E. F. Benson - The Complete Works of E. F. Benson (Illustrated Edition)

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Musaicum Books presents to you this carefully created collection of 'THE COMPLETE WORKS OF E. F. BENSON (Illustrated Edition)'. This ebook has been designed and formatted to the highest digital standards and adjusted for readability on all devices.
Edward Frederic Benson (1867-1940) was an English novelist, biographer, memoirist, archaeologist and short story writer, known professionally as E.F. Benson. He started his novel writing career in 1893 with the fashionably controversial Dodo, which was an instant success, and followed it with a variety of satire and romantic and supernatural melodrama. He repeated the success of Dodo, with sequels to this novel, but the greatest success came relatively late in his career with The Mapp and Lucia series consisting of six novels and two short stories. The novels feature humorous incidents in the lives of (mainly) upper-middle-class British people in the 1920s and 1930s, vying for social prestige and one-upmanship in an atmosphere of extreme cultural snobbery. Benson was also known as a writer of atmospheric, oblique, and at times humorous or satirical ghost stories.
Table of Contents:
Make Way For Lucia:
Queen Lucia
Miss Mapp
Lucia in London
Mapp and Lucia
Lucia's Progress or The Worshipful Lucia
Trouble for Lucia
The Male Impersonator
Desirable Residences
Novels:
Dodo; A Detail of the Day
Dodo's Daughter or Dodo the Second
Dodo Wonders
David Blaize
David Blaize and the Blue Door
David Blaize of King's
The Rubicon
The Judgement Books
The Vintage
Mammon and Co.
Scarlet and Hyssop
The Relentless City
The Valkyries
The Angel of Pain
The House of Defence
The Blotting Book
Daisy's Aunt
Mrs. Ames
Thorley Weir
Arundel
Michael
Up and Down
Across the Stream
Paying Guests
Short Story Collections:
The Room in the Tower, and Other Stories
The Countess of Lowndes Square, and Other Stories
Visible and Invisible
Spook Stories
More Spook Stories
Historical Works:
Deutschland Über Allah
Crescent and Iron Cross
Charlotte Bronte

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* * *

Lucia's little lunch-party that day consisted only of four people. Lunch, Lucia considered, was for intimes: you sat with your elbows on the table, and all talked together, and learned the news, just as you did on the green at Riseholme. There was something unwieldy about a large lunch-party; it was a distracted affair, and in the effort to assimilate more news than you could really digest, you forgot half of it. Today, therefore, there was only Aggie Sandeman who had been to the play last night with Peppino, and was bringing her cousin Adele Brixton (whom Lucia had not yet met, but very much wanted to know), and Stephen Merriall. Lady Brixton was a lean, intelligent American of large fortune who found she got on better without her husband. But as Lord Brixton preferred living in America and she in England, satisfactory arrangements were easily made. Occasionally she had to go to see relatives in America, and he selected such periods for seeing relatives in England.

She explained the situation very good-naturedly to Lucia who rather rashly asked after her husband.

"In fact," she said, "we blow kisses to each other from the decks of Atlantic liners going in opposite directions, if it's calm, and if it's rough, we're sick into the same ocean."

Now that would never have been said at Riseholme, or if it was, it would have been very ill thought of, and a forced smile followed by a complete change of conversation would have given it a chilly welcome. Now, out of habit, Lucia smiled a forced smile, and then remembered that you could not judge London by the chaste standards of Riseholme. She turned the forced smile into a genial one.

"Too delicious!" she said. "I must tell Peppino that."

"Pep what?" asked Lady Brixton.

This was explained; it was also explained that Aggie had been with Peppino to the play last night; in fact there was rather too much explanation going on for social ease, and Lucia thought it was time to tell them all about what she had done last night. She did this in a characteristic manner.

"Dear Lady Brixton," she said, "ever since you came in I've been wondering where I have seen you. Of course it was last night, at our darling Marcia's dance."

This seemed to introduce the desirable topic, and though it was not in the least true, it was a wonderfully good shot.

"Yes, I was there," said Adele. "What a crush. Sheer Mormonism: one man to fifty women."

"How unkind of you! I dined there first; quite a small party. Princess Isabel, who had been down at our dear little Riseholme on Sunday, staying with Olga — such a coincidence —" Lucia stopped just in time; she was about to describe the impromptu dance at Olga's on Sunday night, but remembered that Stephen knew she had not been to it. So she left the coincidence alone, and went rapidly on:

"Dear Marcia insisted on my coming," she said, "and so, really, like a true friend I gave up the play and went. Such an amusing little dinner. Marcelle — Marcelle Periscope, the Prime Minister and the Italian ambassadress, and Princess Isabel of course, and Alf, and a few more. There's nobody like Marcia for getting up a wonderful unexpected little party like that. Alf was too delicious."

"Not Alf Watson?" asked Lady Brixton.

"Yes, I sat next him at dinner, and he's coming to dine with me next week, and is bringing his flute. He adores playing the flute. Can't I persuade you to come, Lady Brixton? Thursday, let me see, is it Thursday? Yes, Thursday. No party at all, just a few old friends, and some music. I must find some duets for the piano and flute: Alf made me promise that I would play his accompaniments for him. And Dora: Dora Beaucourt. What a lurid life! And Sigismund: no, I don't think Sigismund was there; it was at Sophy's. Such a marvellous portrait he has done of me: is it not marvellous, Stephen? You remember it down at Riseholme. How amusing Sophy was, insisting that I should move every other picture out of my music-room. I must get her to come in after dinner on Thursday; there is something primitive about the flute." So Theocritan!

Lucia suddenly remembered that she mustn't kick ladders down, and turned to Aggie. Aggie had been very useful when first she came up to London, and she might quite easily be useful again, for she knew quantities of solid people, and if her parties lacked brilliance, they were highly respectable. The people whom Sophy called 'the old crusted' went there.

"Aggie dear, as soon as you get home, put down Wednesday for dining with me," she said, "and if there's an engagement there already, as there's sure to be, cross it out and have pseudo-influenza. Marcelle — Marcelle Periscope is coming, but I didn't ask the lion-cub. A lion-cub: so quaint of him — and who else was there last night? Dear me, I get so mixed up with all the people one runs across."

Lucia, of course, never got mixed up at all: there was no one so clear-headed, but she had to spin things out a little, for Peppino was rather late ringing up. The coffee-equipage had been set before her, and she kept drawing away the spirit-lamp in an absent manner just before it boiled, for they must still be sitting in the dining-room when he rang up. But even as she lamented her muddled memory, the tinkle of the telephone bell sounded. She rapidly rehearsed in her mind what she was going to say.

"Ah, that telephone," she said, rising hastily, so as to get to it before one of the servants came back. "I often tell Peppino I shall cut it out of the house, for one never gets a moment's peace. Yes, yes, who is it?"

Lucia listened for a second, and then gave a curtsey.

"Oh, is it you, ma'am?" she said, holding the mouthpiece a little obliquely. "Yes, I'm Mrs Lucas."

A rather gruff noise, clearly Peppino's voice, came from the instrument, but she trusted it was inaudible to the others, and she soon broke in again talking very rapidly.

"Oh, that is kind of you, your Highness," she said. "It would be too delightful. Tomorrow: charmed. Delighted."

She replaced the mouthpiece, and instantly began to talk again from the point at which she had left off.

"Yes, and of course Herbert Alton was there," she said. "His show opens in a fortnight, and how we shall all meet there at the private view and laugh at each other's caricatures! What is it that Rousseau — is it Rousseau? — says, about our not being wholly grieved at the misfortunes of our friends? So true! Bertie is rather wicked sometimes though, but still one forgives him everything. Ah, the coffee is boiling at last."

Peppino, as Lucia had foreseen, rang up again almost immediately, and she told him he had missed the most charming little lunch-party, because he would go to his club. Her guests, of course, were burning to know to whom she had curtsied, but Lucia gave no information on the point. Adele Brixton and Aggie presently went off to a matinée, but Stephen remained behind. That looked rather well, Lucia thought, for she had noticed that often a handsome and tolerably young man lingered with the hostess when other guests had gone. There was something rather chic about it; if it happened very constantly, or if at another house they came together or went away together, people would begin to talk, quite pleasantly of course, about his devotion to her. Georgie had been just such a cavaliere servente. Stephen, for his part, was quite unconscious of any such scintillations in Lucia's mind: he merely knew that it was certainly convenient for an unattached man to have a very pleasant house always to go to, where he would be sure of hearing things that interested Hermione.

"Delicious little lunch-party," he said. "What a charming woman Lady Brixton is."

"Dear Adele," said Lucia dreamily. "Charming, isn't she? How pleased she was at the thought of meeting Alf! Do look in after dinner that night, Stephen. I wish I could ask you to dine, but I expect to be crammed as it is. Dine on Wednesday, though: let me see, Marcelle comes that night. What a rush next week will be!"

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