Charles Dickens - Charles Dickens' Most Influential Works (Illustrated)

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Our Mutual Friend – explores the conflict between doing what society expects of a person and the idea of being true to oneself
The Pickwick Papers – To extend his researches into the quaint and curious phenomena of life, Samuel Pickwick suggests that he and three other «Pickwickians» should make journeys to places remote from London and report on their findings to the other members.
Oliver Twist is an orphan who starts his life in a workhouse and is then sold into apprenticeship with an undertaker. He escapes from there and travels to London, where he meets the Artful Dodger, a member of a gang of juvenile pickpockets led by the elderly criminal, Fagin…
A Christmas Carol tells the story of a bitter old miser named Ebenezer Scrooge and his transformation after visitations by the ghost of his former business partner and the Ghosts of Christmas Past, Present and Yet to Come.
David Copperfield is a fatherless boy who is sent to lodge with his housekeeper's family after his mother remarries, but when his mother dies he decides to run away…
Hard Times is set in the fictional city of Coketown and it is centered around utilitarian and industrial influences on Victorian society.
A Tale of Two Cities depicts the plight of the French peasantry demoralized by the French aristocracy in the years leading up to the revolution, and many unflattering social parallels with life in London during the same period.
Great Expectations depicts the personal growth and development of an orphan nicknamed Pip in Kent and London in the early to mid-19th century.
Bleak House – legal thriller based on true events.
Little Dorrit – criticize the institution of debtors' prisons, the shortcomings of both government and society.
COLLECTED LETTERS
THE LIFE OF CHARLES DICKENS by John Forster

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Mortimer proceeds.

‘We must now return, as novelists say, and as we all wish they wouldn’t, to the man from Somewhere. Being a boy of fourteen, cheaply educated at Brussels when his sister’s expulsion befell, it was some little time before he heard of it—probably from herself, for the mother was dead; but that I don’t know. Instantly, he absconded, and came over here. He must have been a boy of spirit and resource, to get here on a stopped allowance of five sous a week; but he did it somehow, and he burst in on his father, and pleaded his sister’s cause. Venerable parent promptly resorts to anathematization, and turns him out. Shocked and terrified boy takes flight, seeks his fortune, gets aboard ship, ultimately turns up on dry land among the Cape wine: small proprietor, farmer, grower—whatever you like to call it.’

At this juncture, shuffling is heard in the hall, and tapping is heard at the dining-room door. Analytical Chemist goes to the door, confers angrily with unseen tapper, appears to become mollified by descrying reason in the tapping, and goes out.

‘So he was discovered, only the other day, after having been expatriated about fourteen years.’

A Buffer, suddenly astounding the other three, by detaching himself, and asserting individuality, inquires: ‘How discovered, and why?’

‘Ah! To be sure. Thank you for reminding me. Venerable parent dies.’

Same Buffer, emboldened by success, says: ‘When?’

‘The other day. Ten or twelve months ago.’

Same Buffer inquires with smartness, ‘What of?’ But herein perishes a melancholy example; being regarded by the three other Buffers with a stony stare, and attracting no further attention from any mortal.

‘Venerable parent,’ Mortimer repeats with a passing remembrance that there is a Veneering at table, and for the first time addressing him—‘dies.’

The gratified Veneering repeats, gravely, ‘dies’; and folds his arms, and composes his brow to hear it out in a judicial manner, when he finds himself again deserted in the bleak world.

‘His will is found,’ said Mortimer, catching Mrs Podsnap’s rocking-horse’s eye. ‘It is dated very soon after the son’s flight. It leaves the lowest of the range of dust-mountains, with some sort of a dwelling-house at its foot, to an old servant who is sole executor, and all the rest of the property—which is very considerable—to the son. He directs himself to be buried with certain eccentric ceremonies and precautions against his coming to life, with which I need not bore you, and that’s all—except—’ and this ends the story.

The Analytical Chemist returning, everybody looks at him. Not because anybody wants to see him, but because of that subtle influence in nature which impels humanity to embrace the slightest opportunity of looking at anything, rather than the person who addresses it.

‘—Except that the son’s inheriting is made conditional on his marrying a girl, who at the date of the will, was a child of four or five years old, and who is now a marriageable young woman. Advertisement and inquiry discovered the son in the man from Somewhere, and at the present moment, he is on his way home from there—no doubt, in a state of great astonishment—to succeed to a very large fortune, and to take a wife.’

Mrs Podsnap inquires whether the young person is a young person of personal charms? Mortimer is unable to report.

Mr Podsnap inquires what would become of the very large fortune, in the event of the marriage condition not being fulfilled? Mortimer replies, that by special testamentary clause it would then go to the old servant above mentioned, passing over and excluding the son; also, that if the son had not been living, the same old servant would have been sole residuary legatee.

Mrs Veneering has just succeeded in waking Lady Tippins from a snore, by dexterously shunting a train of plates and dishes at her knuckles across the table; when everybody but Mortimer himself becomes aware that the Analytical Chemist is, in a ghostly manner, offering him a folded paper. Curiosity detains Mrs Veneering a few moments.

Mortimer, in spite of all the arts of the chemist, placidly refreshes himself with a glass of Madeira, and remains unconscious of the Document which engrosses the general attention, until Lady Tippins (who has a habit of waking totally insensible), having remembered where she is, and recovered a perception of surrounding objects, says: ‘Falser man than Don Juan; why don’t you take the note from the commendatore?’ Upon which, the chemist advances it under the nose of Mortimer, who looks round at him, and says:

‘What’s this?’

Analytical Chemist bends and whispers.

Who ?’ Says Mortimer.

Analytical Chemist again bends and whispers.

Mortimer stares at him, and unfolds the paper. Reads it, reads it twice, turns it over to look at the blank outside, reads it a third time.

‘This arrives in an extraordinarily opportune manner,’ says Mortimer then, looking with an altered face round the table: ‘this is the conclusion of the story of the identical man.’

‘Already married?’ one guesses.

‘Declines to marry?’ another guesses.

‘Codicil among the dust?’ another guesses.

‘Why, no,’ says Mortimer; ‘remarkable thing, you are all wrong. The story is completer and rather more exciting than I supposed. Man’s drowned!’

Chapter 3.

Another Man

Table of Contents

As the disappearing skirts of the ladies ascended the Veneering staircase, Mortimer, following them forth from the dining-room, turned into a library of bran-new books, in bran-new bindings liberally gilded, and requested to see the messenger who had brought the paper. He was a boy of about fifteen. Mortimer looked at the boy, and the boy looked at the bran-new pilgrims on the wall, going to Canterbury in more gold frame than procession, and more carving than country.

‘Whose writing is this?’

‘Mine, sir.’

‘Who told you to write it?’

‘My father, Jesse Hexam.’

‘Is it he who found the body?’

‘Yes, sir.’

‘What is your father?’

The boy hesitated, looked reproachfully at the pilgrims as if they had involved him in a little difficulty, then said, folding a plait in the right leg of his trousers, ‘He gets his living along-shore.’

‘Is it far?’

‘Is which far?’ asked the boy, upon his guard, and again upon the road to Canterbury.

‘To your father’s?’

‘It’s a goodish stretch, sir. I come up in a cab, and the cab’s waiting to be paid. We could go back in it before you paid it, if you liked. I went first to your office, according to the direction of the papers found in the pockets, and there I see nobody but a chap of about my age who sent me on here.’

There was a curious mixture in the boy, of uncompleted savagery, and uncompleted civilization. His voice was hoarse and coarse, and his face was coarse, and his stunted figure was coarse; but he was cleaner than other boys of his type; and his writing, though large and round, was good; and he glanced at the backs of the books, with an awakened curiosity that went below the binding. No one who can read, ever looks at a book, even unopened on a shelf, like one who cannot.

‘Were any means taken, do you know, boy, to ascertain if it was possible to restore life?’ Mortimer inquired, as he sought for his hat.

‘You wouldn’t ask, sir, if you knew his state. Pharaoh’s multitude that were drowned in the Red Sea, ain’t more beyond restoring to life. If Lazarus was only half as far gone, that was the greatest of all the miracles.’

‘Halloa!’ cried Mortimer, turning round with his hat upon his head, ‘you seem to be at home in the Red Sea, my young friend?’

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