Charles Dickens - Charles Dickens' Most Influential Works (Illustrated)

‘Read of it with teacher at the school,’ said the boy.

‘And Lazarus?’

‘Yes, and him too. But don’t you tell my father! We should have no peace in our place, if that got touched upon. It’s my sister’s contriving.’

‘You seem to have a good sister.’

‘She ain’t half bad,’ said the boy; ‘but if she knows her letters it’s the most she does—and them I learned her.’

The gloomy Eugene, with his hands in his pockets, had strolled in and assisted at the latter part of the dialogue; when the boy spoke these words slightingly of his sister, he took him roughly enough by the chin, and turned up his face to look at it.

‘Well, I’m sure, sir!’ said the boy, resisting; ‘I hope you’ll know me again.’

Eugene vouchsafed no answer; but made the proposal to Mortimer, ‘I’ll go with you, if you like?’ So, they all three went away together in the vehicle that had brought the boy; the two friends (once boys together at a public school) inside, smoking cigars; the messenger on the box beside the driver.

‘Let me see,’ said Mortimer, as they went along; ‘I have been, Eugene, upon the honourable roll of solicitors of the High Court of Chancery, and attorneys at Common Law, five years; and—except gratuitously taking instructions, on an average once a fortnight, for the will of Lady Tippins who has nothing to leave—I have had no scrap of business but this romantic business.’

‘And I,’ said Eugene, ‘have been “called” seven years, and have had no business at all, and never shall have any. And if I had, I shouldn’t know how to do it.’

‘I am far from being clear as to the last particular,’ returned Mortimer, with great composure, ‘that I have much advantage over you.’

‘I hate,’ said Eugene, putting his legs up on the opposite seat, ‘I hate my profession.’

‘Shall I incommode you, if I put mine up too?’ returned Mortimer. ‘Thank you. I hate mine.’

‘It was forced upon me,’ said the gloomy Eugene, ‘because it was understood that we wanted a barrister in the family. We have got a precious one.’

‘It was forced upon me,’ said Mortimer, ‘because it was understood that we wanted a solicitor in the family. And we have got a precious one.’

‘There are four of us, with our names painted on a door-post in right of one black hole called a set of chambers,’ said Eugene; ‘and each of us has the fourth of a clerk—Cassim Baba, in the robber’s cave—and Cassim is the only respectable member of the party.’

‘I am one by myself, one,’ said Mortimer, ‘high up an awful staircase commanding a burial-ground, and I have a whole clerk to myself, and he has nothing to do but look at the burial-ground, and what he will turn out when arrived at maturity, I cannot conceive. Whether, in that shabby rook’s nest, he is always plotting wisdom, or plotting murder; whether he will grow up, after so much solitary brooding, to enlighten his fellow-creatures, or to poison them; is the only speck of interest that presents itself to my professional view. Will you give me a light? Thank you.’

‘Then idiots talk,’ said Eugene, leaning back, folding his arms, smoking with his eyes shut, and speaking slightly through his nose, ‘of Energy. If there is a word in the dictionary under any letter from A to Z that I abominate, it is energy. It is such a conventional superstition, such parrot gabble! What the deuce! Am I to rush out into the street, collar the first man of a wealthy appearance that I meet, shake him, and say, “Go to law upon the spot, you dog, and retain me, or I’ll be the death of you”? Yet that would be energy.’

‘Precisely my view of the case, Eugene. But show me a good opportunity, show me something really worth being energetic about, and I’ll show you energy.’

‘And so will I,’ said Eugene.

And it is likely enough that ten thousand other young men, within the limits of the London Post-office town delivery, made the same hopeful remark in the course of the same evening.

The wheels rolled on, and rolled down by the Monument and by the Tower, and by the Docks; down by Ratcliffe, and by Rotherhithe; down by where accumulated scum of humanity seemed to be washed from higher grounds, like so much moral sewage, and to be pausing until its own weight forced it over the bank and sunk it in the river. In and out among vessels that seemed to have got ashore, and houses that seemed to have got afloat—among bow-splits staring into windows, and windows staring into ships—the wheels rolled on, until they stopped at a dark corner, river-washed and otherwise not washed at all, where the boy alighted and opened the door.

‘You must walk the rest, sir; it’s not many yards.’ He spoke in the singular number, to the express exclusion of Eugene.

‘This is a confoundedly out-of-the-way place,’ said Mortimer, slipping over the stones and refuse on the shore, as the boy turned the corner sharp.

‘Here’s my father’s, sir; where the light is.’

The low building had the look of having once been a mill. There was a rotten wart of wood upon its forehead that seemed to indicate where the sails had been, but the whole was very indistinctly seen in the obscurity of the night. The boy lifted the latch of the door, and they passed at once into a low circular room, where a man stood before a red fire, looking down into it, and a girl sat engaged in needlework. The fire was in a rusty brazier, not fitted to the hearth; and a common lamp, shaped like a hyacinth-root, smoked and flared in the neck of a stone bottle on the table. There was a wooden bunk or berth in a corner, and in another corner a wooden stair leading above—so clumsy and steep that it was little better than a ladder. Two or three old sculls and oars stood against the wall, and against another part of the wall was a small dresser, making a spare show of the commonest articles of crockery and cooking-vessels. The roof of the room was not plastered, but was formed of the flooring of the room above. This, being very old, knotted, seamed, and beamed, gave a lowering aspect to the chamber; and roof, and walls, and floor, alike abounding in old smears of flour, red-lead (or some such stain which it had probably acquired in warehousing), and damp, alike had a look of decomposition.

‘The gentleman, father.’

The figure at the red fire turned, raised its ruffled head, and looked like a bird of prey.

‘You’re Mortimer Lightwood Esquire; are you, sir?’

‘Mortimer Lightwood is my name. What you found,’ said Mortimer, glancing rather shrinkingly towards the bunk; ‘is it here?’

‘’Tain’t not to say here, but it’s close by. I do everything reg’lar. I’ve giv’ notice of the circumstarnce to the police, and the police have took possession of it. No time ain’t been lost, on any hand. The police have put into print already, and here’s what the print says of it.’

Taking up the bottle with the lamp in it, he held it near a paper on the wall, with the police heading, BODY FOUND. The two friends read the handbill as it stuck against the wall, and Gaffer read them as he held the light.

‘Only papers on the unfortunate man, I see,’ said Lightwood, glancing from the description of what was found, to the finder.

‘Only papers.’

Here the girl arose with her work in her hand, and went out at the door.

‘No money,’ pursued Mortimer; ‘but threepence in one of the skirt-pockets.’

‘Three. Penny. Pieces,’ said Gaffer Hexam, in as many sentences.

‘The trousers pockets empty, and turned inside out.’

Gaffer Hexam nodded. ‘But that’s common. Whether it’s the wash of the tide or no, I can’t say. Now, here,’ moving the light to another similar placard, ‘ his pockets was found empty, and turned inside out. And here,’ moving the light to another, ‘ her pocket was found empty, and turned inside out. And so was this one’s. And so was that one’s. I can’t read, nor I don’t want to it, for I know ‘em by their places on the wall. This one was a sailor, with two anchors and a flag and G. F. T. on his arm. Look and see if he warn’t.’