Charles Dickens - Charles Dickens' Most Influential Works (Illustrated)

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Our Mutual Friend – explores the conflict between doing what society expects of a person and the idea of being true to oneself
The Pickwick Papers – To extend his researches into the quaint and curious phenomena of life, Samuel Pickwick suggests that he and three other «Pickwickians» should make journeys to places remote from London and report on their findings to the other members.
Oliver Twist is an orphan who starts his life in a workhouse and is then sold into apprenticeship with an undertaker. He escapes from there and travels to London, where he meets the Artful Dodger, a member of a gang of juvenile pickpockets led by the elderly criminal, Fagin…
A Christmas Carol tells the story of a bitter old miser named Ebenezer Scrooge and his transformation after visitations by the ghost of his former business partner and the Ghosts of Christmas Past, Present and Yet to Come.
David Copperfield is a fatherless boy who is sent to lodge with his housekeeper's family after his mother remarries, but when his mother dies he decides to run away…
Hard Times is set in the fictional city of Coketown and it is centered around utilitarian and industrial influences on Victorian society.
A Tale of Two Cities depicts the plight of the French peasantry demoralized by the French aristocracy in the years leading up to the revolution, and many unflattering social parallels with life in London during the same period.
Great Expectations depicts the personal growth and development of an orphan nicknamed Pip in Kent and London in the early to mid-19th century.
Bleak House – legal thriller based on true events.
Little Dorrit – criticize the institution of debtors' prisons, the shortcomings of both government and society.
COLLECTED LETTERS
THE LIFE OF CHARLES DICKENS by John Forster

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‘I suppose you, Lammle,’ said Fledgeby, eating his bread and butter, ‘always did go in for female society?’

‘Always,’ replied Lammle, glooming considerably under his late treatment.

‘Came natural to you, eh?’ said Fledgeby.

‘The sex were pleased to like me, sir,’ said Lammle sulkily, but with the air of a man who had not been able to help himself.

‘Made a pretty good thing of marrying, didn’t you?’ asked Fledgeby.

The other smiled (an ugly smile), and tapped one tap upon his nose.

‘My late governor made a mess of it,’ said Fledgeby. ‘But Geor—is the right name Georgina or Georgiana?’

‘Georgiana.’

‘I was thinking yesterday, I didn’t know there was such a name. I thought it must end in ina.’

‘Why?’

‘Why, you play—if you can—the Concertina, you know,’ replied Fledgeby, meditating very slowly. ‘And you have—when you catch it—the Scarlatina. And you can come down from a balloon in a parach—no you can’t though. Well, say Georgeute—I mean Georgiana.’

‘You were going to remark of Georgiana—?’ Lammle moodily hinted, after waiting in vain.

‘I was going to remark of Georgiana, sir,’ said Fledgeby, not at all pleased to be reminded of his having forgotten it, ‘that she don’t seem to be violent. Don’t seem to be of the pitching-in order.’

‘She has the gentleness of the dove, Mr Fledgeby.’

‘Of course you’ll say so,’ replied Fledgeby, sharpening, the moment his interest was touched by another. ‘But you know, the real look-out is this:—what I say, not what you say. I say having my late governor and my late mother in my eye—that Georgiana don’t seem to be of the pitching-in order.’

The respected Mr Lammle was a bully, by nature and by usual practice. Perceiving, as Fledgeby’s affronts cumulated, that conciliation by no means answered the purpose here, he now directed a scowling look into Fledgeby’s small eyes for the effect of the opposite treatment. Satisfied by what he saw there, he burst into a violent passion and struck his hand upon the table, making the china ring and dance.

‘You are a very offensive fellow, sir,’ cried Mr Lammle, rising. ‘You are a highly offensive scoundrel. What do you mean by this behaviour?’

‘I say!’ remonstrated Fledgeby. ‘Don’t break out.’

‘You are a very offensive fellow sir,’ repeated Mr Lammle. ‘You are a highly offensive scoundrel!’

‘I say , you know!’ urged Fledgeby, quailing.

‘Why, you coarse and vulgar vagabond!’ said Mr Lammle, looking fiercely about him, ‘if your servant was here to give me sixpence of your money to get my boots cleaned afterwards—for you are not worth the expenditure—I’d kick you.’

‘No you wouldn’t,’ pleaded Fledgeby. ‘I am sure you’d think better of it.’

‘I tell you what, Mr Fledgeby,’ said Lammle advancing on him. ‘Since you presume to contradict me, I’ll assert myself a little. Give me your nose!’

Fledgeby covered it with his hand instead, and said, retreating, ‘I beg you won’t!’

‘Give me your nose, sir,’ repeated Lammle.

Still covering that feature and backing, Mr Fledgeby reiterated (apparently with a severe cold in his head), ‘I beg, I beg, you won’t.’

‘And this fellow,’ exclaimed Lammle, stopping and making the most of his chest—‘This fellow presumes on my having selected him out of all the young fellows I know, for an advantageous opportunity! This fellow presumes on my having in my desk round the corner, his dirty note of hand for a wretched sum payable on the occurrence of a certain event, which event can only be of my and my wife’s bringing about! This fellow, Fledgeby, presumes to be impertinent to me, Lammle. Give me your nose sir!’

‘No! Stop! I beg your pardon,’ said Fledgeby, with humility.

‘What do you say, sir?’ demanded Mr Lammle, seeming too furious to understand.

‘I beg your pardon,’ repeated Fledgeby.

‘Repeat your words louder, sir. The just indignation of a gentleman has sent the blood boiling to my head. I don’t hear you.’

‘I say,’ repeated Fledgeby, with laborious explanatory politeness, ‘I beg your pardon.’

Mr Lammle paused. ‘As a man of honour,’ said he, throwing himself into a chair, ‘I am disarmed.’

Mr Fledgeby also took a chair, though less demonstratively, and by slow approaches removed his hand from his nose. Some natural diffidence assailed him as to blowing it, so shortly after its having assumed a personal and delicate, not to say public, character; but he overcame his scruples by degrees, and modestly took that liberty under an implied protest.

‘Lammle,’ he said sneakingly, when that was done, ‘I hope we are friends again?’

‘Mr Fledgeby,’ returned Lammle, ‘say no more.’

‘I must have gone too far in making myself disagreeable,’ said Fledgeby, ‘but I never intended it.’

‘Say no more, say no more!’ Mr Lammle repeated in a magnificent tone. ‘Give me your’—Fledgeby started—‘hand.’

They shook hands, and on Mr Lammle’s part, in particular, there ensued great geniality. For, he was quite as much of a dastard as the other, and had been in equal danger of falling into the second place for good, when he took heart just in time, to act upon the information conveyed to him by Fledgeby’s eye.

The breakfast ended in a perfect understanding. Incessant machinations were to be kept at work by Mr and Mrs Lammle; love was to be made for Fledgeby, and conquest was to be insured to him; he on his part very humbly admitting his defects as to the softer social arts, and entreating to be backed to the utmost by his two able coadjutors.

Little recked Mr Podsnap of the traps and toils besetting his Young Person. He regarded her as safe within the Temple of Podsnappery, hiding the fulness of time when she, Georgiana, should take him, Fitz-Podsnap, who with all his worldly goods should her endow. It would call a blush into the cheek of his standard Young Person to have anything to do with such matters save to take as directed, and with worldly goods as per settlement to be endowed. Who giveth this woman to be married to this man? I, Podsnap. Perish the daring thought that any smaller creation should come between!

It was a public holiday, and Fledgeby did not recover his spirits or his usual temperature of nose until the afternoon. Walking into the City in the holiday afternoon, he walked against a living stream setting out of it; and thus, when he turned into the precincts of St Mary Axe, he found a prevalent repose and quiet there. A yellow overhanging plaster-fronted house at which he stopped was quiet too. The blinds were all drawn down, and the inscription Pubsey and Co. seemed to doze in the counting-house window on the ground-floor giving on the sleepy street.

Fledgeby knocked and rang, and Fledgeby rang and knocked, but no one came. Fledgeby crossed the narrow street and looked up at the house-windows, but nobody looked down at Fledgeby. He got out of temper, crossed the narrow street again, and pulled the housebell as if it were the house’s nose, and he were taking a hint from his late experience. His ear at the keyhole seemed then, at last, to give him assurance that something stirred within. His eye at the keyhole seemed to confirm his ear, for he angrily pulled the house’s nose again, and pulled and pulled and continued to pull, until a human nose appeared in the dark doorway.

‘Now you sir!’ cried Fledgeby. ‘These are nice games!’

He addressed an old Jewish man in an ancient coat, long of skirt, and wide of pocket. A venerable man, bald and shining at the top of his head, and with long grey hair flowing down at its sides and mingling with his beard. A man who with a graceful Eastern action of homage bent his head, and stretched out his hands with the palms downward, as if to deprecate the wrath of a superior.

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