George Sand - George Sand - The Collected Works (The Greatest Novelists of All Time – Book 11)

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George Sand was one of the most notable writers of the European Romantic era. In her novels Sand blends the conventions of romanticism, realism and idealism. Her writing was immensely popular during her lifetime and she was highly respected by the literary and cultural elite in France. Sand's works influenced many authors including Dostoevsky, Marcel Proust, Virginia Woolf and Walt Whitman. This unique collection includes some of her best and most famous novels:
The Devil's Pool
Indiana
Mauprat
The Countess of Rudolstadt
Valentine
The Sin of Monsieur Antoine
Leone Leoni
The Marquis de Villemer
The Bagpipers
Antonia

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Those words, uttered in a bitter, gloomy tone, had alarmed Madame Delmare. She had not dared to insist, and, now that she was beginning to understand all these fragments of discoveries, she had not the courage to fix her thoughts upon them and put them together.

She opened her window, and, as she looked out upon the calm night, upon the moon so pale and lovely behind the silvery vapors on the horizon, as she remembered that Raymon was coming, that he was perhaps in the park even now, and thought of all the joy she had anticipated in that hour of love and mystery, she cursed Ralph who with a word had poisoned her hope and destroyed her repose forever. She even felt that she hated him, the unhappy man who had been a father to her and who had sacrificed his future for her; for his future was Indiana's friendship; that was his only treasure, and he resigned himself to the certainty of forfeiting it in order to save her.

Indiana could not read in the depths of his heart, nor had she been able to fathom Raymon's. She was unjust, not from ingratitude, but from ignorance. Being under the influence of a strong passion she could not but feel strongly the blow that had been dealt her. For an instant she laid the whole crime upon Ralph, preferring to accuse him rather than to suspect Raymon.

And then she had so little time to collect her thoughts, and make up her mind: Raymon was coming. Perhaps it was he whom she had seen for some minutes wandering about the little bridge. How much more intense would her aversion for Ralph have been at that moment, if she could have recognized him in that vague figure, which constantly appeared and disappeared in the mist, and which, like a spirit stationed at the gate of the Elysian Fields, sought to keep the guilty man from entering!

Suddenly there came to her mind one of those strange, half-formed ideas, which only restless and unhappy persons are capable of conceiving. She risked her whole destiny upon a strange and delicate test against which Raymon could not be on his guard. She had hardly completed her mysterious preparations when she heard Raymon's footsteps on the secret stairway. She ran and unlocked the door, then returned to her chair, so agitated that she felt that she was on the point of falling; but, as in all the great crises of her life, she retained a remarkable clearness of perception and great strength of mind.

Raymon was still pale and breathless when he opened the door; impatient to see the light, to grasp reality once more. Indiana's back was turned to him, she was wrapped in a fur-lined pelisse. By a strange chance it was the same that Noun wore when she went to meet him in the park at their last rendezvous. I do not know if you remember that at that time Raymon had had for an instant the untenable idea that that woman shrouded in her cloak was Madame Delmare. Now, when he saw once more the same apparition sitting inert in a chair, with her head on her breast, by the light of a pale, flickering lamp, on the same spot where so many memories awaited him, in that room which he had not entered since the darkest night in his life and which was full to overflowing of his remorse, he involuntarily recoiled and remained in the doorway, his terrified gaze fixed upon that motionless figure, and trembling like a coward, lest, when it turned, it should display the livid features of a drowned woman.

Madame Delmare had no suspicion of the effect she produced upon Raymon. She had wound about her head a handkerchief of India silk, tied carelessly in true creole style; it was Noun's usual head-dress. Raymon, fairly overcome by terror, nearly fell backward, thinking that his superstitious fancies were realized. But, recognizing the woman he had come to seduce, he forgot the one whom he had seduced and walked toward her. Her face wore a grave, meditative expression: she gazed earnestly at him, but with close attention rather than affection, and did not make a motion to draw him to her side more quickly.

Raymon, surprised by this reception, attributed it to some scruple of chastity, to some girlish impulse of delicacy or constraint. He knelt at her feet, saying:

"Are you afraid of me, my beloved?" But at that moment he noticed that Madame Delmare held something in her hands to which she seemed to direct his attention with a playful affectation of gravity. He looked more closely and saw a mass of black hair, of varying lengths, which seemed to have been cut in haste, and which Indiana was smoothing with her hand.

"Do you recognize it?" she asked, fastening upon him her limpid eyes, in which there was a peculiar, penetrating gleam.

Raymon hesitated, looked again at the handkerchief about her head, and thought that he understood.

"Naughty girl!" he said, taking the hair in his hand, "why did you cut it off? It was so beautiful, and I loved it so dearly!"

"You asked me yesterday," she said with the shadow of a smile, "if I would sacrifice it to you."

"O Indiana!" cried Raymon, "you know well that you will be lovelier than ever to me henceforth. Give it to me. I do not choose to regret the absence from your head of that glorious hair which I admired every day, and which now I can kiss every day without restraint. Give it to me, so that it may never leave me."

But as he gathered up in his hand that luxuriant mass of which some locks reached to the floor, Raymon fancied that it had a dry, rough feeling which his fingers had never noticed in the silken tresses over Indiana's forehead. He was conscious, also, of an indefinable nervous thrill, it felt so cold and dead, as if it had been cut a long time, and seemed to have lost its perfumed moisture and vital warmth. Then he looked at it again, and sought in vain the blue gleam which made Indiana's hair resemble the blue-black wing of the crow; this was of an Ethiopian black, of an Indian texture, of a lifeless heaviness.

Indiana's bright piercing eyes followed Raymon's. He turned them involuntarily upon an open ebony casket from which several locks of the same hair protruded.

"This is not yours," he said, untying the kerchief which concealed Madame Delmare's hair.

It was untouched, and fell over her shoulders in all its splendor. But she made a gesture as if to push him away and said, still pointing to the hair:

"Don't you recognize this? Did you never admire, never caress it? Has the damp night air robbed it of all its fragrance? Have you not a thought, a tear for her who wore this ring?"

Raymon sank upon a chair; Noun's locks fell from his trembling hand. So much painful excitement had exhausted him. He was a man of choleric temper, whose blood flowed rapidly, whose nerves were easily and deeply irritated. He shivered from head to foot and fell in a swoon on the floor.

When he came to himself, Madame Delmare was on her knees beside him, weeping copiously and asking his forgiveness; but Raymon no longer loved her.

"You have inflicted a horrible wound on me," he said; "a wound which it is not in your power to cure. You will never restore the confidence I had in your heart; that is evident to me. You have shown me how vindictive and cruel your heart can be. Poor Noun! poor unhappy girl! It was she whom I treated badly, not you; it was she who had the right to avenge herself, and she did not. She took her own life in order to leave me the future. She sacrificed herself to my repose. You are not the woman to have done as much, madame! Give me her hair; it is mine—it belongs to me; it is all that remains to me of the only woman who ever loved me truly. Unhappy Noun! you were worthy of a better love! And you, madame, dare to reproach me with her death; you, whom I loved so well that I forgot her—that I defied the ghastly torture of remorse; you who, on the faith of a kiss, have led me across that river—across that bridge—alone, with terror at my side, pursued by the infernal illusions of my crime! And when you discover with what a frantic passion I love you, you bury your woman's nails in my heart, seeking there another drop of blood which may still be made to flow for you! Ah! when I spurned so devoted a love to take up with so savage a passion as yours, I was no less mad than guilty."

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