E. F. Benson - The Complete Works of E. F. Benson (Illustrated Edition)

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Musaicum Books presents to you this carefully created collection of 'THE COMPLETE WORKS OF E. F. BENSON (Illustrated Edition)'. This ebook has been designed and formatted to the highest digital standards and adjusted for readability on all devices.
Edward Frederic Benson (1867-1940) was an English novelist, biographer, memoirist, archaeologist and short story writer, known professionally as E.F. Benson. He started his novel writing career in 1893 with the fashionably controversial Dodo, which was an instant success, and followed it with a variety of satire and romantic and supernatural melodrama. He repeated the success of Dodo, with sequels to this novel, but the greatest success came relatively late in his career with The Mapp and Lucia series consisting of six novels and two short stories. The novels feature humorous incidents in the lives of (mainly) upper-middle-class British people in the 1920s and 1930s, vying for social prestige and one-upmanship in an atmosphere of extreme cultural snobbery. Benson was also known as a writer of atmospheric, oblique, and at times humorous or satirical ghost stories.
Table of Contents:
Make Way For Lucia:
Queen Lucia
Miss Mapp
Lucia in London
Mapp and Lucia
Lucia's Progress or The Worshipful Lucia
Trouble for Lucia
The Male Impersonator
Desirable Residences
Novels:
Dodo; A Detail of the Day
Dodo's Daughter or Dodo the Second
Dodo Wonders
David Blaize
David Blaize and the Blue Door
David Blaize of King's
The Rubicon
The Judgement Books
The Vintage
Mammon and Co.
Scarlet and Hyssop
The Relentless City
The Valkyries
The Angel of Pain
The House of Defence
The Blotting Book
Daisy's Aunt
Mrs. Ames
Thorley Weir
Arundel
Michael
Up and Down
Across the Stream
Paying Guests
Short Story Collections:
The Room in the Tower, and Other Stories
The Countess of Lowndes Square, and Other Stories
Visible and Invisible
Spook Stories
More Spook Stories
Historical Works:
Deutschland Über Allah
Crescent and Iron Cross
Charlotte Bronte

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"Such a pity," she had said. "For dearest Olga loves singing in my music-room. I shall never forget how she dropped in for some little garden-party and sang the awakening of Brünnhilde. Even you, dear Sophy, with your passion for the primitive, would have enjoyed that. She sang Lucrezia here, too, before anyone had heard it. Cortese brought the score down the moment he had finished it — ah, I think that was in her house — there was just Peppino and me, and perhaps one or two others. We would have had dearest Olga here all day tomorrow if only she had been here . . ."

So Lucia felt fairly easy, having planned these treats for Riseholme on Monday, as to her aloofness today, and then her conscience brought up the question of the Museum. Here she stoutly defended herself: she knew nothing about the Museum (except what Peppino had seen through the window a few Sundays before); she had not been consulted about the Museum, she was not on the committee, and it was perfectly proper for her to take her party to see it. She could not prevent them bursting into shrieks of laughter at Queen Charlotte's mittens and Daisy's drain-pipes, nor could she possibly prevent herself from joining in those shrieks of laughter herself, for surely this was the most ridiculous collection of rubbish ever brought together. A glass case for Queen Charlotte's mittens, a heap of fossils such as she had chipped out by the score from the old quarry, some fragments of glass (Georgie ought to have known better), some quilts, a dozen coins, lent, only lent, by poor Daisy! In fact the only object of the slightest interest was the pair of stocks which she and Peppino had bought and set up on the village green. She would see about that when she came down in August, and back they should go on to the village green. Then there was the catalogue: who could help laughing at the catalogue which described in most pompous language the contents of this dustbin? There was nothing to be uneasy about over that. And as for Mrs Boucher having driven right through her party without a glance of recognition, what did that matter? On her own side also, Lucia had given no glance of recognition to Mrs Boucher: if she had, Mrs Boucher would have told them all about her asparagus or how her Elizabeth had broken a plate. It was odd, perhaps, that Mrs Boucher hadn't stopped . . . and was it rather odd also that, though from the corner of her eye she had seen all Riseholme standing about on the green, no one had made the smallest sign of welcome? It was true that she had practically cut them (if a process conducted at the distance of fifty yards can be called a cut), but she was not quite sure that she enjoyed the same process herself. Probably it meant nothing; they saw she was engaged with her friends, and very properly had not thrust themselves forward.

Her guests mostly breakfasted upstairs, but by the middle of the morning they had all straggled down. Lucia had brought with her yesterday her portrait by Sigismund, which Sophy declared was a masterpiece of adagio. She was advising her to clear all other pictures out of the music-room and hang it there alone, like a wonderful slow movement, when Mr Merriall came in with the Sunday paper.

"Ah, the paper has come," said Lucia. "Is not that Riseholmish of us? We never get the Sunday paper till midday."

"Better late than never," said Mr Merriall, who was rather addicted to quoting proverbial sayings. "I see that Mrs Shuttleworth's coming down here today. Do ask her to dine and perhaps she'll sing to us."

Lucia paused for a single second, then clapped her hands.

"Oh, what fun that would be!" she said. "But I don't think it can be true. Dearest Olga popped in — or did I pop in — yesterday morning in town, and she said nothing about it. No doubt she had not made up her mind then whether she was coming or not. Of course I'll ring her up at once and scold her for not telling me."

Lucia found from Olga's caretaker that she and a friend were expected, but she knew they couldn't come to lunch with her, as they were lunching with Mr Pillson. She 'couldn't say, I'm sure' who the friend was, but promised to give the message that Mrs Lucas hoped they would both come and dine . . . The next thing was to ring up Georgie and be wonderfully cordial.

"Georgino mio, is it 'oo?" she asked.

"Yes," said Georgie. He did not have to ask who it was, nor did he feel inclined for baby-talk.

"Georgino, I never caught a glimpse of you yesterday," she said. "Why didn't 'oo come round and see me?"

"Because you never asked me," said Georgie firmly, "and because you never told me you were coming."

"Me so sorry," said Lucia. "But me was so fussed and busy in town. Delicious to be in Riseholme again."

"Delicious," said Georgie.

Lucia paused a moment.

"Is Georgino cross with me?" she asked.

"Not a bit," said Georgie brightly. "Why?"

"I didn't know. And I hear my Olga and a friend are lunching with you. I am hoping they will come and dine with me tonight. And do come in afterwards. We shall be eight already, or of course I should ask you."

"Thanks so much, but I'm dining with her," said Georgie.

A pause.

"Well, all of you come and dine here," said Lucia. "Such amusing people, and I'll squeeze you in."

"I'm afraid I can't accept for Olga," said Georgie. "And I'm dining with her, you see."

"Well, will you come across after lunch and bring them?" said Lucia. "Or tea?"

"I don't know what they will feel inclined to do," said Georgie. "But I'll tell them."

"Do, and I'll ring up at lunchtime again, and have ickle talk to my Olga. Who is her friend?"

Georgie hesitated: he thought he would not give that away just yet. Lucia would know in heaps of time.

"Oh, just somebody whom she's possibly bringing down," he said, and rang off.

Lucia began to suspect a slight mystery, and she disliked mysteries, except when she made them herself. Olga's caretaker was 'sure she couldn't say,' and Georgie (Lucia was sure) wouldn't. So she went back to her guests, and very prudently said that Olga had not arrived at present, and then gave them a wonderful account of her little intime dinner with Olga and Princess Isabel. Such a delightful amusing woman: they must all come and meet Princess Isabel some day soon in town.

Lucia and her guests, with the exception of Sophy Alingsby who continued to play primitive tunes with one finger on the piano, went for a stroll on the green before lunch. Mrs Quantock hurried by with averted face, and naturally everybody wanted to know who the Red Queen from Alice in Wonderland was. Lucia amused them by a bright version of poor Daisy's ouija-board and the story of the mulberry tree.

"Such dears they all are," she said. "But too killing. And then she planted broccoli instead of phlox. It's only in Riseholme that such things happen. You must all come and stay with me in August, and we'll enter into the life of the place. I adore it, simply adore it. We are always wildly excited about something . . . And next door is Georgie Pillson's house. A lamb! I'm devoted to him. He does embroidery, and gave those broken bits of glass to the Museum. And that's dear Olga's house at the end of the road . . ."

Just as Lucia was kissing her hand to Olga's house, her eagle eye had seen a motor approaching, and it drew up at Georgie's house. Two women got out, and there was no doubt whatever who either of them were. They went in at the gate, and he came out of his front door like the cuckoo out of a clock and made a low bow. All this Lucia saw, and though for the moment petrified, she quickly recovered, and turned sharply round.

"Well, we must be getting home again," she said, in a rather strangled voice. "It is lunchtime."

Mr Merriall did not turn so quickly, but watched the three figures at Georgie's door.

"Appearances are deceptive," he said. "But isn't that Olga Shuttleworth and Princess Isabel?"

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