E. F. Benson - The Complete Works of E. F. Benson (Illustrated Edition)

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Musaicum Books presents to you this carefully created collection of 'THE COMPLETE WORKS OF E. F. BENSON (Illustrated Edition)'. This ebook has been designed and formatted to the highest digital standards and adjusted for readability on all devices.
Edward Frederic Benson (1867-1940) was an English novelist, biographer, memoirist, archaeologist and short story writer, known professionally as E.F. Benson. He started his novel writing career in 1893 with the fashionably controversial Dodo, which was an instant success, and followed it with a variety of satire and romantic and supernatural melodrama. He repeated the success of Dodo, with sequels to this novel, but the greatest success came relatively late in his career with The Mapp and Lucia series consisting of six novels and two short stories. The novels feature humorous incidents in the lives of (mainly) upper-middle-class British people in the 1920s and 1930s, vying for social prestige and one-upmanship in an atmosphere of extreme cultural snobbery. Benson was also known as a writer of atmospheric, oblique, and at times humorous or satirical ghost stories.
Table of Contents:
Make Way For Lucia:
Queen Lucia
Miss Mapp
Lucia in London
Mapp and Lucia
Lucia's Progress or The Worshipful Lucia
Trouble for Lucia
The Male Impersonator
Desirable Residences
Novels:
Dodo; A Detail of the Day
Dodo's Daughter or Dodo the Second
Dodo Wonders
David Blaize
David Blaize and the Blue Door
David Blaize of King's
The Rubicon
The Judgement Books
The Vintage
Mammon and Co.
Scarlet and Hyssop
The Relentless City
The Valkyries
The Angel of Pain
The House of Defence
The Blotting Book
Daisy's Aunt
Mrs. Ames
Thorley Weir
Arundel
Michael
Up and Down
Across the Stream
Paying Guests
Short Story Collections:
The Room in the Tower, and Other Stories
The Countess of Lowndes Square, and Other Stories
Visible and Invisible
Spook Stories
More Spook Stories
Historical Works:
Deutschland Über Allah
Crescent and Iron Cross
Charlotte Bronte

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"She went away by the ten-thirty," said Georgie, after an awful pause.

Lucia had already learned certain lessons in London. If you get a snub — and this seemed very like a snub — the only possible course was to be unaware of it. So, though the thought of being snubbed by Georgie nearly made her swoon, she was unaware of it.

"Such a good train," she said, magnificently disregarding the well-known fact that it stopped at every station, and crawled in between.

"Excellent," said Georgie with conviction. He had not the slightest intention of asking Lucia to dine, for he wanted his tête-à-tête with Olga. There would be such a lot to talk over, and besides it would be tiresome to have Lucia there, for she would be sure to gabble away about her wonderful life in London, and her music-room and her Chippendale chairs, and generally to lay down the law. She must be punished too, for her loathsome conduct in disregarding her old friends when she had her party from London, and be made to learn that her old friends were being much smarter than she was.

Lucia kept her end up nobly.

"Well, Georgie, I must trot away," she said. "Such a lot of people to see. Look in, if you've got a spare minute. I'm off again tomorrow. Such a whirl of things in London this week."

Lucia, instead of proceeding to see lots of people, went back to her house and saw Peppino. He was sitting in the garden in very old clothes, smoking a pipe, and thoroughly enjoying the complete absence of anything to do. He was aware that officially he loved the bustle of London, but it was extremely pleasant to sit in his garden and smoke a pipe, and above all to be rid of those rather hectic people who had talked quite incessantly from morning till night all Sunday. He had given up the crossword, and was thinking over the material for a sonnet on Tranquillity, when Lucia came out to him.

"I was wondering, Peppino," she said, "if it would not be pleasanter to go up to town this afternoon. We should get the cool of the evening for our drive, and really, now all our guests have gone, and we are going tomorrow, these hours will be rather tedious. We are spoilt, caro, you and I, by our full life up there, where any moment the telephone bell may ring with some delightful invitation. Of course in August we will be here, and settle down to our quaint old life again, but these little odds and ends of time, you know."

Peppino was reasonably astonished. Half an hour ago Lucia had set out, burning with enthusiasm to pick up the 'old threads,' and now all she seemed to want to do was to drop the old threads as quickly as possible. Though he knew himself to be incapable of following the swift and antic movements of Lucia's mind, he was capable of putting two and two together. He had been faintly conscious all yesterday that matters were not going precisely as Lucia wished, and knew that her efforts to entice Olga and her guest to the house had been as barren as a fig tree, but there must have been something more than that. Though not an imaginative man (except in thinking that words rhymed when they did not), it occurred to him that Riseholme was irritated with Lucia, and was indicating it in some unusual manner.

"Why, my dear, I thought you were going to have people in to lunch and dinner," he said, "and see about sending the spit to the Museum, and be tremendously busy all day."

Lucia pulled herself together. She had a momentary impulse to confide in Peppino and tell him all the ominous happenings of the last hour, how Daisy had said she was engaged for lunch and Mrs Boucher had friends to lunch, and Georgie had Olga to dinner and had not asked her, and how the munificent gift of the spit was to be considered by the Museum committee before they accepted it. But to have done that would be to acknowledge not one snub but many snubs, which was contrary to the whole principle of successful attainment. Never must she confess, even to Peppino, that the wheels of her chariot seemed to drive heavily, or that Riseholme was not at the moment agape to receive the signs of her favour. She must not even confess it to herself, and she made a rapid and complete volte face.

"It shall be as you like, caro," she said. "You would prefer to spend a quiet day here, so you shall. As for me, you've never known me yet otherwise than busy, have you? I have a stack of letters to write, and there's my piano looking, oh, so reproachfully at me, for I haven't touched the dear keys since I came, and I must just glance through Henry VIII, as we're going to see it tomorrow. I shall be busy enough, and you will have your day in the sun and the air. I only thought you might prefer to run up to town today, instead of waiting till tomorrow. Now don't keep me chatting here any longer."

Lucia proved her quality on that dismal day. She played her piano with all her usual concentration, she read Henry VIII, she wrote her letters, and it was not till the Evening Gazette came in that she allowed herself a moment's relaxation. Hurriedly she turned the pages, stopping neither for crossword nor record of international interests, till she came to Hermione's column. She had feared (and with a gasp of relief she saw how unfounded her fears had been) that Hermione would have devoted his picturesque pen to Olga and the Princess, and given her and her party only the fag-end of his last paragraph, but she had disquieted herself in vain. Olga had taken no notice of him, and now (what could be fairer?) he took no notice of Olga. He just mentioned that she had a 'pretty little cottage' at Riseholme, where she came occasionally for weekends, and there were three long sumptuous paragraphs about The Hurst, and Mr and Mrs Philip Lucas who had Lord Limpsfield and the wife of the member, Mrs Garroby-Ashton, and Mrs Alingsby staying with them. Lady Ambermere and her party from The Hall had come to tea, and it was all glorious and distinguished. Hermione had proved himself a true friend, and there was not a word about Olga and the Princess going to lunch with Georgie, or about Daisy and her absurd weedj . . . Lucia read the luscious lines through twice, and then, as she often did, sent her copy across to Georgie, in order to help him to readjust values. Almost simultaneously Daisy sent de Vere across to him with her copy, and Mrs Boucher did the same, calling attention to the obnoxious paragraphs with blue and red pencil respectively, and a great many exclamation marks in both cases.

* * *

Riseholme settled back into its strenuous life again when Lucia departed next morning to resume her vapid existence in London. It was not annoyed with her any more, because it had 'larned' her, and was quite prepared to welcome her back if (and when) she returned in a proper spirit and behaved herself suitably. Moreover, even with its own perennial interests to attend to, it privately missed the old Lucia, who gave them a lead in everything, even though she domineered, and was absurd, and pretended to know all about everything, and put her finger into every pie within reach. But it did not miss the new shingled Lucia, the one who had come down with a party of fresh friends, and had laughed at the Museum, and had neglected her old friends altogether, till she found out that Olga and a Princess were in the place: the less seen of her the better. It was considered also that she had remained down here this extra day in order to propitiate those whom she had treated as pariahs, and condescend to take notice of them again, and if there was one thing that Riseholme could not stand, and did not mean to stand from anybody, it was condescension. It was therefore perfectly correct for Daisy and Mrs Boucher to say they were engaged for lunch, and for Georgie to decline to ask her to dinner . . . These three formed the committee of the Museum, and they met that morning to audit the accounts for the week and discuss any other business connected or unconnected with their office. There was not, of course, with so small and intimate a body, any need to have a chairman, and they all rapped the table when they wanted to be listened to.

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