Charles Dickens - Charles Dickens' Most Influential Works (Illustrated)

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Our Mutual Friend – explores the conflict between doing what society expects of a person and the idea of being true to oneself
The Pickwick Papers – To extend his researches into the quaint and curious phenomena of life, Samuel Pickwick suggests that he and three other «Pickwickians» should make journeys to places remote from London and report on their findings to the other members.
Oliver Twist is an orphan who starts his life in a workhouse and is then sold into apprenticeship with an undertaker. He escapes from there and travels to London, where he meets the Artful Dodger, a member of a gang of juvenile pickpockets led by the elderly criminal, Fagin…
A Christmas Carol tells the story of a bitter old miser named Ebenezer Scrooge and his transformation after visitations by the ghost of his former business partner and the Ghosts of Christmas Past, Present and Yet to Come.
David Copperfield is a fatherless boy who is sent to lodge with his housekeeper's family after his mother remarries, but when his mother dies he decides to run away…
Hard Times is set in the fictional city of Coketown and it is centered around utilitarian and industrial influences on Victorian society.
A Tale of Two Cities depicts the plight of the French peasantry demoralized by the French aristocracy in the years leading up to the revolution, and many unflattering social parallels with life in London during the same period.
Great Expectations depicts the personal growth and development of an orphan nicknamed Pip in Kent and London in the early to mid-19th century.
Bleak House – legal thriller based on true events.
Little Dorrit – criticize the institution of debtors' prisons, the shortcomings of both government and society.
COLLECTED LETTERS
THE LIFE OF CHARLES DICKENS by John Forster

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‘On board serving as third mate was George Radfoot. I knew nothing of him. His name first became known to me about a week before we sailed, through my being accosted by one of the ship-agent’s clerks as “Mr Radfoot.” It was one day when I had gone aboard to look to my preparations, and the clerk, coming behind me as I stood on deck, tapped me on the shoulder, and said, “Mr Rad-foot, look here,” referring to some papers that he had in his hand. And my name first became known to Radfoot, through another clerk within a day or two, and while the ship was yet in port, coming up behind him, tapping him on the shoulder and beginning, “I beg your pardon, Mr Harmon—.” I believe we were alike in bulk and stature but not otherwise, and that we were not strikingly alike, even in those respects, when we were together and could be compared.

‘However, a sociable word or two on these mistakes became an easy introduction between us, and the weather was hot, and he helped me to a cool cabin on deck alongside his own, and his first school had been at Brussels as mine had been, and he had learnt French as I had learnt it, and he had a little history of himself to relate—God only knows how much of it true, and how much of it false—that had its likeness to mine. I had been a seaman too. So we got to be confidential together, and the more easily yet, because he and every one on board had known by general rumour what I was making the voyage to England for. By such degrees and means, he came to the knowledge of my uneasiness of mind, and of its setting at that time in the direction of desiring to see and form some judgment of my allotted wife, before she could possibly know me for myself; also to try Mrs Boffin and give her a glad surprise. So the plot was made out of our getting common sailors’ dresses (as he was able to guide me about London), and throwing ourselves in Bella Wilfer’s neighbourhood, and trying to put ourselves in her way, and doing whatever chance might favour on the spot, and seeing what came of it. If nothing came of it, I should be no worse off, and there would merely be a short delay in my presenting myself to Lightwood. I have all these facts right? Yes. They are all accurately right.

‘His advantage in all this was, that for a time I was to be lost. It might be for a day or for two days, but I must be lost sight of on landing, or there would be recognition, anticipation, and failure. Therefore, I disembarked with my valise in my hand—as Potterson the steward and Mr Jacob Kibble my fellow-passenger afterwards remembered—and waited for him in the dark by that very Limehouse Church which is now behind me.

‘As I had always shunned the port of London, I only knew the church through his pointing out its spire from on board. Perhaps I might recall, if it were any good to try, the way by which I went to it alone from the river; but how we two went from it to Riderhood’s shop, I don’t know—any more than I know what turns we took and doubles we made, after we left it. The way was purposely confused, no doubt.

‘But let me go on thinking the facts out, and avoid confusing them with my speculations. Whether he took me by a straight way or a crooked way, what is that to the purpose now? Steady, John Harmon.

‘When we stopped at Riderhood’s, and he asked that scoundrel a question or two, purporting to refer only to the lodging-houses in which there was accommodation for us, had I the least suspicion of him? None. Certainly none until afterwards when I held the clue. I think he must have got from Riderhood in a paper, the drug, or whatever it was, that afterwards stupefied me, but I am far from sure. All I felt safe in charging on him to-night, was old companionship in villainy between them. Their undisguised intimacy, and the character I now know Riderhood to bear, made that not at all adventurous. But I am not clear about the drug. Thinking out the circumstances on which I found my suspicion, they are only two. One: I remember his changing a small folded paper from one pocket to another, after we came out, which he had not touched before. Two: I now know Riderhood to have been previously taken up for being concerned in the robbery of an unlucky seaman, to whom some such poison had been given.

‘It is my conviction that we cannot have gone a mile from that shop, before we came to the wall, the dark doorway, the flight of stairs, and the room. The night was particularly dark and it rained hard. As I think the circumstances back, I hear the rain splashing on the stone pavement of the passage, which was not under cover. The room overlooked the river, or a dock, or a creek, and the tide was out. Being possessed of the time down to that point, I know by the hour that it must have been about low water; but while the coffee was getting ready, I drew back the curtain (a dark-brown curtain), and, looking out, knew by the kind of reflection below, of the few neighbouring lights, that they were reflected in tidal mud.

‘He had carried under his arm a canvas bag, containing a suit of his clothes. I had no change of outer clothes with me, as I was to buy slops. “You are very wet, Mr Harmon,”—I can hear him saying—“and I am quite dry under this good waterproof coat. Put on these clothes of mine. You may find on trying them that they will answer your purpose to-morrow, as well as the slops you mean to buy, or better. While you change, I’ll hurry the hot coffee.” When he came back, I had his clothes on, and there was a black man with him, wearing a linen jacket, like a steward, who put the smoking coffee on the table in a tray and never looked at me. I am so far literal and exact? Literal and exact, I am certain.

‘Now, I pass to sick and deranged impressions; they are so strong, that I rely upon them; but there are spaces between them that I know nothing about, and they are not pervaded by any idea of time.

‘I had drank some coffee, when to my sense of sight he began to swell immensely, and something urged me to rush at him. We had a struggle near the door. He got from me, through my not knowing where to strike, in the whirling round of the room, and the flashing of flames of fire between us. I dropped down. Lying helpless on the ground, I was turned over by a foot. I was dragged by the neck into a corner. I heard men speak together. I was turned over by other feet. I saw a figure like myself lying dressed in my clothes on a bed. What might have been, for anything I knew, a silence of days, weeks, months, years, was broken by a violent wrestling of men all over the room. The figure like myself was assailed, and my valise was in its hand. I was trodden upon and fallen over. I heard a noise of blows, and thought it was a wood-cutter cutting down a tree. I could not have said that my name was John Harmon—I could not have thought it—I didn’t know it—but when I heard the blows, I thought of the wood-cutter and his axe, and had some dead idea that I was lying in a forest.

‘This is still correct? Still correct, with the exception that I cannot possibly express it to myself without using the word I. But it was not I. There was no such thing as I, within my knowledge.

‘It was only after a downward slide through something like a tube, and then a great noise and a sparkling and crackling as of fires, that the consciousness came upon me, “This is John Harmon drowning! John Harmon, struggle for your life. John Harmon, call on Heaven and save yourself!” I think I cried it out aloud in a great agony, and then a heavy horrid unintelligible something vanished, and it was I who was struggling there alone in the water.

‘I was very weak and faint, frightfully oppressed with drowsiness, and driving fast with the tide. Looking over the black water, I saw the lights racing past me on the two banks of the river, as if they were eager to be gone and leave me dying in the dark. The tide was running down, but I knew nothing of up or down then. When, guiding myself safely with Heaven’s assistance before the fierce set of the water, I at last caught at a boat moored, one of a tier of boats at a causeway, I was sucked under her, and came up, only just alive, on the other side.

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