Louisa May Alcott - Little Women

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Little Women is a novel by American author Louisa May Alcott, which was originally published in two volumes in 1868 and 1869. Alcott wrote the books rapidly over several months at the request of her publisher. The novel follows the lives of four sisters—Meg, Jo, Beth, and Amy March—detailing their passage from childhood to womanhood, and is loosely based on the author and her three sisters. Little Women «has been read as a romance or as a quest, or both. It has been read as a family drama that validates virtue over wealth», but also «as a means of escaping that life by women who knew its gender constraints only too well».[6]:34 According to Sarah Elbert, Alcott created a new form of literature, one that took elements from Romantic children's fiction and combined it with others from sentimental novels, resulting in a totally new format. Elbert argued that within Little Women can be found the first vision of the «All-American girl» and that her multiple aspects are embodied in the differing March sisters. The book has been adapted for film twice as silent films, and four times with sound, in 1933, 1949, 1978 and 1994. Four television series were made, including two in Britain in the 1950s and two anime series in Japan in the 1980s. A musical version opened on Broadway in 2005. An American opera version in 1998 has been performed internationally and filmed for broadcast on US television in 2001.

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"Dear me, I didn't know any one was here!" stammered Jo, preparing to back out as speedily as she had bounced in.

But the boy laughed, and said pleasantly, though he looked a little startled,—

"Don't mind me; stay, if you like."

"Sha'n't I disturb you?"

"Not a bit; I only came here because I don't know many people, and felt rather strange at first, you know."

"So did I. Don't go away, please, unless you'd rather."

The boy sat down again and looked at his pumps, till Jo said, trying to be polite and easy,—

"I think I've had the pleasure of seeing you before; you live near us, don't you?"

"Next door"; and he looked up and laughed outright, for Jo's prim manner was rather funny when he remembered how they had chatted about cricket when he brought the cat home.

That put Jo at her ease; and she laughed too, as she said, in her heartiest way,—

"We did have such a good time over your nice Christmas present."

"Grandpa sent it."

"But you put it into his head, didn't you, now?"

"How is your cat, Miss March?" asked the boy, trying to look sober, while his black eyes shone with fun.

"Nicely, thank you, Mr. Laurence; but I am not Miss March, I'm only Jo," returned the young lady.

"I'm not Mr. Laurence, I'm only Laurie."

"Laurie Laurence,—what an odd name!"

"My first name is Theodore, but I don't like it, for the fellows called me Dora, so I made them say Laurie instead."

"I hate my name, too—so sentimental! I wish every one would say Jo, instead of Josephine. How did you make the boys stop calling you Dora?"

"I thrashed 'em."

"I can't thrash Aunt March, so I suppose I shall have to bear it"; and Jo resigned herself with a sigh.

"Don't you like to dance, Miss Jo?" asked Laurie, looking as if he thought the name suited her.

"I like it well enough if there is plenty of room, and every one is lively. In a place like this I'm sure to upset something, tread on people's toes, or do something dreadful, so I keep out of mischief, and let Meg sail about. Don't you dance?"

"Sometimes; you see I've been abroad a good many years, and haven't been into company enough yet to know how you do things here."

"Abroad!" cried Jo. "Oh, tell me about it! I love dearly to hear people describe their travels."

Laurie didn't seem to know where to begin; but Jo's eager questions soon set him going, and he told her how he had been at school in Vevay, where the boys never wore hats, and had a fleet of boats on the lake, and for holiday fun went walking trips about Switzerland with their teachers.

"Don't I wish I'd been there!" cried Jo. "Did you go to Paris?"

"We spent last winter there."

"Can you talk French?"

"We were not allowed to speak any thing else at Vevay."

"Do say some! I can read it, but can't pronounce."

"Quel nom a cette jeune demoiselle en les pantoufles jolis?" said Laurie good-naturedly.

"How nicely you do it! Let me see,—you said, 'Who is the young lady in the pretty slippers,' didn't you?"

"Oui, mademoiselle."

"It's my sister Margaret, and you knew it was! Do you think she is pretty?"

"Yes; she makes me think of the German girls, she looks so fresh and quiet, and dances like a lady."

Jo quite glowed with pleasure at this boyish praise of her sister, and stored it up to repeat to Meg. Both peeped and criticised and chatted, till they felt like old acquaintances. Laurie's bashfulness soon wore off; for Jo's gentlemanly demeanor amused and set him at his ease, and Jo was her merry self again, because her dress was forgotten, and nobody lifted their eyebrows at her. She liked the "Laurence boy" better than ever, and took several good looks at him, so that she might describe him to the girls; for they had no brothers, very few male cousins, and boys were almost unknown creatures to them.

"Curly black hair; brown skin; big, black eyes; handsome nose; fine teeth; small hands and feet; taller than I am; very polite, for a boy, and altogether jolly. Wonder how old he is?"

It was on the tip of Jo's tongue to ask; but she checked herself in time, and, with unusual tact, tried to find out in a roundabout way.

"I suppose you are going to college soon? I see you pegging away at your books,—no, I mean studying hard"; and Jo blushed at the dreadful "pegging" which had escaped her.

Laurie smiled, but didn't seem shocked, and answered, with a shrug,—

"Not for a year or two; I won't go before seventeen, anyway."

"Aren't you but fifteen?" asked Jo, looking at the tall lad, whom she had imagined seventeen already.

"Sixteen, next month."

"How I wish I was going to college! You don't look as if you liked it."

"I hate it! Nothing but grinding or skylarking. And I don't like the way fellows do either, in this country."

"What do you like?"

"To live in Italy, and to enjoy myself in my own way."

Jo wanted very much to ask what his own way was; but his black brows looked rather threatening as he knit them; so she changed the subject by saying, as her foot kept time, "That's a splendid polka! Why don't you go and try it?"

"If you will come too," he answered, with a gallant little bow.

"I can't; for I told Meg I wouldn't, because—" There Jo stopped, and looked undecided whether to tell or to laugh.

"Because what?" asked Laurie curiously.

"You won't tell?"

"Never!"

"Well, I have a bad trick of standing before the fire, and so I burn my frocks, and I scorched this one; and, though it's nicely mended, it shows, and Meg told me to keep still, so no one would see it. You may laugh, if you want to; it is funny, I know."

But Laurie didn't laugh; he only looked down a minute, and the expression of his face puzzled Jo, when he said very gently,—

"Never mind that; I'll tell you how we can manage: there's a long hall out there, and we can dance grandly, and no one will see us. Please come?"

Jo thanked him, and gladly went, wishing she had two neat gloves, when she saw the nice, pearl-colored ones her partner wore. The hall was empty, and they had a grand polka; for Laurie danced well, and taught her the German step, which delighted Jo, being full of swing and spring. When the music stopped, they sat down on the stairs to get their breath; and Laurie was in the midst of an account of a students' festival at Heidelberg, when Meg appeared in search of her sister. She beckoned, and Jo reluctantly followed her into a side-room, where she found her on a sofa, holding her foot, and looking pale.

Ive sprained my ankle That stupid high heel turned and gave me a sad - фото 12

"I've sprained my ankle. That stupid high heel turned, and gave me a sad wrench. It aches so, I can hardly stand, and I don't know how I'm ever going to get home," she said, rocking to and fro in pain.

"I knew you'd hurt your feet with those silly shoes. I'm sorry. But I don't see what you can do, except get a carriage, or stay here all night," answered Jo, softly rubbing the poor ankle as she spoke.

"I can't have a carriage, without its costing ever so much. I dare say I can't get one at all; for most people come in their own, and it's a long way to the stable, and no one to send."

"I'll go."

"No, indeed! It's past nine, and dark as Egypt. I can't stop here, for the house is full. Sallie has some girls staying with her. I'll rest till Hannah comes, and then do the best I can."

"I'll ask Laurie; he will go," said Jo, looking relieved as the idea occurred to her.

"Mercy, no! Don't ask or tell any one. Get me my rubbers, and put these slippers with our things. I can't dance any more; but as soon as supper is over, watch for Hannah, and tell me the minute she comes."

"They are going out to supper now. I'll stay with you; I'd rather."

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