E. F. Benson - The Complete Works of E. F. Benson (Illustrated Edition)

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Musaicum Books presents to you this carefully created collection of 'THE COMPLETE WORKS OF E. F. BENSON (Illustrated Edition)'. This ebook has been designed and formatted to the highest digital standards and adjusted for readability on all devices.
Edward Frederic Benson (1867-1940) was an English novelist, biographer, memoirist, archaeologist and short story writer, known professionally as E.F. Benson. He started his novel writing career in 1893 with the fashionably controversial Dodo, which was an instant success, and followed it with a variety of satire and romantic and supernatural melodrama. He repeated the success of Dodo, with sequels to this novel, but the greatest success came relatively late in his career with The Mapp and Lucia series consisting of six novels and two short stories. The novels feature humorous incidents in the lives of (mainly) upper-middle-class British people in the 1920s and 1930s, vying for social prestige and one-upmanship in an atmosphere of extreme cultural snobbery. Benson was also known as a writer of atmospheric, oblique, and at times humorous or satirical ghost stories.
Table of Contents:
Make Way For Lucia:
Queen Lucia
Miss Mapp
Lucia in London
Mapp and Lucia
Lucia's Progress or The Worshipful Lucia
Trouble for Lucia
The Male Impersonator
Desirable Residences
Novels:
Dodo; A Detail of the Day
Dodo's Daughter or Dodo the Second
Dodo Wonders
David Blaize
David Blaize and the Blue Door
David Blaize of King's
The Rubicon
The Judgement Books
The Vintage
Mammon and Co.
Scarlet and Hyssop
The Relentless City
The Valkyries
The Angel of Pain
The House of Defence
The Blotting Book
Daisy's Aunt
Mrs. Ames
Thorley Weir
Arundel
Michael
Up and Down
Across the Stream
Paying Guests
Short Story Collections:
The Room in the Tower, and Other Stories
The Countess of Lowndes Square, and Other Stories
Visible and Invisible
Spook Stories
More Spook Stories
Historical Works:
Deutschland Über Allah
Crescent and Iron Cross
Charlotte Bronte

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Pug gave a series of wheezy barks.

"Clever little man," said Lady Ambermere. "He is asking for his tea. He barks four times like that for his tea."

"And he shall have it," said Lucia. "Where are the others, Stephen?"

Mr Merriall exerted himself a little on hearing Lady Ambermere's name: he would put in a sentence about her . . .

"Lord Limpsfield and Mrs Garroby-Ashton have gone to play golf," he said. "Barbarously energetic of them, is it not, Lady Ambermere? What a sweet little dog."

"Pug does not like strangers," said Lady Ambermere. "And I am disappointed not to see Lord Limpsfield. Do we expect Mrs Shuttleworth and the Princess?"

"I left the message," said Lucia.

Lady Ambermere's eyes finished looking at Mr Merriall and proceeded slowly round the room.

"What is that curious picture?" she said. "I am completely puzzled."

Lucia gave her bright laugh: it was being an awful afternoon, but she had to keep her flag flying.

"Striking, is it not?" she said. "Dear Benjy Sigismund insisted on painting me. Such a lot of sittings."

Lady Ambermere looked from one to the other.

"I do not see any resemblance," she said. "It appears to me to resemble nothing. Ah, here is tea. A little lukewarm milk for Pug, Miss Lyall. Mix a little hot water with it, it does not suit him to have it quite cold. And I should like to see Mr Georgie Pillson. No doubt he could be told that I am here."

This was really rather desperate: Lucia could not produce Olga or the Princess, or Lord Limpsfield or Mrs Garroby-Ashton for Lady Ambermere, and she knew she could not produce Georgie, for by that time he would be at Olga's. All that was left for her was to be able to tell Lord Limpsfield and Mrs Garroby-Ashton when they returned that they had missed Lady Ambermere. As for Riseholme . . . but it was better not to think how she stood with regard to Riseholme, which, yesterday, she had settled to be of no account at all. If only, before coming down, she had asked them all to lunch and tea and dinner . . .

The message came back that Mr Pillson had gone to tea with Mrs Shuttleworth. Five minutes later came regrets from Olga that she had friends with her, and could not come to tea. Lady Ambermere ate seed cake in silence. Mrs Alingsby meantime had been spending the afternoon in her bedroom, and she now appeared in a chintz wrapper and morocco slippers. Her hair fell over her eyes like that of an Aberdeen terrier, and she gave a shrill scream when she saw Pug.

"I can't bear dogs," she said. "Take that dog away, dear Lucia. Burn it, drown it! You told me you hadn't got any dogs."

Lady Ambermere turned on her a face that should have instantly petrified her, if she had had any proper feeling. Never had Pug been so blasphemed. She rose as she swallowed the last mouthful of seed cake.

"We are inconveniencing your guests, Mrs Lucas," she said. "Pug and I will be off. Miss Lyall, Pug's leash. We must be getting back to The Hall. I shall look in at Mrs Shuttleworth's, and sign my name in the Princess's book. Goodbye, Mrs Lucas. Thank you for my tea."

She pointedly ignored Mrs Alingsby, and headed the gloomy frieze that defiled through the door. The sole bright spot was that she would find only a book of crossword puzzles to write her name in.

Chapter Six

Table of Contents

Lucia's guests went off by the early train next morning and she was left, like Marius among the ruins of Carthage. But, unlike that weak-hearted senator, she had no intention of mourning: her first function was to rebuild, and presently she became aware that the work of rebuilding had to begin from its very foundations. There was as background the fact that her weekend party had not been a triumphant success, for she had been speaking in London of Riseholme being such a queer dear old-fashioned little place, where everybody adored her, and where Olga kept incessantly running in to sing acts and acts of the most renowned operas in her music-room; she had also represented Princess Isabel as being a dear and intimate friend, and these two cronies of hers had politely but firmly refused all invitations to pop in. Lady Ambermere, it is true, had popped in, but nobody had seemed the least impressed with her, and Lucia had really been very glad when after Sophy's painful remarks about Pug, she had popped out, leaving that astonished post-cubist free to inquire who that crashing old hag was. Of course all this could be quickly lived down again when she got to London, but it certainly did require obliteration.

What gave her more pause for thought was the effect that her weekend had produced on Riseholme. Lucia knew that all Riseholme knew that Olga and the Princess had lunched off cold lamb with Georgie, and had never been near The Hurst, and Riseholme, if she knew Riseholme at all, would have something to talk about there. Riseholme knew also that Lucia and her party had shrieked with laughter at the Museum, while the Princess had politely signed her name in the visitors' book after reverently viewing her great-aunt's mittens. But what else had been happening, whether Olga was here still, what Daisy and her ouija board had been up to, who had dined (if anyone except Georgie) at Olga's last night, Lucia was at present ignorant, and all that she had to find out, for she had a presentiment that nobody would pop in and tell her. Above all, what was Riseholme saying about her? How were they taking it all?

Lucia had determined to devote this day to her old friends, and she rang up Daisy and asked her and Robert to lunch. Daisy regretted that she was engaged, and rang off with such precipitation that (so it was easy to guess) she dropped the receiver on the floor, said 'Drat,' and replaced it. Lucia then rang up Mrs Boucher and asked her and the colonel to lunch. Mrs Boucher with great emphasis said that she had got friends to lunch. Of course that might mean that Daisy Quantock was lunching there; indeed it seemed a very natural explanation, but somehow it was far from satisfying Lucia.

She sat down to think, and the unwelcome result of thought was a faint suspicion that just as she had decided to ignore Riseholme while her smart party from London was with her, Riseholme was malignant enough to retaliate. It was very base, it was very childish, but there was that possibility. She resolved to put a playful face on it and rang up Georgie. From the extraordinary celerity with which he answered, she wondered whether he was expecting a call from her or another.

"Georgino mio!" she said.

The eagerness with which Georgie had said "Yes. Who is it?" seemed to die out of his voice.

"Oh, it's you, is it?" he said. "Good-morning."

Lucia was not discouraged.

"Me coming round to have good long chat," she said. "All my tiresome guests have gone, Georgie, and I'm staying till domani. So lovely to be here again."

"Si," said Georgie; "just 'si.' "

The faint suspicion became a shade more definite.

"Coming at once then," said Lucia.

Lucia set forth and emerging on to the green, was in time to see Daisy Quantock hurry out of Georgie's house and bolt into her own like a plump little red-faced rabbit. Somehow that was slightly disconcerting: it required very little inductive reasoning to form the theory that Daisy had popped in to tell Georgie that Lucia had asked her to lunch, and that she had refused. Daisy must have been present also when Lucia rang Georgie up and instead of waiting to join in the good long chat had scuttled home again. A slight effort therefore was needed to keep herself up to the gay playful level and be quite unconscious that anything unpropitious could possibly have occurred. She found Georgie with his sewing in the little room which he called his study because he did his embroidery there. He seemed somehow to Lucia to be encased in a thin covering of ice, and she directed her full effulgence to the task of melting it.

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