A. E. (Alfred Edgar) Coppard - The Collected Tales of A. E. Coppard

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So now about these tales: First, I want to crush the assumption that the short story and the novel are manifestations of one principle of fiction, differentiated merely by size, that the novel is inherently and naturally the substantial and therefore the important piece of work, the bale of tweed—you may suppose—out of which your golfer gets his plus-four suit, the short story being merely a remnant, the rag or two left over to make the caddie a cap. In fact the relationship of the short story to the novel amounts to nothing at all. The novel is a distinct form of art having a pedigree and practice of hardly more than a couple of hundred years; the short story, so far from being its offspring, is an ancient art originating in the folk tale, which was a thing of joy even before writing, not to mention printing, was invented. . . .

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Codling stared again at the beautiful lock of hair in his hand and felt himself grow so angry that he picked up a strange-looking flowerpot at his feet and hurled it at the retreating gardener. It struck Bond in the middle of the back and, passing clean through him, broke on the wheel of his barrow, but Bond seemed to be quite unaware of this catastrophe. Codling rushed after, and, taking the gardener by the throat, he yelled: “Damn you, will you tell me what all this means?” But Bond proceeded calmly about his work unnoticing, carrying his master about as if he were a clinging vapour, or a scarf hung upon his neck. In a few moments Codling dropped exhausted to the ground. “What . . . Oh hell . . . what, what am I to do?” he groaned. “What has happened to me? What shall I do? What can I do?” He looked at the broken flowerpot. “Did I invent that?” He pulled out his watch. “That’s a real watch, I hear it ticking, and it’s six o’clock.” Was he dead or disembodied or mad? What was this infernal lapse of identity? And who the devil, yes, who was it upstairs with Mildred? He jumped to his feet and hurried to the window; it was shut; to the door, it was fastened; he was powerless to open either. Well! well! this was experimental psychology with a vengeance, and he began to chuckle again. He’d have to write to McDougall about it. Then he turned and saw Bond wheeling the barrow across the lawn towards him again. “Why is that fellow always shoving that infernal green barrow around?” he asked, and, the fit of fury seizing him again, he rushed towards Bond, but before he reached him the three children danced into the garden again, crying, with great excitement: “Bond, oh, Bond!” The gardener stopped and set down the terrifying barrow; the children crowded about him, and Gabriel held out another shining thing, asking: “Bond, is this box any good?” The gardener took the box and at once his eyes lit up with interest and delight. “Oh, Marse Gabriel, where’d ye get it? Where’d ye get it?” “Bond,” said the boy impatiently, “is the box any good?” “Any good?” echoed the man. “Why, Marse Gabriel, Marse Adam, Miss Eve, look yere!” Holding it down in front of them, he lifted the lid from the box and a bright-coloured bird flashed out and flew round and round above their heads. “Oh,” screamed Gabriel with delight, “it’s a kingfisher!” “That’s what it is,” said Bond, “a kingfisher!” “Where?” asked Adam. “Where?” asked Eve. “There it flies—round the fountain—see it? see it!” “No,” said Adam. “No,” said Eve.

“Oh, do, do, see it,” cried Gabriel, “here it comes, it’s coming!” and, holding his hands on high, and standing on his toes, the child cried out as happy as the bird which Codling saw flying above them.

“I can’t see it,” said Adam.

“Where is it, Gaby?” asked Eve.

“Oh, you stupids,” cried the boy. “There it goes. There it goes . . . there . . . it’s gone!”

He stood looking brightly at Bond, who replaced the lid.

“What shall we do now?” he exclaimed eagerly. For reply the gardener gave the box into his hand and walked off with the barrow. Gabriel took the box over to the fountain. Codling, unseen, went after him, almost as excited as the boy; Eve and her brother followed. They sat upon the stone tank that held the falling water. It was difficult for the child to unfasten the lid; Codling attempted to help him, but he was powerless. Gabriel looked up into his father’s face and smiled. Then he stood up and said to the others:

“Now, do watch it this time.”

They all knelt carefully beside the water. He lifted the lid and, behold, a fish like a gold carp, but made wholly of fire, leaped from the box into the fountain. The man saw it dart down into the water, he saw the water bubble up behind it, he heard the hiss that the junction of fire and water produces, and saw a little track of steam follow the bubbles about the tank until the figure of the fish was consumed and disappeared. Gabriel, in ecstasies, turned to his sister with blazing happy eyes, exclaiming:

“There! Evey!”

“What was it?” asked Eve, nonchalantly, “I didn’t see anything.”

“More didn’t I,” said Adam.

“Didn’t you see that lovely fish?”

“No,” said Adam.

“No,” said Eve.

“Oh, stupids,” cried Gabriel, “it went right past the bottom of the water.”

“Let’s get a fishin’ nook,” said Adam.

“No, no, no,” said Gabriel, replacing the lid of the box. “Oh, no.”

Jaffa Codling had remained on his knees staring at the water so long that, when he looked around him again, the children had gone away. He got up and went to the door, and that was closed; the windows, fastened. He went moodily to a garden bench and sat on it with folded arms. Dusk had begun to fall into the shrubs and trees, the grass to grow dull, the air chill, the sky to muster its gloom. Bond had overturned his barrow, stalled his tools in the lodge, and gone to his home in the village. A curious cat came round the house and surveyed the man who sat chained to his seven-horned dilemma. It grew dark and fearfully silent. Was the world empty now? Some small thing, a snail perhaps, crept among the dead leaves in the hedge with a sharp, irritating noise. A strange flood of mixed thoughts poured through his mind until at last one idea disentangled itself, and he began thinking with tremendous fixity of little Gabriel. He wondered if he could brood or meditate or “will” with sufficient power to bring him into the garden again. The child had just vaguely recognized him for a moment at the waterside. He’d try that dodge, telepathy was a mild kind of a trick after so much of the miraculous. If he’d lost his blessed body, at least the part that ate and smoked and talked to Mildred . . . He stopped as his mind stumbled on a strange recognition. . . . What a joke, of course . . . idiot . . . not to have seen that. He stood up in the garden with joy . . . of course, he was upstairs with Mildred, it was himself, the other bit of him, that Mildred had been talking to. What a howling fool he’d been!

He found himself concentrating his mind on the purpose of getting the child Gabriel into the garden once more, but it was with a curious mood that he endeavoured to establish this relationship. He could not fix his will into any calm intensity of power, or fixity of purpose, or pleasurable mental ecstasy. The utmost force seemed to come with a malicious threatening splenetic “entreaty.” That damned snail in the hedge broke the thread of his meditation; a dog began to bark sturdily from a distant farm; the faculties of his mind became joggled up like a child’s picture puzzle, and he brooded unintelligibly upon such things as skating and steam engines, and Elizabethan drama so lapped about with themes like jealousy and chastity. Really now, Shakespeare’s Isabella was the most consummate snob in . . . He looked up quickly to his wife’s room and saw Gabriel step from the window to the balcony as though he was fearful of being seen. The boy lifted up his hands and placed the bright box on the rail of the balcony. He looked up at the faint stars for a moment or two, and then carefully released the lid of the box. What came out of it and rose into the air appeared to Codling to be just a piece of floating light, but as it soared above the roof he saw it grow to be a little ancient ship, with its hull and fully set sails and its three masts all of faint primrose flame colour. It cleaved through the air, rolling slightly as a ship through the wave, in widening circles above the house, making a curving ascent until it lost the shape of a vessel and became only a moving light hurrying to some sidereal shrine. Codling glanced at the boy on the balcony, but in that brief instant something had happened, the ship had burst like a rocket and released three coloured drops of fire which came falling slowly, leaving beautiful grey furrows of smoke in their track. Gabriel leaned over the rail with outstretched palms, and, catching the green star and the blue one as they drifted down to him, he ran with a rill of laughter back into the house. Codling sprang forward just in time to catch the red star; it lay vividly blasting his own palm for a monstrous second, and then, slipping through, was gone. He stared at the ground, at the balcony, the sky, and then heard an exclamation . . . his wife stood at his side.

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