Charles Dickens - Charles Dickens' Most Influential Works (Illustrated)

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Our Mutual Friend – explores the conflict between doing what society expects of a person and the idea of being true to oneself
The Pickwick Papers – To extend his researches into the quaint and curious phenomena of life, Samuel Pickwick suggests that he and three other «Pickwickians» should make journeys to places remote from London and report on their findings to the other members.
Oliver Twist is an orphan who starts his life in a workhouse and is then sold into apprenticeship with an undertaker. He escapes from there and travels to London, where he meets the Artful Dodger, a member of a gang of juvenile pickpockets led by the elderly criminal, Fagin…
A Christmas Carol tells the story of a bitter old miser named Ebenezer Scrooge and his transformation after visitations by the ghost of his former business partner and the Ghosts of Christmas Past, Present and Yet to Come.
David Copperfield is a fatherless boy who is sent to lodge with his housekeeper's family after his mother remarries, but when his mother dies he decides to run away…
Hard Times is set in the fictional city of Coketown and it is centered around utilitarian and industrial influences on Victorian society.
A Tale of Two Cities depicts the plight of the French peasantry demoralized by the French aristocracy in the years leading up to the revolution, and many unflattering social parallels with life in London during the same period.
Great Expectations depicts the personal growth and development of an orphan nicknamed Pip in Kent and London in the early to mid-19th century.
Bleak House – legal thriller based on true events.
Little Dorrit – criticize the institution of debtors' prisons, the shortcomings of both government and society.
COLLECTED LETTERS
THE LIFE OF CHARLES DICKENS by John Forster

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I had told Wemmick of his showing us her wrists, that day of the dinner party.

“Well, sir!” Wemmick went on; “it happened — happened, don’t you see? — that this woman was so very artfully dressed from the time of her apprehension, that she looked much slighter than she really was; in particular, her sleeves are always remembered to have been so skilfully contrived that her arms had quite a delicate look. She had only a bruise or two about her, — nothing for a tramp, — but the backs of her hands were lacerated, and the question was, Was it with fingernails? Now, Mr. Jaggers showed that she had struggled through a great lot of brambles which were not as high as her face; but which she could not have got through and kept her hands out of; and bits of those brambles were actually found in her skin and put in evidence, as well as the fact that the brambles in question were found on examination to have been broken through, and to have little shreds of her dress and little spots of blood upon them here and there. But the boldest point he made was this: it was attempted to be set up, in proof of her jealousy, that she was under strong suspicion of having, at about the time of the murder, frantically destroyed her child by this man — some three years old — to revenge herself upon him. Mr. Jaggers worked that in this way: “We say these are not marks of fingernails, but marks of brambles, and we show you the brambles. You say they are marks of fingernails, and you set up the hypothesis that she destroyed her child. You must accept all consequences of that hypothesis. For anything we know, she may have destroyed her child, and the child in clinging to her may have scratched her hands. What then? You are not trying her for the murder of her child; why don’t you? As to this case, if you will have scratches, we say that, for anything we know, you may have accounted for them, assuming for the sake of argument that you have not invented them?” To sum up, sir,” said Wemmick, “Mr. Jaggers was altogether too many for the jury, and they gave in.”

“Has she been in his service ever since?”

“Yes; but not only that,” said Wemmick, “she went into his service immediately after her acquittal, tamed as she is now. She has since been taught one thing and another in the way of her duties, but she was tamed from the beginning.”

“Do you remember the sex of the child?”

“Said to have been a girl.”

“You have nothing more to say to me tonight?”

“Nothing. I got your letter and destroyed it. Nothing.”

We exchanged a cordial goodnight, and I went home, with new matter for my thoughts, though with no relief from the old.

Chapter XLIX

Table of Contents

Putting Miss Havisham’s note in my pocket, that it might serve as my credentials for so soon reappearing at Satis House, in case her waywardness should lead her to express any surprise at seeing me, I went down again by the coach next day. But I alighted at the Halfway House, and breakfasted there, and walked the rest of the distance; for I sought to get into the town quietly by the unfrequented ways, and to leave it in the same manner.

The best light of the day was gone when I passed along the quiet echoing courts behind the High Street. The nooks of ruin where the old monks had once had their refectories and gardens, and where the strong walls were now pressed into the service of humble sheds and stables, were almost as silent as the old monks in their graves. The cathedral chimes had at once a sadder and a more remote sound to me, as I hurried on avoiding observation, than they had ever had before; so, the swell of the old organ was borne to my ears like funeral music; and the rooks, as they hovered about the gray tower and swung in the bare high trees of the priory garden, seemed to call to me that the place was changed, and that Estella was gone out of it for ever.

An elderly woman, whom I had seen before as one of the servants who lived in the supplementary house across the back courtyard, opened the gate. The lighted candle stood in the dark passage within, as of old, and I took it up and ascended the staircase alone. Miss Havisham was not in her own room, but was in the larger room across the landing. Looking in at the door, after knocking in vain, I saw her sitting on the hearth in a ragged chair, close before, and lost in the contemplation of, the ashy fire.

Doing as I had often done, I went in, and stood touching the old chimneypiece, where she could see me when she raised her eyes. There was an air or utter loneliness upon her, that would have moved me to pity though she had wilfully done me a deeper injury than I could charge her with. As I stood compassionating her, and thinking how, in the progress of time, I too had come to be a part of the wrecked fortunes of that house, her eyes rested on me. She stared, and said in a low voice, “Is it real?”

“It is I, Pip. Mr. Jaggers gave me your note yesterday, and I have lost no time.”

“Thank you. Thank you.”

As I brought another of the ragged chairs to the hearth and sat down, I remarked a new expression on her face, as if she were afraid of me.

“I want,” she said, “to pursue that subject you mentioned to me when you were last here, and to show you that I am not all stone. But perhaps you can never believe, now, that there is anything human in my heart?”

When I said some reassuring words, she stretched out her tremulous right hand, as though she was going to touch me; but she recalled it again before I understood the action, or knew how to receive it.

“You said, speaking for your friend, that you could tell me how to do something useful and good. Something that you would like done, is it not?”

“Something that I would like done very much.”

“What is it?”

I began explaining to her that secret history of the partnership. I had not got far into it, when I judged from her looks that she was thinking in a discursive way of me, rather than of what I said. It seemed to be so; for, when I stopped speaking, many moments passed before she showed that she was conscious of the fact.

“Do you break off,” she asked then, with her former air of being afraid of me, “because you hate me too much to bear to speak to me?”

“No, no,” I answered, “how can you think so, Miss Havisham! I stopped because I thought you were not following what I said.”

“Perhaps I was not,” she answered, putting a hand to her head. “Begin again, and let me look at something else. Stay! Now tell me.”

She set her hand upon her stick in the resolute way that sometimes was habitual to her, and looked at the fire with a strong expression of forcing herself to attend. I went on with my explanation, and told her how I had hoped to complete the transaction out of my means, but how in this I was disappointed. That part of the subject (I reminded her) involved matters which could form no part of my explanation, for they were the weighty secrets of another.

“So!” said she, assenting with her head, but not looking at me. “And how much money is wanting to complete the purchase?”

I was rather afraid of stating it, for it sounded a large sum. “Nine hundred pounds.”

“If I give you the money for this purpose, will you keep my secret as you have kept your own?”

“Quite as faithfully.”

“And your mind will be more at rest?”

“Much more at rest.”

“Are you very unhappy now?”

She asked this question, still without looking at me, but in an unwonted tone of sympathy. I could not reply at the moment, for my voice failed me. She put her left arm across the head of her stick, and softly laid her forehead on it.

“I am far from happy, Miss Havisham; but I have other causes of disquiet than any you know of. They are the secrets I have mentioned.”

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