Charles Dickens - Charles Dickens' Most Influential Works (Illustrated)

Seeing no better way out of it, Veneering here pulls up his oratorical Pegasus extremely short, and plumps down, clean over his head, with: ‘Lammle, God bless you!’

Then Lammle. Too much of him every way; pervadingly too much nose of a coarse wrong shape, and his nose in his mind and his manners; too much smile to be real; too much frown to be false; too many large teeth to be visible at once without suggesting a bite. He thanks you, dear friends, for your kindly greeting, and hopes to receive you—it may be on the next of these delightful occasions—in a residence better suited to your claims on the rites of hospitality. He will never forget that at Veneering’s he first saw Sophronia. Sophronia will never forget that at Veneering’s she first saw him. ‘They spoke of it soon after they were married, and agreed that they would never forget it. In fact, to Veneering they owe their union. They hope to show their sense of this some day (‘No, no, from Veneering)—oh yes, yes, and let him rely upon it, they will if they can! His marriage with Sophronia was not a marriage of interest on either side: she had her little fortune, he had his little fortune: they joined their little fortunes: it was a marriage of pure inclination and suitability. Thank you! Sophronia and he are fond of the society of young people; but he is not sure that their house would be a good house for young people proposing to remain single, since the contemplation of its domestic bliss might induce them to change their minds. He will not apply this to any one present; certainly not to their darling little Georgiana. Again thank you! Neither, by-the-by, will he apply it to his friend Fledgeby. He thanks Veneering for the feeling manner in which he referred to their common friend Fledgeby, for he holds that gentleman in the highest estimation. Thank you. In fact (returning unexpectedly to Fledgeby), the better you know him, the more you find in him that you desire to know. Again thank you! In his dear Sophronia’s name and in his own, thank you!

Mrs Lammle has sat quite still, with her eyes cast down upon the table-cloth. As Mr Lammle’s address ends, Twemlow once more turns to her involuntarily, not cured yet of that often recurring impression that she is going to speak to him. This time she really is going to speak to him. Veneering is talking with his other next neighbour, and she speaks in a low voice.

‘Mr Twemlow.’

He answers, ‘I beg your pardon? Yes?’ Still a little doubtful, because of her not looking at him.

‘You have the soul of a gentleman, and I know I may trust you. Will you give me the opportunity of saying a few words to you when you come up stairs?’

‘Assuredly. I shall be honoured.’

‘Don’t seem to do so, if you please, and don’t think it inconsistent if my manner should be more careless than my words. I may be watched.’

Intensely astonished, Twemlow puts his hand to his forehead, and sinks back in his chair meditating. Mrs Lammle rises. All rise. The ladies go up stairs. The gentlemen soon saunter after them. Fledgeby has devoted the interval to taking an observation of Boots’s whiskers, Brewer’s whiskers, and Lammle’s whiskers, and considering which pattern of whisker he would prefer to produce out of himself by friction, if the Genie of the cheek would only answer to his rubbing.

In the drawing-room, groups form as usual. Lightwood, Boots, and Brewer, flutter like moths around that yellow wax candle—guttering down, and with some hint of a winding-sheet in it—Lady Tippins. Outsiders cultivate Veneering, M P., and Mrs Veneering, W.M.P. Lammle stands with folded arms, Mephistophelean in a corner, with Georgiana and Fledgeby. Mrs Lammle, on a sofa by a table, invites Mr Twemlow’s attention to a book of portraits in her hand.

Mr Twemlow takes his station on a settee before her, and Mrs Lammle shows him a portrait.

‘You have reason to be surprised,’ she says softly, ‘but I wish you wouldn’t look so.’

Disturbed Twemlow, making an effort not to look so, looks much more so.

‘I think, Mr Twemlow, you never saw that distant connexion of yours before to-day?’

‘No, never.’

‘Now that you do see him, you see what he is. You are not proud of him?’

‘To say the truth, Mrs Lammle, no.’

‘If you knew more of him, you would be less inclined to acknowledge him. Here is another portrait. What do you think of it?’

Twemlow has just presence of mind enough to say aloud: ‘Very like! Uncommonly like!’

‘You have noticed, perhaps, whom he favours with his attentions? You notice where he is now, and how engaged?’

‘Yes. But Mr Lammle—’

She darts a look at him which he cannot comprehend, and shows him another portrait.

‘Very good; is it not?’

‘Charming!’ says Twemlow.

‘So like as to be almost a caricature?—Mr Twemlow, it is impossible to tell you what the struggle in my mind has been, before I could bring myself to speak to you as I do now. It is only in the conviction that I may trust you never to betray me, that I can proceed. Sincerely promise me that you never will betray my confidence—that you will respect it, even though you may no longer respect me,—and I shall be as satisfied as if you had sworn it.’

‘Madam, on the honour of a poor gentleman—’

‘Thank you. I can desire no more. Mr Twemlow, I implore you to save that child!’

‘That child?’

‘Georgiana. She will be sacrificed. She will be inveigled and married to that connexion of yours. It is a partnership affair, a money-speculation. She has no strength of will or character to help herself and she is on the brink of being sold into wretchedness for life.’

‘Amazing! But what can I do to prevent it?’ demands Twemlow, shocked and bewildered to the last degree.

‘Here is another portrait. And not good, is it?’

Aghast at the light manner of her throwing her head back to look at it critically, Twemlow still dimly perceives the expediency of throwing his own head back, and does so. Though he no more sees the portrait than if it were in China.

‘Decidedly not good,’ says Mrs Lammle. ‘Stiff and exaggerated!’

‘And ex—’ But Twemlow, in his demolished state, cannot command the word, and trails off into ‘—actly so.’

‘Mr Twemlow, your word will have weight with her pompous, self-blinded father. You know how much he makes of your family. Lose no time. Warn him.’

‘But warn him against whom?’

‘Against me.’

By great good fortune Twemlow receives a stimulant at this critical instant. The stimulant is Lammle’s voice.

‘Sophronia, my dear, what portraits are you showing Twemlow?’

‘Public characters, Alfred.’

‘Show him the last of me.’

‘Yes, Alfred.’

She puts the book down, takes another book up, turns the leaves, and presents the portrait to Twemlow.

‘That is the last of Mr Lammle. Do you think it good?—Warn her father against me. I deserve it, for I have been in the scheme from the first. It is my husband’s scheme, your connexion’s, and mine. I tell you this, only to show you the necessity of the poor little foolish affectionate creature’s being befriended and rescued. You will not repeat this to her father. You will spare me so far, and spare my husband. For, though this celebration of to-day is all a mockery, he is my husband, and we must live.—Do you think it like?’

Twemlow, in a stunned condition, feigns to compare the portrait in his hand with the original looking towards him from his Mephistophelean corner.

‘Very well indeed!’ are at length the words which Twemlow with great difficulty extracts from himself.