Уистан Оден - Стихи и эссе

"Where the beggars raffle the banknotes
And the Giant is enchanting to Jack,
And the Lily-white Boy is a Roarer,
And Jill goes down on her back.

"O look, look in the mirror,
O look in your distress;
Life remains a blessing
Although you cannot bless.

"O stand, stand at the window
As the tears scald and start;
You shall love your crooked nelghbour
With your crooked heart."

It was late, late in the evening,
The lovers they were gone;
The clocks had ceased their chiming,
And the deep river ran on.

Fish in the unruffled lakes
Their swarming colours wear,
Swans in the winter air
A white perfection have,
And the great lion walks
Through his innocent grove;
Lion, fish and swan
Act, and are gone
Upon Time's toppling wave.

We, till shadowed days are done,
We must weep and sing
Duty's conscious wrong,
The Devil in the clock,
The goodness carefully worn
For atonement or for luck;
We must lose our loves,
On each beast and bird that moves
Turn an envious look.

Sighs for folly done and said
Twist our narrow days,
But I must bless, I must praise
That you, my swan, who have
All gifts that to the swan
Impulsive Nature gave,
The majesty and pride,
Last night should add
Your voluntary love.

Now the leaves are falling fast,
Nurse's flowers will not last;
Nurses to the graves are gone,
And the prams go rolling on.

Whispering neighbours, left and right,
Pluck us from the real delight;
And the active hands must freeze
Lonely on the separate knees.

Dead in hundreds at the back
Follow wooden in our track,
Arms raised stiffly to reprove
In false attitudes of love.

Starving through the leafless wood
Trolls run scolding for their food;
And the nightingale is dumb,
And the angel will not come.

Cold, impossible, ahead
Lifts the mountain's lovely head
Whose white waterfall could bless
Travellers in their last distress.

"O who can ever gaze his fill,"
Farmer and fisherman say,
"On native shore and local hill,
Grudge aching limb or callus on the hand?
Father, grandfather stood upon this land,
And here the pilgrims from our loins will stand."
So farmer and fisherman say
In their fortunate hey-day:
But Death's low answer drifts across
Empty catch or harvest loss
Or an unlucky May.
The earth is an oyster with nothing inside it,
Not to be born is the best for man;
The end of toil is a bailiff's order,
Throw down the mattock and dance while you can.

"O life's too short for friends who share,"
Travellers think in their hearts,
"The city's common bed, the air,
The mountain bivouac and the bathing beach,
Where incidents draw every day from each
Memorable gesture and witty speech."
So travellers think in their hearts,
Till malice or circumstance parts
Them from their constant humour:
And slyly Death's coercive rumour
In that moment starts.
A friend is the old old tale of Narcissus,
Not to be born is the best for man;
An active partner in something disgraceful,
Change your partner, dance while you can.

"O stretch your hands across the sea,"
The impassioned lover cries,
"Stretch them towards your harm and me.
Our grass is green, and sensual our brief bed,
The stream sings at its foot, and at its head
The mild and vegetarian beasts are fed."
So the impassioned lover cries
Till the storm of pleasure dies:
From the bedpost and the rocks
Death's enticing echo mocks,
And his voice replies.
The greater the love, the more false to its object,
Not to be born is the best for man;
After the kiss comes the impulse to throttle,
Break the embraces, dance while you can.

"I see the guilty world forgiven,"
Dreamer and drunkard sing,
"The ladders let down out of heaven,
The laurel springing from the martyr's blood,
The children skipping where the weeper stood,
The lovers natural and the beasts all good."
So dreamer and drunkard sing
Till day their sobriety bring:
Parrotwise with Death's reply
From whelping fear and nesting lie,
Woods and their echoes ring.
The desires of the heart are as crooked as corkscrews,
Not to be born is the best for man;
The second-best is a formal order,
The dance's pattern; dance while you can.

Dance, dancefor the figure is easy,
The tune is catching and will not stop;
Dance till the stars come down from the rafters;
Dance, dance, dance till you drop.

About suffering they were never wrong,
The Old Masters: how well they understood
Its human position; how it takes place
While someone else is eating or opening a window or just walking dully
along;
How, when the aged are reverently, passionately waiting
For the miraculous birth, there always must be
Children who did not specially want it to happen, skating
On a pond at the edge of the wood:
They never forgot
That even the dreadful martyrdom must run its course
Anyhow in a corner, some untidy spot
Where the dogs go on with their doggy life and the torturer's horse
Scratches its innocent behind on a tree.

In Brueghel's Icarus, for instance: how everything turns away
Quite leisurely from the disaster; the ploughman may
Have heard the splash, the forsaken cry,
But for him it was not an important failure; the sun shone
As it had to on the white legs disappearing into the green
Water; and the expensive delicate ship that must have seen
Something amazing, a boy falling out of the sky,
Had somewhere to get to and sailed calmly on.

I

So from the years the gifts were showered; each
Ran off with his at once into his life:
Bee took the politics that make a hive,
Fish swam as fish, peach settled into peach.

And were successful at the first endeavour;
The hour of birth their only time at college,
They were content with their precocious knowledge,
And knew their station and were good for ever.

Till finally there came a childish creature
On whom the years could model any feature,
And fake with ease a leopard or a dove;

Who by the lightest wind was changed and shaken,
And looked for truth and was continually mistaken,
Ana envied his few friends and chose his love.

VIII

He turned his field into a meeting-place,
And grew the tolerant ironic eye,
And formed the mobile money-changer's face,
And found the notion of equality.

And strangers were as brothers to his clocks,
And with his spires he made a human sky;
Museums stored his learning like a box,
And paper watched his money like a spy.

It grew so fast his life was overgrown,
And he forgot what once it had been made for,
And gathered into crowds and was alone,