Armando Solórzano - Los estamos esperando

Ricardo Villanueva Lomelí

Rectoría General

Héctor Raúl Solís Gadea

Vicerrectoría Ejecutiva

Guillermo Arturo Gómez Mata

Secretaría General

Jorge Galindo García

Rectoría del Centro Universitario del Sur

Missael Robles Robles

Coordinación del Corporativo de Empresas Universitarias

Sayri Karp Mitastein

Dirección de la Editorial

Solórzano, Armando, autor

Los estamos esperando: Día de Muertos en Zapotlán = We are waiting for you: Día de Muertos in Zapotlán /Armando Solórzano. —1a ed.— Guadalajara, Jalisco: Editorial Universitaria: Universidad de Guadalajara. Centro Universitario del Sur, 2020.

248 páginas; ilustraciones (algunas color)

Incluye referencias bibliográficas.

Texto en español e inglés

ISBN en trámite

1. Día de los fieles difuntos-Zapotlán el Grande, Jalisco 2. Zapotlán el Grande, Jalisco-Vida social y costumbres 3. Zapotlán el Grande, Jalisco-Religión I. t. II. Serie

394.260 972 35 .S68 DD21

GT4995 .A4 .S68 LC

Primera edicción electrónica, 2020

Textos

© Armando Solórzano

© Adolfo Espinoza de los Monteros Cárdenas

Fotografías

© Armando Solórzano

Coordinación editorial

Iliana Ávalos González

Jefatura de diseño

Paola Vázquez Murillo

Cuidado editorial

Editorial Universitaria

Diagramación y diseño

Estudio Tangente

D.R. © 2020, Universidad de Guadalajara

Editorial Universitaria

José Bonifacio Andrada 2679

Colonia Lomas de Guevara

44657 Guadalajara, Jalisco

www.editorial.udg.mx

01 800 UDG LIBRO

ISBN en trámite

Junio de 2020

Se prohíbe la reproducción, el registro o la transmisión parcial o total de esta obra por cualquier sistema de recuperación de información, existente o por existir, sin el permiso previo por escrito del titular de los derechos correspondientes.

Diseño epub:

Hipertexto – Netizen Digital Solutions

Acknowledgments

Reconocimientos

Presentation

Presentación

Adolfo Espinoza de los Monteros Cárdenas

Introduction

Introducción

Armando Solórzano

Chapter | Capítulo 1

The uniqueness of the Día de Muertos in Zapotlán

Lo distintivo en la celebración del Día de Muertos en Zapotlán

Adolfo Espinoza de los Monteros

Chapter| Capítulo 2

Cultural and religious syncretism

Sincretismo cultural y religioso

Chapter| Capítulo 3

The living and the dead upon meeting in the cemetery

Vivos y muertos al encuentro en el cementerio

Chapter| Capítulo 4

Skulls

Calaveras

Chapter| Capítulo 5

Dancing opens the way from life to death

Danzar abre el camino de la vida a la muerte

Chapter| Capítulo 6

Pan de muerto savoring nostalgia

Pan de muerto para degustar la nostalgia

Chapter| Capítulo 7

Altars

Altares

Chapter| Capítulo 8

Offerings for life and memory

Ofrendas por la vida y la memoria

Chapter| Capítulo 9

The Catrina walks through Zapotlán

La Catrina se pasea por Zapotlán

Chapter| Capítulo 10

Theater

Teatro

Chapter| Capítulo 11

Life goes on

La vida sigue

Footnotes

Notas al pie

This book belongs to all, especially to those who have passed away. On a visit to my parents’ grave in Zapotlán, Jalisco, I was fortunate to meet María Guadalupe Velazco Cuevas, director of the Miguel Hidalgo cemetery. On the exemplary care with which she maintains the tombs’ impeccable condition, Lupita added: “I take care of all the dead ones alike. I feel that all the dead are my children”. Since then, she has been a source of information for this volume.

I owe much to Martin Benito Montiel, who has a great passion for the tradition of the Día de Muertos in Zapotlán . His objective is to find the differences between the celebration of the Día de Muertos in Zapotlán and the celebrations of the dead in the rest of the world. He is not a trinitarian. He understands life in terms of fours: four cardinal points, four seasons, four heavens, four spiritual drinks, and four types of corn. In the same way, I also want to acknowledge Mr. Enrique Hernandez, who literally knows everything about the old cemetery in Zapotlan. His interviews granted me new insights into the complexities of dealing with the dead and the diversity of philosophies that attempt to explain the mystery of dying.

Latino students at the University of Utah’s Photography Department helped me improve my photography. Kim Mazza and Julio Ramírez shared ideas, cameras, lenses, and Photoshop techniques. Since childhood, I have always admired the local photographers of Zapotlán, especially don Julio Gómez García y don Benjamín Cárdenas, who were very meticulous about their work but never wanted to share their professional secrets with me. In the last fifteen years, I have had several conversations with José Luis Salvador Martínez, from whom I learned that even with a modest camera, one is able to capture the emotions and feelings of the people. I send my gratitude to Professor José de Jesús Guzmán for granting me access to cultural-religious events. Without him I would not have encountered the people who you now see in the photos of this book. All photographic and printing equipment I used was financed in part by the Department of Family and Consumer Studies and by the Ethnic Studies Division at the University of Utah. They granted me a sabbatical to finish writing and designing this work, and I am grateful for their support.

Professor Kevin R. Rathunde at the University of Utah provided me with literature to support the methodological underpinnings of this book. It is not just a matter of taking a picture. For a picture to become art or an educational tool it is necessary for it to have a purpose, an intention to see the world beyond its appearance, and to avoid unnecessary and repetitive recreation of reality. I owe many thanks to Professor Rafael Vázquez Gutiérrez at the University of Guadalajara, who reviewed portions of the manuscript and made valuable suggestions. Tom Gelsinon developed the fluidity and clarity of the text’s English prose, and I’m grateful for the time and energy he invested in editing the manuscript. In the same way, Rogelio Ballesteros, at Instituto Amigos del Sol in Oaxaca, made sure that the spanish text is impeccable; I value our professional relationship, and appreciate even more his unconditional friendship. I will be eternally grateful to the University of Guadalajara Press for its efforts to publish this work and the energy invested in its artistic design..