Louisa May Alcott - Little Women

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Little Women is a novel by American author Louisa May Alcott, which was originally published in two volumes in 1868 and 1869. Alcott wrote the books rapidly over several months at the request of her publisher. The novel follows the lives of four sisters—Meg, Jo, Beth, and Amy March—detailing their passage from childhood to womanhood, and is loosely based on the author and her three sisters. Little Women «has been read as a romance or as a quest, or both. It has been read as a family drama that validates virtue over wealth», but also «as a means of escaping that life by women who knew its gender constraints only too well».[6]:34 According to Sarah Elbert, Alcott created a new form of literature, one that took elements from Romantic children's fiction and combined it with others from sentimental novels, resulting in a totally new format. Elbert argued that within Little Women can be found the first vision of the «All-American girl» and that her multiple aspects are embodied in the differing March sisters. The book has been adapted for film twice as silent films, and four times with sound, in 1933, 1949, 1978 and 1994. Four television series were made, including two in Britain in the 1950s and two anime series in Japan in the 1980s. A musical version opened on Broadway in 2005. An American opera version in 1998 has been performed internationally and filmed for broadcast on US television in 2001.

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Beth had her troubles as well as the others; and not being an angel, but a very human little girl, she often "wept a little weep," as Jo said, because she couldn't take music lessons and have a fine piano. She loved music so dearly, tried so hard to learn, and practised away so patiently at the jingling old instrument, that it did seem as if some one (not to hint Aunt March) ought to help her. Nobody did, however, and nobody saw Beth wipe the tears off the yellow keys, that wouldn't keep in tune, when she was all alone. She sang like a little lark about her work, never was too tired to play for Marmee and the girls, and day after day said hopefully to herself, "I know I'll get my music some time, if I'm good."

There are many Beths in the world, shy and quiet, sitting in corners till needed, and living for others so cheerfully that no one sees the sacrifices till the little cricket on the hearth stops chirping, and the sweet, sunshiny presence vanishes, leaving silence and shadow behind.

If anybody had asked Amy what the greatest trial of her life was, she would have answered at once, "My nose." When she was a baby, Jo had accidentally dropped her into the coal-hod, and Amy insisted that the fall had ruined her nose forever. It was not big, nor red, like poor "Petrea's"; it was only rather flat, and all the pinching in the world could not give it an aristocratic point. No one minded it but herself, and it was doing its best to grow, but Amy felt deeply the want of a Grecian nose, and drew whole sheets of handsome ones to console herself.

"Little Raphael," as her sisters called her, had a decided talent for drawing, and was never so happy as when copying flowers, designing fairies, or illustrating stories with queer specimens of art. Her teachers complained that, instead of doing her sums, she covered her slate with animals; the blank pages of her atlas were used to copy maps on; and caricatures of the most ludicrous description came fluttering out of all her books at unlucky moments. She got through her lessons as well as she could, and managed to escape reprimands by being a model of deportment. She was a great favorite with her mates, being good-tempered, and possessing the happy art of pleasing without effort. Her little airs and graces were much admired, so were her accomplishments; for beside her drawing, she could play twelve tunes, crochet, and read French without mispronouncing more than two thirds of the words. She had a plaintive way of saying, "When papa was rich we did so-and-so," which was very touching; and her long words were considered "perfectly elegant" by the girls.

Amy was in a fair way to be spoilt; for every one petted her, and her small vanities and selfishnesses were growing nicely. One thing, however, rather quenched the vanities; she had to wear her cousin's clothes. Now Florence's mamma hadn't a particle of taste, and Amy suffered deeply at having to wear a red instead of a blue bonnet, unbecoming gowns, and fussy aprons that did not fit. Everything was good, well made, and little worn; but Amy's artistic eyes were much afflicted, especially this winter, when her school dress was a dull purple, with yellow dots, and no trimming.

"My only comfort," she said to Meg, with tears in her eyes, "is, that mother don't take tucks in my dresses whenever I'm naughty, as Maria Parks' mother does. My dear, it's really dreadful; for sometimes she is so bad, her frock is up to her knees, and she can't come to school. When I think of this deggerredation , I feel that I can bear even my flat nose and purple gown, with yellow sky-rockets on it."

Meg was Amy's confidant and monitor, and, by some strange attraction of opposites, Jo was gentle Beth's. To Jo alone did the shy child tell her thoughts; and over her big, harum-scarum sister, Beth unconsciously exercised more influence than any one in the family. The two older girls were a great deal to one another, but each took one of the younger into her keeping, and watched over her in her own way; "playing mother" they called it, and put their sisters in the places of discarded dolls, with the maternal instinct of little women.

"Has anybody got anything to tell? It's been such a dismal day I'm really dying for some amusement," said Meg, as they sat sewing together that evening.

"I had a queer time with aunt to-day, and, as I got the best of it, I'll tell you about it," began Jo, who dearly loved to tell stories. "I was reading that everlasting Belsham, and droning away as I always do, for aunt soon drops off, and then I take out some nice book, and read like fury till she wakes up. I actually made myself sleepy; and, before she began to nod, I gave such a gape that she asked me what I meant by opening my mouth wide enough to take the whole book in at once.

I wish I could and be done with it said I trying not to be saucy Then - фото 16

"'I wish I could, and be done with it,' said I, trying not to be saucy.

"Then she gave me a long lecture on my sins, and told me to sit and think them over while she just 'lost' herself for a moment. She never finds herself very soon; so the minute her cap began to bob, like a top-heavy dahlia, I whipped the 'Vicar of Wakefield' out of my pocket, and read away, with one eye on him, and one on aunt. I'd just got to where they all tumbled into the water, when I forgot, and laughed out loud. Aunt woke up; and, being more good-natured after her nap, told me to read a bit, and show what frivolous work I preferred to the worthy and instructive Belsham. I did my very best, and she liked it, though she only said,—

"'I don't understand what it's all about. Go back and begin it, child.'

"Back I went, and made the Primroses as interesting as ever I could. Once I was wicked enough to stop in a thrilling place, and say meekly, 'I'm afraid it tires you, ma'am; sha'n't I stop now?'

"She caught up her knitting, which had dropped out of her hands, gave me a sharp look through her specs, and said, in her short way,—

"'Finish the chapter, and don't be impertinent, miss.'"

"Did she own she liked it?" asked Meg.

"Oh, bless you, no! but she let old Belsham rest; and, when I ran back after my gloves this afternoon, there she was, so hard at the Vicar that she didn't hear me laugh as I danced a jig in the hall, because of the good time coming. What a pleasant life she might have, if she only chose. I don't envy her much, in spite of her money, for after all rich people have about as many worries as poor ones, I think," added Jo.

"That reminds me," said Meg, "that I've got something to tell. It isn't funny, like Jo's story, but I thought about it a good deal as I came home. At the Kings to-day I found everybody in a flurry, and one of the children said that her oldest brother had done something dreadful, and papa had sent him away. I heard Mrs. King crying and Mr. King talking very loud, and Grace and Ellen turned away their faces when they passed me, so I shouldn't see how red their eyes were. I didn't ask any questions, of course; but I felt so sorry for them, and was rather glad I hadn't any wild brothers to do wicked things and disgrace the family."

"I think being disgraced in school is a great deal try inger than anything bad boys can do," said Amy, shaking her head, as if her experience of life had been a deep one. "Susie Perkins came to school to-day with a lovely red carnelian ring; I wanted it dreadfully, and wished I was her with all my might. Well, she drew a picture of Mr. Davis, with a monstrous nose and a hump, and the words, 'Young ladies, my eye is upon you!' coming out of his mouth in a balloon thing. We were laughing over it, when all of a sudden his eye was on us, and he ordered Susie to bring up her slate. She was parry lized with fright, but she went, and oh, what do you think he did? He took her by the ear, the ear! just fancy how horrid!—and led her to the recitation platform, and made her stand there half an hour, holding that slate so every one could see."

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