Charles Dickens - Charles Dickens' Most Influential Works (Illustrated)

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Our Mutual Friend – explores the conflict between doing what society expects of a person and the idea of being true to oneself
The Pickwick Papers – To extend his researches into the quaint and curious phenomena of life, Samuel Pickwick suggests that he and three other «Pickwickians» should make journeys to places remote from London and report on their findings to the other members.
Oliver Twist is an orphan who starts his life in a workhouse and is then sold into apprenticeship with an undertaker. He escapes from there and travels to London, where he meets the Artful Dodger, a member of a gang of juvenile pickpockets led by the elderly criminal, Fagin…
A Christmas Carol tells the story of a bitter old miser named Ebenezer Scrooge and his transformation after visitations by the ghost of his former business partner and the Ghosts of Christmas Past, Present and Yet to Come.
David Copperfield is a fatherless boy who is sent to lodge with his housekeeper's family after his mother remarries, but when his mother dies he decides to run away…
Hard Times is set in the fictional city of Coketown and it is centered around utilitarian and industrial influences on Victorian society.
A Tale of Two Cities depicts the plight of the French peasantry demoralized by the French aristocracy in the years leading up to the revolution, and many unflattering social parallels with life in London during the same period.
Great Expectations depicts the personal growth and development of an orphan nicknamed Pip in Kent and London in the early to mid-19th century.
Bleak House – legal thriller based on true events.
Little Dorrit – criticize the institution of debtors' prisons, the shortcomings of both government and society.
COLLECTED LETTERS
THE LIFE OF CHARLES DICKENS by John Forster

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“So, Pip! Our friend the Spider,” said Mr. Jaggers, “has played his cards. He has won the pool.”

It was as much as I could do to assent.

“Hah! He is a promising fellow — in his way — but he may not have it all his own way. The stronger will win in the end, but the stronger has to be found out first. If he should turn to, and beat her — ”

“Surely,” I interrupted, with a burning face and heart, “you do not seriously think that he is scoundrel enough for that, Mr. Jaggers?”

“I didn’t say so, Pip. I am putting a case. If he should turn to and beat her, he may possibly get the strength on his side; if it should be a question of intellect, he certainly will not. It would be chance work to give an opinion how a fellow of that sort will turn out in such circumstances, because it’s a toss-up between two results.”

“May I ask what they are?”

“A fellow like our friend the Spider,” answered Mr. Jaggers, “either beats or cringes. He may cringe and growl, or cringe and not growl; but he either beats or cringes. Ask Wemmick his opinion.”

“Either beats or cringes,” said Wemmick, not at all addressing himself to me.

“So here’s to Mrs. Bentley Drummle,” said Mr. Jaggers, taking a decanter of choicer wine from his dumb-waiter, and filling for each of us and for himself, “and may the question of supremacy be settled to the lady’s satisfaction! To the satisfaction of the lady and the gentleman, it never will be. Now, Molly, Molly, Molly, Molly, how slow you are to-day!”

She was at his elbow when he addressed her, putting a dish upon the table. As she withdrew her hands from it, she fell back a step or two, nervously muttering some excuse. And a certain action of her fingers, as she spoke, arrested my attention.

“What’s the matter?” said Mr. Jaggers.

“Nothing. Only the subject we were speaking of,” said I, “was rather painful to me.”

The action of her fingers was like the action of knitting. She stood looking at her master, not understanding whether she was free to go, or whether he had more to say to her and would call her back if she did go. Her look was very intent. Surely, I had seen exactly such eyes and such hands on a memorable occasion very lately!

He dismissed her, and she glided out of the room. But she remained before me as plainly as if she were still there. I looked at those hands, I looked at those eyes, I looked at that flowing hair; and I compared them with other hands, other eyes, other hair, that I knew of, and with what those might be after twenty years of a brutal husband and a stormy life. I looked again at those hands and eyes of the housekeeper, and thought of the inexplicable feeling that had come over me when I last walked — not alone — in the ruined garden, and through the deserted brewery. I thought how the same feeling had come back when I saw a face looking at me, and a hand waving to me from a stagecoach window; and how it had come back again and had flashed about me like lightning, when I had passed in a carriage — not alone — through a sudden glare of light in a dark street. I thought how one link of association had helped that identification in the theatre, and how such a link, wanting before, had been riveted for me now, when I had passed by a chance swift from Estella’s name to the fingers with their knitting action, and the attentive eyes. And I felt absolutely certain that this woman was Estella’s mother.

Mr. Jaggers had seen me with Estella, and was not likely to have missed the sentiments I had been at no pains to conceal. He nodded when I said the subject was painful to me, clapped me on the back, put round the wine again, and went on with his dinner.

Only twice more did the housekeeper reappear, and then her stay in the room was very short, and Mr. Jaggers was sharp with her. But her hands were Estella’s hands, and her eyes were Estella’s eyes, and if she had reappeared a hundred times I could have been neither more sure nor less sure that my conviction was the truth.

It was a dull evening, for Wemmick drew his wine, when it came round, quite as a matter of business, — just as he might have drawn his salary when that came round, — and with his eyes on his chief, sat in a state of perpetual readiness for cross-examination. As to the quantity of wine, his post-office was as indifferent and ready as any other post-office for its quantity of letters. From my point of view, he was the wrong twin all the time, and only externally like the Wemmick of Walworth.

We took our leave early, and left together. Even when we were groping among Mr. Jaggers’s stock of boots for our hats, I felt that the right twin was on his way back; and we had not gone half a dozen yards down Gerrard Street in the Walworth direction, before I found that I was walking arm in arm with the right twin, and that the wrong twin had evaporated into the evening air.

“Well!” said Wemmick, “that’s over! He’s a wonderful man, without his living likeness; but I feel that I have to screw myself up when I dine with him, — and I dine more comfortably unscrewed.”

I felt that this was a good statement of the case, and told him so.

“Wouldn’t say it to anybody but yourself,” he answered. “I know that what is said between you and me goes no further.”

I asked him if he had ever seen Miss Havisham’s adopted daughter, Mrs. Bentley Drummle. He said no. To avoid being too abrupt, I then spoke of the Aged and of Miss Skiffins. He looked rather sly when I mentioned Miss Skiffins, and stopped in the street to blow his nose, with a roll of the head, and a flourish not quite free from latent boastfulness.

“Wemmick,” said I, “do you remember telling me, before I first went to Mr. Jaggers’s private house, to notice that housekeeper?”

“Did I?” he replied. “Ah, I dare say I did. Deuce take me,” he added, suddenly, “I know I did. I find I am not quite unscrewed yet.”

“A wild beast tamed, you called her.”

“And what do you call her?”

“The same. How did Mr. Jaggers tame her, Wemmick?”

“That’s his secret. She has been with him many a long year.”

“I wish you would tell me her story. I feel a particular interest in being acquainted with it. You know that what is said between you and me goes no further.”

“Well!” Wemmick replied, “I don’t know her story, — that is, I don’t know all of it. But what I do know I’ll tell you. We are in our private and personal capacities, of course.”

“Of course.”

“A score or so of years ago, that woman was tried at the Old Bailey for murder, and was acquitted. She was a very handsome young woman, and I believe had some gypsy blood in her. Anyhow, it was hot enough when it was up, as you may suppose.”

“But she was acquitted.”

“Mr. Jaggers was for her,” pursued Wemmick, with a look full of meaning, “and worked the case in a way quite astonishing. It was a desperate case, and it was comparatively early days with him then, and he worked it to general admiration; in fact, it may almost be said to have made him. He worked it himself at the police-office, day after day for many days, contending against even a committal; and at the trial where he couldn’t work it himself, sat under counsel, and — every one knew — put in all the salt and pepper. The murdered person was a woman, — a woman a good ten years older, very much larger, and very much stronger. It was a case of jealousy. They both led tramping lives, and this woman in Gerrard Street here had been married very young, over the broomstick (as we say), to a tramping man, and was a perfect fury in point of jealousy. The murdered woman, — more a match for the man, certainly, in point of years — was found dead in a barn near Hounslow Heath. There had been a violent struggle, perhaps a fight. She was bruised and scratched and torn, and had been held by the throat, at last, and choked. Now, there was no reasonable evidence to implicate any person but this woman, and on the improbabilities of her having been able to do it Mr. Jaggers principally rested his case. You may be sure,” said Wemmick, touching me on the sleeve, “that he never dwelt upon the strength of her hands then, though he sometimes does now.”

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