Charles Dickens - Charles Dickens' Most Influential Works (Illustrated)

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Our Mutual Friend – explores the conflict between doing what society expects of a person and the idea of being true to oneself
The Pickwick Papers – To extend his researches into the quaint and curious phenomena of life, Samuel Pickwick suggests that he and three other «Pickwickians» should make journeys to places remote from London and report on their findings to the other members.
Oliver Twist is an orphan who starts his life in a workhouse and is then sold into apprenticeship with an undertaker. He escapes from there and travels to London, where he meets the Artful Dodger, a member of a gang of juvenile pickpockets led by the elderly criminal, Fagin…
A Christmas Carol tells the story of a bitter old miser named Ebenezer Scrooge and his transformation after visitations by the ghost of his former business partner and the Ghosts of Christmas Past, Present and Yet to Come.
David Copperfield is a fatherless boy who is sent to lodge with his housekeeper's family after his mother remarries, but when his mother dies he decides to run away…
Hard Times is set in the fictional city of Coketown and it is centered around utilitarian and industrial influences on Victorian society.
A Tale of Two Cities depicts the plight of the French peasantry demoralized by the French aristocracy in the years leading up to the revolution, and many unflattering social parallels with life in London during the same period.
Great Expectations depicts the personal growth and development of an orphan nicknamed Pip in Kent and London in the early to mid-19th century.
Bleak House – legal thriller based on true events.
Little Dorrit – criticize the institution of debtors' prisons, the shortcomings of both government and society.
COLLECTED LETTERS
THE LIFE OF CHARLES DICKENS by John Forster

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‘Captain! Mentioning them unfort’net words of mine respecting Gaffer, it is contrairily to be bore in mind that Gaffer always were a precious rascal, and that his line were a thieving line. Likeways when I went to them two Governors, Lawyer Lightwood and the t’other Governor, with my information, I may have been a little over-eager for the cause of justice, or (to put it another way) a little over-stimilated by them feelings which rouses a man up, when a pot of money is going about, to get his hand into that pot of money for his family’s sake. Besides which, I think the wine of them two Governors was—I will not say a hocussed wine, but fur from a wine as was elthy for the mind. And there’s another thing to be remembered, Captain. Did I stick to them words when Gaffer was no more, and did I say bold to them two Governors, “Governors both, wot I informed I still inform; wot was took down I hold to”? No. I says, frank and open—no shuffling, mind you, Captain!—“I may have been mistook, I’ve been a thinking of it, it mayn’t have been took down correct on this and that, and I won’t swear to thick and thin, I’d rayther forfeit your good opinions than do it.” And so far as I know,’ concluded Mr Riderhood, by way of proof and evidence to character, ‘I have actiwally forfeited the good opinions of several persons—even your own, Captain, if I understand your words—but I’d sooner do it than be forswore. There; if that’s conspiracy, call me conspirator.’

‘You shall sign,’ said the visitor, taking very little heed of this oration, ‘a statement that it was all utterly false, and the poor girl shall have it. I will bring it with me for your signature, when I come again.’

‘When might you be expected, Captain?’ inquired Riderhood, again dubiously getting between him and door.

‘Quite soon enough for you. I shall not disappoint you; don’t be afraid.’

‘Might you be inclined to leave any name, Captain?’

‘No, not at all. I have no such intention.’

‘“Shall” is summ’at of a hard word, Captain,’ urged Riderhood, still feebly dodging between him and the door, as he advanced. ‘When you say a man “shall” sign this and that and t’other, Captain, you order him about in a grand sort of a way. Don’t it seem so to yourself?’

The man stood still, and angrily fixed him with his eyes.

‘Father, father!’ entreated Pleasant, from the door, with her disengaged hand nervously trembling at her lips; ‘don’t! Don’t get into trouble any more!’

‘Hear me out, Captain, hear me out! All I was wishing to mention, Captain, afore you took your departer,’ said the sneaking Mr Riderhood, falling out of his path, ‘was, your handsome words relating to the reward.’

‘When I claim it,’ said the man, in a tone which seemed to leave some such words as ‘you dog,’ very distinctly understood, ‘you shall share it.’

Looking stedfastly at Riderhood, he once more said in a low voice, this time with a grim sort of admiration of him as a perfect piece of evil, ‘What a liar you are!’ and, nodding his head twice or thrice over the compliment, passed out of the shop. But, to Pleasant he said good-night kindly.

The honest man who gained his living by the sweat of his brow remained in a state akin to stupefaction, until the footless glass and the unfinished bottle conveyed themselves into his mind. From his mind he conveyed them into his hands, and so conveyed the last of the wine into his stomach. When that was done, he awoke to a clear perception that Poll Parroting was solely chargeable with what had passed. Therefore, not to be remiss in his duty as a father, he threw a pair of sea-boots at Pleasant, which she ducked to avoid, and then cried, poor thing, using her hair for a pocket-handkerchief.

Chapter 13.

A Solo and a Duett

Table of Contents

The wind was blowing so hard when the visitor came out at the shop-door into the darkness and dirt of Limehouse Hole, that it almost blew him in again. Doors were slamming violently, lamps were flickering or blown out, signs were rocking in their frames, the water of the kennels, wind-dispersed, flew about in drops like rain. Indifferent to the weather, and even preferring it to better weather for its clearance of the streets, the man looked about him with a scrutinizing glance. ‘Thus much I know,’ he murmured. ‘I have never been here since that night, and never was here before that night, but thus much I recognize. I wonder which way did we take when we came out of that shop. We turned to the right as I have turned, but I can recall no more. Did we go by this alley? Or down that little lane?’

He tried both, but both confused him equally, and he came straying back to the same spot. ‘I remember there were poles pushed out of upper windows on which clothes were drying, and I remember a low public-house, and the sound flowing down a narrow passage belonging to it of the scraping of a fiddle and the shuffling of feet. But here are all these things in the lane, and here are all these things in the alley. And I have nothing else in my mind but a wall, a dark doorway, a flight of stairs, and a room.’

He tried a new direction, but made nothing of it; walls, dark doorways, flights of stairs and rooms, were too abundant. And, like most people so puzzled, he again and again described a circle, and found himself at the point from which he had begun. ‘This is like what I have read in narratives of escape from prison,’ said he, ‘where the little track of the fugitives in the night always seems to take the shape of the great round world, on which they wander; as if it were a secret law.’

Here he ceased to be the oakum-headed, oakum-whiskered man on whom Miss Pleasant Riderhood had looked, and, allowing for his being still wrapped in a nautical overcoat, became as like that same lost wanted Mr Julius Handford, as never man was like another in this world. In the breast of the coat he stowed the bristling hair and whisker, in a moment, as the favouring wind went with him down a solitary place that it had swept clear of passengers. Yet in that same moment he was the Secretary also, Mr Boffin’s Secretary. For John Rokesmith, too, was as like that same lost wanted Mr Julius Handford as never man was like another in this world.

‘I have no clue to the scene of my death,’ said he. ‘Not that it matters now. But having risked discovery by venturing here at all, I should have been glad to track some part of the way.’ With which singular words he abandoned his search, came up out of Limehouse Hole, and took the way past Limehouse Church. At the great iron gate of the churchyard he stopped and looked in. He looked up at the high tower spectrally resisting the wind, and he looked round at the white tombstones, like enough to the dead in their winding-sheets, and he counted the nine tolls of the clock-bell.

‘It is a sensation not experienced by many mortals,’ said he, ‘to be looking into a churchyard on a wild windy night, and to feel that I no more hold a place among the living than these dead do, and even to know that I lie buried somewhere else, as they lie buried here. Nothing uses me to it. A spirit that was once a man could hardly feel stranger or lonelier, going unrecognized among mankind, than I feel.

‘But this is the fanciful side of the situation. It has a real side, so difficult that, though I think of it every day, I never thoroughly think it out. Now, let me determine to think it out as I walk home. I know I evade it, as many men—perhaps most men—do evade thinking their way through their greatest perplexity. I will try to pin myself to mine. Don’t evade it, John Harmon; don’t evade it; think it out!

‘When I came to England, attracted to the country with which I had none but most miserable associations, by the accounts of my fine inheritance that found me abroad, I came back, shrinking from my father’s money, shrinking from my father’s memory, mistrustful of being forced on a mercenary wife, mistrustful of my father’s intention in thrusting that marriage on me, mistrustful that I was already growing avaricious, mistrustful that I was slackening in gratitude to the two dear noble honest friends who had made the only sunlight in my childish life or that of my heartbroken sister. I came back, timid, divided in my mind, afraid of myself and everybody here, knowing of nothing but wretchedness that my father’s wealth had ever brought about. Now, stop, and so far think it out, John Harmon. Is that so? That is exactly so.

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