E. F. Benson - The Complete Works of E. F. Benson (Illustrated Edition)

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Musaicum Books presents to you this carefully created collection of 'THE COMPLETE WORKS OF E. F. BENSON (Illustrated Edition)'. This ebook has been designed and formatted to the highest digital standards and adjusted for readability on all devices.
Edward Frederic Benson (1867-1940) was an English novelist, biographer, memoirist, archaeologist and short story writer, known professionally as E.F. Benson. He started his novel writing career in 1893 with the fashionably controversial Dodo, which was an instant success, and followed it with a variety of satire and romantic and supernatural melodrama. He repeated the success of Dodo, with sequels to this novel, but the greatest success came relatively late in his career with The Mapp and Lucia series consisting of six novels and two short stories. The novels feature humorous incidents in the lives of (mainly) upper-middle-class British people in the 1920s and 1930s, vying for social prestige and one-upmanship in an atmosphere of extreme cultural snobbery. Benson was also known as a writer of atmospheric, oblique, and at times humorous or satirical ghost stories.
Table of Contents:
Make Way For Lucia:
Queen Lucia
Miss Mapp
Lucia in London
Mapp and Lucia
Lucia's Progress or The Worshipful Lucia
Trouble for Lucia
The Male Impersonator
Desirable Residences
Novels:
Dodo; A Detail of the Day
Dodo's Daughter or Dodo the Second
Dodo Wonders
David Blaize
David Blaize and the Blue Door
David Blaize of King's
The Rubicon
The Judgement Books
The Vintage
Mammon and Co.
Scarlet and Hyssop
The Relentless City
The Valkyries
The Angel of Pain
The House of Defence
The Blotting Book
Daisy's Aunt
Mrs. Ames
Thorley Weir
Arundel
Michael
Up and Down
Across the Stream
Paying Guests
Short Story Collections:
The Room in the Tower, and Other Stories
The Countess of Lowndes Square, and Other Stories
Visible and Invisible
Spook Stories
More Spook Stories
Historical Works:
Deutschland Über Allah
Crescent and Iron Cross
Charlotte Bronte

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"No! Where?" said Lucia looking in the opposite direction.

"Just gone into that house; Georgie Pillson's, didn't you say?"

"No, really?" said Lucia. "How stupid of me not to have seen them. Shall I pop in now? No, I think I will ring them up presently, unless we find that they have already rung me up."

Lucia was putting a brave face on it, but she was far from easy. It looked like a plot: it did indeed, for Olga had never told her she was coming to Riseholme, and Georgie had never told her that Princess Isabel was the friend she was bringing with her. However, there was lunchtime in which to think over what was to be done. But though she talked incessantly and rather satirically about Riseholme, she said no more about the prima-donna and the princess . . .

* * *

Lucia might have been gratified (or again she might not) if she had known how vivacious a subject of conversation she afforded at Georgie's select little luncheon-party. Princess Isabel (with her mouth now full of Mrs Boucher's tomatoes) had been subjected during this last week to an incessant bombardment from Lucia, and had heard on quite good authority that she alluded to her as "Isabel, dear Princess Isabel."

"And I will not go to her house," she said. "It is a free country, and I do not choose to go to her kind house. No doubt she is a very good woman. But I want to hear more of her, for she thrills me. So does your Riseholme. You were talking of the Museum."

"Georgie, go on about the Museum," said Olga.

"Well," said Georgie, "there it was. They all went in, and then they all came out again, and one of them was reading my catalogue — I made it — aloud, and they all screamed with laughter."

"But I dare say it was a very funny catalogue, Georgie," said Olga.

"I don't think so. Mr Merriall read out about Queen Charlotte's mittens presented by Lady Ambermere."

"No!" said Olga.

"Most interesting!" said the Princess. "She was my aunt, big aunt, is it? No, great-aunt — that is it. Afterwards we will go to the Museum and see her mittens. Also, I must see the lady who kills mulberry trees. Olga, can't you ask her to bring her planchette and prophesy?"

"Georgie, ring up Daisy, and ask her to come to tea with me," said Olga. "We must have a weedj."

"And I must go for a drive, and I must walk on the green, and I must have some more delicious apple pie," began the Princess.

Georgie had just risen to ring up Daisy, when Foljambe entered with the news that Mrs Lucas was on the telephone and would like to speak to Olga.

"Oh, say we're still at lunch, please, Foljambe," said she. "Can she send a message? And you say Stephen Merriall is there, Georgie?"

"No, you said he was there," said Georgie. "I only described him."

"Well, I'm pretty sure it is he, but you will have to go sometime this afternoon and find out. If it is, he's Hermione, who's always writing about Lucia in the Evening Gazette. Priceless! So you must go across for a few minutes, Georgie, and make certain."

Foljambe came back to ask if Mrs Lucas might pop in to pay her respects to Princess Isabel.

"So kind of her, but she must not dream of troubling herself," said the Princess.

Foljambe retired and appeared for the third time with a faint, firm smile.

"Mrs Lucas will ring up Mrs Shuttleworth in a quarter of an hour," she said.

The Princess finished her apple tart.

"And now let us go and see the Museum," she said.

* * *

Georgie remained behind to ring up Daisy, to explain when Lucia telephoned next that Olga had gone out, and to pay his visit to The Hurst. To pretend that he did not enjoy that, would be to misunderstand him altogether. Lucia had come down here with her smart party and had taken no notice of Riseholme, and now two people a million times smarter had by a clearly providential dealing come down at the same time and were taking no notice of her. Instead they were hobnobbing with people like himself and Daisy whom Lucia had slighted. Then she had laughed at the Museum, and especially at the catalogue and the mittens, and now the great-niece of the owner of the mittens had gone to see them. That was a stinger, in fact it was all a stinger, and well Lucia deserved it.

He was shown into the music-room, and he had just time to observe that there was a printed envelope on the writing table addressed to the Evening Gazette, when Lucia and Mr Merriall came hurrying in.

"Georgino mio," said Lucia effusively. "How nice of you to come in. But you've not brought your ladies? Oh, this is Mr Merriall."

(Hermione, of the Evening Gazette, it's proved, thought Georgie.)

"They thought they wouldn't add to your big party," said Georgie sumptuously. (That was another stinger).

"And was it Princess Isabel I saw at your door?" asked Mr Merriall with an involuntary glance at the writing table. (Lucia had not mentioned her since.)

"Oh yes. They just motored down and took pot luck with me."

"What did you give them?" asked Lucia, forgetting her anxieties for a moment.

"Oh, just cold lamb and apple tart," said Georgie.

"No!" said Lucia. "You ought to have brought them to lunch here. Oh, Georgie, my picture, look. By Sigismund."

"Oh yes," said Georgie. "What's it of?"

"Cattivo!" said Lucia. "Why, it's a portrait of me. Sigismund, you know, he's the great rage in London just now. Everyone is crazy to be painted by him."

"And they look crazy when they are. It's a mad world, my masters," said Mr Merriall.

"Naughty," said Lucia. "Is it not wonderful, Georgie?"

"Yes. I expect it's very clever," said Georgie. "Very clever indeed."

"I should so like to show it dearest Olga," said Lucia, "and I'm sure the Princess would be interested in it. She was talking about modern art the other day when I dined with Olga. I wonder if they would look in at teatime, or indeed any other time."

"Not very likely, I'm afraid," said Georgie, "for Daisy Quantock's coming to tea, I know. We're going to weedj. And they're going out for a drive sometime."

"And where are they now?" asked Lucia. It was terrible to have to get news of her intimate friends from Georgie, but how else was she to find out?

"They went across to see the Museum," said he. "They were most interested in it."

Mr Merriall waved his hands, just in the same way as Georgie did.

"Ah, that Museum!" he said. "Those mittens! Shall I ever get over those mittens? Lucia said she would give it the next shoelace she broke."

"Yes," said Georgie. "The Princess wanted to see those mittens. Queen Charlotte was her great-aunt. I told them how amused you all were at the mittens."

Lucia had been pressing her finger to her forehead, a sign of concentration. She rose as if going back to her other guests.

"Coming into the garden presently?" she asked, and glided from the room.

"And so you're going to have a sitting with the ouija-board," said Mr Merriall. "I am intensely interested in ouija. Very odd phenomena certainly occur. Strange but true."

A fresh idea had come into Georgie's head. Lucia certainly had not appeared outside the window that looked into the garden, and so he walked across to the other one which commanded a view of the green. There she was heading straight for the Museum.

"It is marvellous," he said to Mr Merriall. "We have had some curious results here, too."

Mr Merriall was moving daintily about the room, and Georgie wondered if it would be possible to convert Oxford trousers into an ordinary pair. It was dreadful to think that Olga, even in fun, had suggested that such a man was his double. There was the little cape as well.

"I have quite fallen in love with your Riseholme," said Mr Merriall.

"We all adore it," said Georgie, not attending very much because his whole mind was fixed on the progress of Lucia across the green. Would she catch them in the Museum, or had they already gone? Smaller and smaller grew her figure and her twinkling legs, and at last she crossed the road and vanished behind the belt of shrubs in front of the tithe-barn.

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