affair?’

‘No,’ said Fledgeby.

‘Finally and unreservedly no?’

‘Yes.’

‘Fledgeby, my hand.’

Mr Fledgeby took it, saying, ‘And if we ever find out who did this, we’ll mark that person. And in the most friendly manner, let me mention one thing more. I don’t know what your circumstances are, and I don’t ask. You have sustained a loss here. Many men are liable to be involved at times, and you may be, or you may not be. But whatever you do, Lammle, don’t—don’t—don’t, I beg of you—ever fall into the hands of Pubsey and Co. in the next room, for they are grinders. Regular flayers and grinders, my dear Lammle,’ repeated Fledgeby with a peculiar relish, ‘and they’ll skin you by the inch, from the nape of your neck to the sole of your foot, and grind every inch of your skin to tooth-powder. You have seen what Mr Riah is. Never fall into his hands, Lammle, I beg of you as a friend!’

Mr Lammle, disclosing some alarm at the solemnity of this affectionate adjuration, demanded why the devil he ever should fall into the hands of Pubsey and Co.?

‘To confess the fact, I was made a little uneasy,’ said the candid Fledgeby, ‘by the manner in which that Jew looked at you when he heard your name. I didn’t like his eye. But it may have been the heated fancy of a friend. Of course if you are sure that you have no personal security out, which you may not be quite equal to meeting, and which can have got into his hands, it must have been fancy. Still, I didn’t like his eye.’

The brooding Lammle, with certain white dints coming and going in his palpitating nose, looked as if some tormenting imp were pinching it. Fledgeby, watching him with a twitch in his mean face which did duty there for a smile, looked very like the tormentor who was pinching.

‘But I mustn’t keep him waiting too long,’ said Fledgeby, ‘or he’ll revenge it on my unfortunate friend. How’s your very clever and agreeable wife? She knows we have broken down?’

‘I showed her the letter.’

‘Very much surprised?’ asked Fledgeby.

‘I think she would have been more so,’ answered Lammle, ‘if there had been more go in you ?’

‘Oh!—She lays it upon me, then?’

‘Mr Fledgeby, I will not have my words misconstrued.’

‘Don’t break out, Lammle,’ urged Fledgeby, in a submissive tone, ‘because there’s no occasion. I only asked a question. Then she don’t lay it upon me? To ask another question.’

‘No, sir.’

‘Very good,’ said Fledgeby, plainly seeing that she did. ‘My compliments to her. Good-bye!’

They shook hands, and Lammle strode out pondering. Fledgeby saw him into the fog, and, returning to the fire and musing with his face to it, stretched the legs of the rose-coloured Turkish trousers wide apart, and meditatively bent his knees, as if he were going down upon them.

‘You have a pair of whiskers, Lammle, which I never liked,’ murmured Fledgeby, ‘and which money can’t produce; you are boastful of your manners and your conversation; you wanted to pull my nose, and you have let me in for a failure, and your wife says I am the cause of it. I’ll bowl you down. I will, though I have no whiskers,’ here he rubbed the places where they were due, ‘and no manners, and no conversation!’

Having thus relieved his noble mind, he collected the legs of the Turkish trousers, straightened himself on his knees, and called out to Riah in the next room, ‘Halloa, you sir!’ At sight of the old man re-entering with a gentleness monstrously in contrast with the character he had given him, Mr Fledgeby was so tickled again, that he exclaimed, laughing, ‘Good! Good! Upon my soul it is uncommon good!’

‘Now, old ‘un,’ proceeded Fledgeby, when he had had his laugh out, ‘you’ll buy up these lots that I mark with my pencil—there’s a tick there, and a tick there, and a tick there—and I wager two-pence you’ll afterwards go on squeezing those Christians like the Jew you are. Now, next you’ll want a cheque—or you’ll say you want it, though you’ve capital enough somewhere, if one only knew where, but you’d be peppered and salted and grilled on a gridiron before you’d own to it—and that cheque I’ll write.’

When he had unlocked a drawer and taken a key from it to open another drawer, in which was another key that opened another drawer, in which was another key that opened another drawer, in which was the cheque book; and when he had written the cheque; and when, reversing the key and drawer process, he had placed his cheque book in safety again; he beckoned the old man, with the folded cheque, to come and take it.

‘Old ‘un,’ said Fledgeby, when the Jew had put it in his pocketbook, and was putting that in the breast of his outer garment; ‘so much at present for my affairs. Now a word about affairs that are not exactly mine. Where is she?’

With his hand not yet withdrawn from the breast of his garment, Riah started and paused.

‘Oho!’ said Fledgeby. ‘Didn’t expect it! Where have you hidden her?’

Showing that he was taken by surprise, the old man looked at his master with some passing confusion, which the master highly enjoyed.

‘Is she in the house I pay rent and taxes for in Saint Mary Axe?’ demanded Fledgeby.

‘No, sir.’

‘Is she in your garden up atop of that house—gone up to be dead, or whatever the game is?’ asked Fledgeby.

‘No, sir.’

‘Where is she then?’

Riah bent his eyes upon the ground, as if considering whether he could answer the question without breach of faith, and then silently raised them to Fledgeby’s face, as if he could not.

‘Come!’ said Fledgeby. ‘I won’t press that just now. But I want to know this, and I will know this, mind you. What are you up to?’

The old man, with an apologetic action of his head and hands, as not comprehending the master’s meaning, addressed to him a look of mute inquiry.

‘You can’t be a gallivanting dodger,’ said Fledgeby. ‘For you’re a “regular pity the sorrows”, you know—if you do know any Christian rhyme—“whose trembling limbs have borne him to”—et cetrer. You’re one of the Patriarchs; you’re a shaky old card; and you can’t be in love with this Lizzie?’

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