George Bernard Shaw - Pygmalion and Three Other Plays

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Apple-style-span Pygmalion and Three Other Plays
Barnes & Noble Classics series, which offers quality editions at affordable prices to the student and the general reader, including new scholarship, thoughtful design, and pages of carefully crafted extras. Here are some of the remarkable features of
: George Bernard Shaw
Apple-style-span All editions are beautifully designed and are printed to superior specifications; some include illustrations of historical interest.
pulls together a constellation of influences — biographical, historical, and literary — to enrich each reader's understanding of these enduring works.
Apple-style-span Hailed as “a Tolstoy with jokes” by one critic,
was the most significant British playwright since the seventeenth century.
persists as his best-loved play, one made into both a classic film — which won Shaw an Academy Award for best screenplay — and the perennially popular musical
.
Apple-style-span Pygmalion
Pygmalion
Apple-style-span This volume also includes
, which attacks both capitalism and charitable organizations,
, a keen-eyed examination of medical morals and malpractice, and
, which exposes the spiritual bankruptcy of the generation responsible for the bloodshed of World War I.
Apple-style-span John A. Bertolini
The Playwrighting Self of Bernard Shaw
Man and Superman and Three Other Plays

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MRS DUBEDAT Thank you. Thank you. Nothing hurts me. Good-night.

LOUIS goes out through the hotel without noticing SCHUTZMACHER. MRS DUBEDAT hesitates, then bows to him. SCHUTZMACHER rises and bows formally, German fashion. She goes out, attended by RIDGEON. The rest resume their seats, ruminating or smoking quietly.

B. B. [harmoniously] Dee-lightful couple! Charming woman! Gifted lad! Remarkable talent! Graceful outlines! Perfect evening! Great success! Interesting case! Glorious night! Exquisite scenery! Capital dinner! Stimulating conversation! Restful outing! Good wine! Happy ending! Touching gratitude ! Lucky Ridgeon —

RIDGEON [returning] Whats that? Calling me, B. B.? [He goes back to his seat next SIR PATRICK].

B. B. No, no. Only congratulating you on a most successful evening! Enchanting woman! Thorough breeding! Gentle nature ! Refined —

BLENKINSOP comes from the hotel and takes the empty chair next RIDGEON.

BLENKINSOP I’m so sorry to have left you like this, Ridgeon; but it was a telephone message from the police. Theyve found half a milkman at our level crossing with a prescription of mine in its pocket. Wheres Mr Dubedat?

RIDGEON Gone.

BLENKINSOP (rising, very pale] Gone!

RIDGEON Just this moment —

BLENKINSOP Perhaps I could overtake him — [he rushes into the hotel) .

WALPOLE [calling after him] He’s in the motor, man, miles off. You can — [giving it up]. No use.

RIDGEON Theyre really very nice people. I confess I was afraid the husband would turn out an appalling bounder. But he’s almost as charming in his way as she is in hers. And theres no mistake about his being a genius. It’s something to have got a case really worth saving. Somebody else will have to go; but at all events it will be easy to find a worse man.

SIR PATRICK How do you know?

RIDGEON Come now, Sir Paddy, no growling. Have something more to drink.

SIR PATRICK No, thank you.

WALPOLE Do y o u see anything wrong with Dubedat, B. B.?

B. B. Oh, a charming young fellow. Besides, after all, what c o u l d be wrong with him? L o o k at him. What c o u l d be wrong with him?

SIR PATRICK There are two things that can be wrong with any man. One of them is a cheque. The other is a woman. Until you know that a man’s sound on these two points, you know nothing about him.

B. B. Ah, cynic, cynic!

WALPOLE He’s all right as to the cheque, for a while at all events. He talked to me quite frankly before dinner as to the pressure of money difficulties on an artist. He says he has no vices and is very economical, but that theres one extravagance he cant afford and yet cant resist; and that is dressing his wife prettily. So I said, bang plump out, “Let me lend you twenty pounds, and pay me when your ship comes home.” He was really very nice about it. He took it like a man; and it was a pleasure to see how happy it made him, poor chap.

B. B. [who has listened to WALPOLE with growing perturbation] But — but — but — when was this, may I ask?

WALPOLE When I joined you that time down by the river.

B. B. But, my dear Walpole, he had just borrowed ten pounds from me.

WALPOLE What!

SIR PATRICK (grunts]!

B. B. (indulgently] Well, well, it was really hardly borrowing; for he said heaven only knew when he could pay me. I couldnt refuse. It appears that Mrs Dubedat has taken a sort of fancy to me —

WALPOLE [quickly] No: it was to me.

B. B. Certainly not. Your name was never mentioned between us. He is so wrapped up in his work that he has to leave her a good deal alone; and the poor innocent young fellow — he has of course no idea of my position or how busy I am — actually wanted me to call occasionally and talk to her.

WALPOLE Exactly what he said to me!

B. B. Pooh! Pooh pooh! Really, I must say.

Much disturbed, he rises and goes up to the balustrade, contemplating the landscape vexedly.

WALPOLE Look here, Ridgeon! this is beginning to look serious.

BLENKINSOP, very anxious and wretched, but trying to look unconcerned, comes back.

RIDGEON Well, did you catch him?

BLENKINSOP No. Excuse my running away like that. [He sits down at the foot of the table, next BLOOMFIELD BONINGTON’s chair] .

WALPOLE Anything the matter?

BLENKINSOP Oh no. A trifle — something ridiculous. It cant be helped. Never mind.

RIDGEON Was it anything about Dubedat?

BLENKINSOP [almost breaking down] I ought to keep it to myself, I know. I cant tell you, Ridgeon, how ashamed I am of dragging my miserable poverty to your dinner after all your kindness. It’s not that you wont ask me again; but it’s so humiliating. And I did so look forward to one evening in my dress clothes (t h e y r e still presentable, you see) with all my troubles left behind, just like old times.

RIDGEON But what has happened?

BLENKINSOP Oh, nothing. It’s too ridiculous. I had just scraped up four shillings for this little outing; and it cost me one-and-fourpence to get here. Well, Dubedat asked me to lend him half-a-crown to tip the chambermaid of the room his wife left her wraps in, and for the cloakroom. He said he only wanted it for five minutes, as she had his purse. So of course I lent it to him. And he’s forgotten to pay me. Ive just tuppence to get back with.

RIDGEON Oh, never mind that —

BLENKINSOP [stopping him resolutely] No: I know what youre going to say; but I wont take it. Ive never borrowed a penny; and I never will. Ive nothing left but my friends; and I wont sell them. If none of you were to be able to meet me without being afraid that my civility was leading up to the loan of five shillings, there would be an end of everything for me. I’ll take your old clothes, Colly, sooner than disgrace you by talking to you in the street in my own; but I wont borrow money. I’ll train it as far as the twopence will take me; and I’ll tramp the rest.

WALPOLE Youll do the whole distance in my motor. [They are all greatly relieved; and WALPOLE hastens to get away from the painful subject by adding] Did he get anything out of you, Mr Schutzmacher?

SCHUTZMACHER [shakes his head in a most expressive negative].

WALPOLE You didnt appreciate his drawing, I think.

SCHUTZMACHER Oh yes I did. I should have liked very much to have kept the sketch and got it autographed.

B. B. But why didnt you?

SCHUTZMACHER Well, the fact is, when I joined Dubedat after his conversation with Mr Walpole, he said the Jews were the only people who knew anything about art, and that though he had to put up with your Philistine twaddle, as he called it, it was what I said about the drawings that really pleased him. He also said that his wife was greatly struck with my knowledge, and that she always admired Jews. Then he asked me to advance him £50 on the security of the drawings.

SCHUTZMACHER Of course I couldnt lend money to a stranger like that B B I - фото 13

SCHUTZMACHER Of course I couldnt lend money to a stranger like that.

B. B. I envy you the power to say No, Mr Schutzmacher. Of course, I knew I oughtnt to lend money to a young fellow in that way; but I simply hadnt the nerve to refuse. I couldnt very well, you know, could I?

SCHUTZMACHER I dont understand that. I felt that I couldnt very well lend it.

WALPOLE What did he say?

SCHUTZMACHER Well, he made a very uncalled-for remark about a Jew not understanding the feelings of a gentleman. I must say you Gentiles are very hard to please. You say we are no gentlemen when we lend money; and when we refuse to lend it you say just the same. I didnt mean to behave badly. As I told him, I might have lent it to him if he had been a Jew himself.

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