E. F. Benson - The Complete Works of E. F. Benson (Illustrated Edition)

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Musaicum Books presents to you this carefully created collection of 'THE COMPLETE WORKS OF E. F. BENSON (Illustrated Edition)'. This ebook has been designed and formatted to the highest digital standards and adjusted for readability on all devices.
Edward Frederic Benson (1867-1940) was an English novelist, biographer, memoirist, archaeologist and short story writer, known professionally as E.F. Benson. He started his novel writing career in 1893 with the fashionably controversial Dodo, which was an instant success, and followed it with a variety of satire and romantic and supernatural melodrama. He repeated the success of Dodo, with sequels to this novel, but the greatest success came relatively late in his career with The Mapp and Lucia series consisting of six novels and two short stories. The novels feature humorous incidents in the lives of (mainly) upper-middle-class British people in the 1920s and 1930s, vying for social prestige and one-upmanship in an atmosphere of extreme cultural snobbery. Benson was also known as a writer of atmospheric, oblique, and at times humorous or satirical ghost stories.
Table of Contents:
Make Way For Lucia:
Queen Lucia
Miss Mapp
Lucia in London
Mapp and Lucia
Lucia's Progress or The Worshipful Lucia
Trouble for Lucia
The Male Impersonator
Desirable Residences
Novels:
Dodo; A Detail of the Day
Dodo's Daughter or Dodo the Second
Dodo Wonders
David Blaize
David Blaize and the Blue Door
David Blaize of King's
The Rubicon
The Judgement Books
The Vintage
Mammon and Co.
Scarlet and Hyssop
The Relentless City
The Valkyries
The Angel of Pain
The House of Defence
The Blotting Book
Daisy's Aunt
Mrs. Ames
Thorley Weir
Arundel
Michael
Up and Down
Across the Stream
Paying Guests
Short Story Collections:
The Room in the Tower, and Other Stories
The Countess of Lowndes Square, and Other Stories
Visible and Invisible
Spook Stories
More Spook Stories
Historical Works:
Deutschland Über Allah
Crescent and Iron Cross
Charlotte Bronte

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"Now that is nice!" she said. "And we'll have a good gossip. So lovely to be in Riseholme again. And isn't it naughty of me? I was almost glad when I saw the last of my guests off this morning, and promised myself a real Riseholme day. Such dears, all of them, too, and tremendously in the movement; such arguments and discussions as we had! All day yesterday I was occupied, talks with one, strolls with another, and all the time I was longing to trot round and see you and Daisy and all the rest. Any news, Georgie? What did you do with yourself yesterday?"

"Well, I was very busy too," said Georgie. "Quite a rush. I had two guests at lunch, and then I had tea at Olga's —"

"Is she here still?" asked Lucia. She did not intend to ask that, but she simply could not help it.

"Oh yes. She's going to stop here two or three days, as she doesn't sing in London again till Thursday."

Lucia longed to ask if the Princess was remaining as well, but she had self-control enough not to. Perhaps it would come out some other way . . .

"Dear Olga," said Lucia effusively. "I reckon her quite a Riseholmite."

"Oh quite," said Georgie, who was determined not to let his ice melt. "Yes: I had tea at Olga's, and we had the most wonderful weedj. Just she and the Princess and Daisy and I."

Lucia gave her silvery peal of laughter. It sounded as if it had 'turned' a little in this hot weather, or got a little tarnished.

"Dear Daisy!" she said. "Is she not priceless? How she adores her conjuring tricks and hocus-pocuses! Tell me all about it. An Egyptian guide: Abfou, was it not?"

Georgie thought it might be wiser not to tell Lucia all that Abfou had vouchsafed, unless she really insisted, for Abfou had written the most sarcastic things about her in perfect English at top speed. He had called her a snob again, and said she was too grand now for her old friends, and had been really rude about her shingled hair.

"Yes, Abfou," he said. "Abfou was in great form, and Olga has telegraphed for a planchette. Abfou said she was most psychical, and had great mediumistic gifts. Well, that went on a long time."

"What else did Abfou say?" asked Lucia, fixing Georgie with her penetrating eye.

"Oh, he talked about Riseholme affairs," said Georgie. "He knew the Princess had been to the Museum, for he had seen her there. It was he, you know, who suggested the Museum. He kept writing Museum, though we thought it was Mouse at first."

Lucia felt perfectly certain in her own mind that Abfou had been saying things about her. But perhaps, as it was Daisy who had been operating, it was better not to ask what they were. Ignorance was not bliss, but knowledge might be even less blissful. And Georgie was not thawing: he was polite, he was reserved, but so far from chatting, he was talking with great care. She must get him in a more confidential mood.

"That reminds me," she said. "Peppino and I haven't given you anything for the Museum yet. I must send you the Elizabethan spit from my music-room. They say it is the most perfect spit in existence. I don't know what Peppino didn't pay for it."

"How kind of you," said Georgie. "I will tell the committee of your offer. Olga gave us a most magnificent present yesterday: the manuscript of Lucrezia, which Cortese had given her. I took it to the Museum directly after breakfast, and put it in the glass case opposite the door."

Again Lucia longed to be as sarcastic as Abfou, and ask whether a committee meeting had been held to settle if this should be accepted. Probably Georgie had some perception of that, for he went on in a great hurry.

"Well, the weedj lasted so long that I had only just time to get home to dress for dinner and go back to Olga's," he said.

"Who was there?" asked Lucia.

"Colonel and Mrs Boucher, that's all," said Georgie. "And after dinner Olga sang too divinely. I played her accompaniments. A lot of Schubert songs."

Lucia was beginning to feel sick with envy. She pictured to herself the glory of having taken her party across to Olga's after dinner last night, of having played the accompaniments instead of Georgie (who was a miserable accompanist), of having been persuaded afterwards to give them the little morsel of Stravinski, which she had got by heart. How brilliant it would all have been; what a sumptuous paragraph Hermione would have written about her weekend! Instead of which Olga had sung to those old Bouchers, neither of whom knew one note from another, nor cared the least for the distinction of hearing the prima-donna sing in her own house. The bitterness of it could not be suppressed.

"Dear old Schubert songs!" she said with extraordinary acidity. "Such sweet old-fashioned things. 'Wiedmung,' I suppose."

"No, that's by Schumann," said Georgie, who was nettled by her tone, though he guessed what she was suffering.

Lucia knew he was right, but had to uphold her own unfortunate mistake.

"Schubert, I think," she said. "Not that it matters. And so, as dear old Pepys said, and so to bed?"

Georgie was certainly enjoying himself.

"Oh no, we didn't go to bed till terribly late," he said. "But you would have hated to be there, for what we did next. We turned on the gramophone —"

Lucia gave a little wince. Her views about gramophones as being a profane parody of music, were well known.

"Yes, I should have run away then," she said.

"We turned on the gramophone and danced!" said Georgie firmly.

This was the worst she had heard yet. Again she pictured what yesterday evening might have been. The idea of having popped in with her party after dinner, to hear Olga sing, and then dance impromptu with a prima-donna and a princess . . . It was agonising: it was intolerable.

She gave a dreadful little titter.

"How very droll!" she said. "I can hardly imagine it. Mrs Boucher in her bath-chair must have been an unwieldy partner, Georgie. Are you not very stiff this morning?"

"No, Mrs Boucher didn't dance," said Georgie with fearful literalness. "She looked on and wound up the gramophone. Just we four danced: Olga and the Princess and Colonel Boucher and I."

Lucia made a great effort with herself. She knew quite well that Georgie knew how she would have given anything to have brought her party across, and it only made matters worse (if they could be made worse) to be sarcastic about it and pretend to find it all ridiculous. Olga certainly had left her and her friends alone, just as she herself had left Riseholme alone, in this matter of her weekend party. Yet it was unwise to be withering about Colonel Boucher's dancing. She had made it clear that she was busy with her party, and but for this unfortunate accident of Olga's coming down, nothing else could have happened in Riseholme that day except by her dispensing. It was unfortunate, but it must be lived down, and if dear old Riseholme was offended with her, Riseholme must be propitiated.

"Great fun it must have been," she said. "How delicious a little impromptu thing like that is! And singing too: well, you had a nice evening, Georgie. And now let us make some delicious little plan for today. Pop in presently and have 'ickle music and bit of lunch."

"I'm afraid I've just promised to lunch with Daisy," said he.

This again was rather ominous, for there could be no doubt that Daisy, having said she was engaged, had popped in here to effect an engagement.

"How gay!" said Lucia. "Come and dine this evening then! Really, Georgie, you are busier than any of us in London."

"Too tarsome," said Georgie, "because Olga's coming in here."

"And the Princess?" asked Lucia before she could stop herself.

"No, she went away this morning," said Georgie.

That was something, anyhow, thought Lucia. One distinguished person had gone away from Riseholme. She waited, in slowly diminishing confidence, for Georgie to ask her to dine with him instead. Perhaps he would ask Peppino too, but if not, Peppino would be quite happy with his telescope and his crosswords all by himself. But it was odd and distasteful to wait to be asked to dinner by anybody in Riseholme instead of everyone wanting to be asked by her.

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