George Sand - George Sand - The Collected Works (The Greatest Novelists of All Time – Book 11)

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George Sand was one of the most notable writers of the European Romantic era. In her novels Sand blends the conventions of romanticism, realism and idealism. Her writing was immensely popular during her lifetime and she was highly respected by the literary and cultural elite in France. Sand's works influenced many authors including Dostoevsky, Marcel Proust, Virginia Woolf and Walt Whitman. This unique collection includes some of her best and most famous novels:
The Devil's Pool
Indiana
Mauprat
The Countess of Rudolstadt
Valentine
The Sin of Monsieur Antoine
Leone Leoni
The Marquis de Villemer
The Bagpipers
Antonia

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"This is the first time," she said bitterly, "that I have known your antipathy for Monsieur de Ramière to lead you to employ weapons that are unworthy of you; but I do not see how it assists your vengeance to stain the memory of a person who was dear to me, and whom her melancholy end should have made sacred to us. I have asked you no questions, Sir Ralph; I do not know what you refer to. With your permission I will listen to no more."

She rose and left Monsieur Brown bewildered and crushed.

He had foreseen that he could not enlighten Madame Delmare except at his own expense. His conscience had told him that he must speak, whatever the result might be, and he had done it with all the abruptness of method, all the awkwardness of execution of which he was capable. What he had not fully appreciated was the violence of a remedy so long delayed.

He left Lagny in despair and wandered through the forest in a sort of frenzy.

It was midnight; Raymon was at the park gate. He opened it, but as he opened it he felt his brow grow chill. For what purpose had he come to this rendezvous? He had made divers virtuous resolutions, but would he be amply rewarded by a chaste interview, by a sisterly kiss, for the torture he was undergoing at that moment? For, if you remember under what circumstances he had previously passed through those garden paths, stealthily, at night, you will understand that it required a certain degree of moral courage to go in search of pleasure along such a road and amid such memories.

Late in October the climate of the suburbs of Paris becomes damp and foggy, especially at night and in the neighborhood of streams. Chance decreed that the fog should be as dense on this night as on certain other nights in the preceding spring. Raymon felt his way along the mist-enveloped trees. He passed a summer-house which contained a fine collection of geraniums in winter. He glanced at the door, and his heart beat fast at the extravagant idea that it might open and give egress to a woman wrapped in a pelisse. Raymon smiled at this superstitious weakness and went his way. Nevertheless the cold seized him, and he felt an unpleasant tightness at his throat as he approached the stream.

He had to cross it to reach the flower-garden, and the only means of crossing in that vicinity was a narrow wooden bridge. The fog became more dismal than ever over the river-bed, and Raymon clung to the railing of the bridge in order not to go astray among the reeds that grew along the banks. The moon was just rising, and, as it strove to pierce the vapors, cast an uncertain light on the plants which the wind and the current moved to and fro. In the breeze which rustled the leaves and ruffled the surface of the water there was a sort of wailing sound like human words half-spoken. There was a faint sob close beside Raymon and a sudden movement among the reeds; it was a curlew flying away at his approach. The cry of that shore-bird closely resembles the moaning of an abandoned child; and when it comes up from among the reeds you would say that it was the last effort of a drowning man. Perhaps you will consider that Raymon was very weak and cowardly; his teeth chattered and he nearly fell; but he soon realized the absurdity of his terror and crossed the bridge.

He was half-way across when a human figure appeared in front of him, at the end of the rail, as if waiting for him to approach. Raymon's ideas became confused; his bewildered brain had not the strength to reason. He retraced his steps and hid among the trees, gazing with a fixed, terrified stare at that ill-defined apparition which remained in the same place, as vague and uncertain as the river mist and the trembling rays of the moon. He was beginning to believe that in his mental preoccupation he had been deceived, and that what he took for a human form was only a tree-trunk or the stalk of a shrub, when he distinctly saw it move and walk toward him.

At that moment, had not his legs absolutely refused to act, he would have fled in as great a panic as the child who passes a cemetery at night and fancies that he hears mysterious steps running after him on the tips of the blades of grass. But he felt as if he were paralyzed, and, to support himself, threw his arms around the trunk of the willow behind which he was hidden. The next moment Sir Ralph, wrapped in a light cloak which gave him the aspect of a phantom at three yards, passed very close to him and took the path by which he had just come.

"Bungling spy!" thought Raymon, as he saw him looking for his footprints. "I will escape your cowardly surveillance, and while you are mounting guard here I will be enjoying myself yonder."

He crossed the bridge as lightly as a bird, and with the confidence of a lover. His terrors were at an end; Noun had never existed; real life was awakening all about him; Indiana awaited him yonder; and Ralph was on sentry-go to keep him from entering.

"Watch closely," said Raymon, gayly, as he saw him in the distance going in the opposite direction. "Watch for me, dear Sir Rodolphe Brown; protect my good fortune, O my officious friend; and, if the dogs are restless, if the servants wake, pacify them, keep them quiet by saying: 'It is I who am watching, sleep in peace.'"

Scruples, remorse, virtue were at an end for Raymon; he had paid dearly enough for the hour that was striking. His blood that had frozen in his veins flowed now toward his brain with maddening violence. A moment ago the pallid terrors of death, dismal visions of the tomb; now the impetuous realities of love, the keen joys of life. Raymon felt as bold and full of animation as in the morning, when an ugly dream has enveloped us in its shroud and suddenly a merry sunbeam awakens and revivifies us.

"Poor Ralph!" he thought as he ascended the secret staircase with a bold, light step, "you would have it so!"

Part Third

Table of Contents

XVII

Table of Contents

On leaving Sir Ralph, Madame Delmare had locked herself into her room, and a thousand tempestuous thoughts had invaded her mind. It was not the first time that a vague suspicion had cast its ominous light upon the fragile edifice of her happiness. Monsieur Delmare had previously let slip in conversation some of those indelicate jests which pass for compliments. He had complimented Raymon on his knightly triumphs in a way to give the cue to ears that knew naught of the incident. Every time that Madame Delmare had spoken to the gardener, Noun's name had been injected, as if by an unavoidable necessity, into the most trivial details, and then Monsieur de Ramière's had always glided in by virtue of some mysterious junction of ideas which seemed to have taken possession of the man's brain and to beset him in spite of himself. Madame Delmare had been struck by his strange and bungling questions. He became confused in his speech on the slightest pretext; he seemed to be oppressed by a burden of remorse which he betrayed while struggling to conceal it. At other times Indiana had found in Raymon's own confusion those indications which she did not seek, but which forced themselves upon her. One circumstance in particular would have enlightened her further, if she had not closed her mind to all distrust. They had found on Noun's finger a very handsome ring which Madame Delmare had noticed some time before her death and which the girl claimed to have found. Since her death Madame Delmare had always worn that pledge of sorrow, and she had often noticed that Raymon changed color when he took her hand to put it to his lips. Once he had begged her never to mention Noun to him because he looked upon himself as the cause of her death; and when she sought to banish that painful thought by taking all the blame to herself, he had replied:

"No, my poor Indiana, do not accuse yourself; you have no idea how guilty I am."

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