A. E. (Alfred Edgar) Coppard - The Collected Tales of A. E. Coppard

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So now about these tales: First, I want to crush the assumption that the short story and the novel are manifestations of one principle of fiction, differentiated merely by size, that the novel is inherently and naturally the substantial and therefore the important piece of work, the bale of tweed—you may suppose—out of which your golfer gets his plus-four suit, the short story being merely a remnant, the rag or two left over to make the caddie a cap. In fact the relationship of the short story to the novel amounts to nothing at all. The novel is a distinct form of art having a pedigree and practice of hardly more than a couple of hundred years; the short story, so far from being its offspring, is an ancient art originating in the folk tale, which was a thing of joy even before writing, not to mention printing, was invented. . . .

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He sat while this was doing and talked to the barmaid. She had a beautiful but rather mournful face as it was lit by the firelight, and when her glance was turned away from it her eyes had a piercing brightness. Friendly and well spoken as she was, the melancholy in her aspect was noticeable—perhaps it was the dim room, or the wet day, or the long hours ministering a multitude of cocktails to thirsty gallantry.

When he went to his supper he found cheering food and drink, with pleasant garniture of silver and mahogany. There were no other visitors, he was to be alone; blinds were drawn, lamps lit, and the fire at his back was comforting. So he sat long about his meal until a white-faced maid came to clear the table, discoursing to him about country things as she busied about the room. It was a long, narrow room, with a sideboard and the door at one end and the fireplace at the other. A bookshelf, almost devoid of books, contained a number of plates; the long wall that faced the windows was almost destitute of pictures, but there were hung upon it, for some inscrutable but doubtless sufficient reason, many dish-covers, solidly shaped, of the kind held in such mysterious regard and known as “willow pattern”; one was even hung upon the face of a map. Two musty prints were mixed with them, presentments of horses having a stilted extravagant physique and bestridden by images of inhuman and incommunicable dignity, clothed in whiskers, coloured jackets, and tight white breeches.

He took down the books from the shelf, but his interest was speedily exhausted, and the almanacs, the county directory, and various guide-books were exchanged for the Cotswold Chronicle. With this, having drawn the deep chair to the hearth, he whiled away the time. The newspaper amused him with its advertisements of stock shows, farm auctions, travelling quacks and conjurers, and there was a lengthy account of the execution of a local felon, one Timothy Bridger, who had murdered an infant in some shameful circumstances. This dazzling crescendo proved rather trying to the traveller; he threw down the paper.

The town was all as quiet as the hills, and he could hear no sounds in the house. He got up and went across the hall to the smoke-room. The door was shut, but there was light within, and he entered. The girl sat there much as he had seen her on his arrival, still alone, with feet on fender. He shut the door behind him, sat down, and crossing his legs puffed at his pipe, admired the snug little room and the pretty figure of the girl, which he could do without embarrassment, as her meditative head, slightly bowed, was turned away from him. He could see something of her, too, in the mirror at the bar, which repeated also the agreeable contours of bottles of coloured wines and rich liqueurs—so entrancing in form and aspect that they seemed destined to charming histories, even in disuse—and those of familiar outline containing mere spirits or small beer, for which are reserved the harsher destinies of base oils, horse medicines, disinfectants, and cold tea. There were coloured glasses for bitter wines, white glasses for sweet, a tiny leaden sink beneath them, and the four black handles of the beer engines.

The girl wore a light blouse of silk, a short skirt of black velvet, and a pair of very thin silk stockings that showed the flesh of instep and shin so plainly that he could see they were reddened by the warmth of the fire. She had on a pair of dainty cloth shoes with high heels, but what was wonderful about her was the heap of rich black hair piled at the back of her head and shadowing the dusky neck. He sat puffing his pipe and letting the loud tick of the clock fill the quiet room. She did not stir and he could move no muscle. It was as if he had been willed to come there and wait silently. That, he felt now, had been his desire all the evening; and here, in her presence, he was more strangely stirred in a few short minutes than by any event he could remember.

In youth he had viewed women as futile, pitiable things that grew long hair, wore stays and garters, and prayed incomprehensible prayers. Viewing them in the stalls of the theatre from his vantage-point in the gallery, he always disliked the articulation of their naked shoulders. But still, there was a god in the sky, a god with flowing hair and exquisite eyes, whose one stride with an ardour grandly rendered took him across the whole round hemisphere to which his buoyant limbs were bound like spokes to the eternal rim and axle, his bright hair burning in the pity of the sunsets and tossing in the anger of the dawns.

Master traveller had indeed come into this room to be with this woman, and she as surely desired him, and for all its accidental occasion it was as if he, walking the ways of the world, had suddenly come upon what, what so imaginable with all permitted reverence as, well, just a shrine; and he, admirably humble, bowed the instant head.

Were there no other people within? The clock indicated a few minutes to nine. He sat on, still as stone, and the woman might have been of wax for all the movement or sound she made. There was allurement in the air between them; he had forborne his smoking, the pipe grew cold between his teeth. He waited for a look from her, a movement to break the trance of silence. No footfall in street or house, no voice in the inn but the clock, beating away as if pronouncing a doom. Suddenly it rasped out nine large notes, a bell in the town repeated them dolefully, and a cuckoo no farther than the kitchen mocked them with three times three. After that came the weak steps of the old landlord along the hall, the slam of doors, the clatter of lock and bolt, and then the silence returning unendurably upon them.

He rose and stood behind her; he touched the black hair. She made no movement or sign. He pulled out two or three combs and, dropping them into her lap, let the whole mass tumble about his hands. It had a curious harsh touch in the unravelling, but was so full and shining; black as a rook’s wings it was. He slid his palms through it. His fingers searched it and fought with its fine strangeness; into his mind there travelled a serious thought, stilling his wayward fancy—this was no wayward fancy, but a rite accomplishing itself! (Run, run, silly man, y’are lost!) But having got so far, he burnt his boats, leaned over, and drew her face back to him. And at that, seizing his wrists, she gave him back ardour for ardour, pressing his hands to her bosom, while the kiss was sealed and sealed again. Then she sprang up and picking his scarf and hat from the fender said:

“I have been drying them for you, but the hat has shrunk a bit, I’m sure—I tried it on.”

He took them from her and put them behind him; he leaned lightly back upon the table, holding it with both his hands behind him; he could not speak.

“Aren’t you going to thank me for drying them?” she asked, picking her combs from the rug and repinning her hair.

“I wonder why we did that?” he asked, shamedly.

“It is what I’m thinking too,” she said.

“You were so beautiful about—about it, you know.”

She made no rejoinder, but continued to bind her hair, looking brightly at him under her brows. When she had finished she went close to him.

“Will that do?”

“I’ll take it down again.”

“No, no, the old man or the old woman will be coming in.”

“What of that?” he said, taking her into his arms. “Tell me your name.”

She shook her head, but she returned his kisses and stroked his hair and shoulders with beautifully melting gestures.

“What is your name? I want to call you by your name,” he said. “I can’t keep calling you Lovely Woman, Lovely Woman.”

Again she shook her head and was dumb.

“I’ll call you Ruth, then, Dusky Ruth, Ruth of the black, beautiful hair.”

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