Steve Andreas - Help with Negative Self–talk Volume I

About a year after this email, Vikas writes that his client still feels great, and that he has used the same method — or variations of it — successfully with a number of other clients. Although this method sounds far too simple to have any effect, it employs some very subtle aspects of language.

The simplest way to understand this process is that it is the same as what all of us often do, but used in a more directed way. If someone talks about a "crappy day," they aren't really talking about the day; they are talking about their feelings. When someone speaks of a "cheerful fire," are they talking about the fire, or about how they feel? When someone talks about happy curtains, that implies that they are feeling happy.

There is usually a correspondence or equivalence between someone's internal state and what they perceive around them. A happy person lives in a happy world, and a sad person lives in a sad world. A sad person tends to notice sad events around them, while a happy person tends to notice the happy things. Vikas' method uses this equivalence in the reverse direction to bring about a change in mood. Noticing happy things implies feeling happy.

Since all the sentences are about some aspect of the world being happy, there is no conflict between saying that when the person is not feeling happy. An unhappy person can still talk about happy curtains. This is very different from the "I am happy" affirmation, which will contradict your present state if you are unhappy.

This process directs your attention to things around you in the present moment, just as any useful meditation does. Since you have limited attention, this will simultaneously withdraw your attention from whatever you have been attending to that was making you un happy, including any negative self–talk that has been going on in your mind.

The word "happy" is a trigger for that state, so using it tends to elicit happy feelings, no matter what it describes, even a chair or a table. When I describe the curtains as "happy," that connects the word happiness with the curtains — and with everything else around me that I describe with the word "happy." After that, each time I look at the curtains — and the other things around me — I will think of the word "happy," and that will tend to elicit that happy feeling. If everything around me is labeled in this way, I will soon be surrounded by things that are now associated with the word "happy," which elicits that feeling state.

You need to be very cautious if you include other people in your happy observations, and notice what kind of response it elicits in you, because that may create a contrast that is not helpful. If I notice a happy child, that may make me feel happy, because I am not a child — just as I am not a chair or curtain. But if I notice other adults being happy, that contrast with my present state may deepen my unhappiness. If others around me are happy, when I am unhappy, that can make my unhappiness even worse. So it is much safer to not include other people at all — or even children or animals — and just use inanimate objects.

Another way of thinking about this method is that it is an example of the hypnotic language pattern called "selectional restriction." Since a window can't be happy, your mind will unconsciously attempt to make meaning out of the word "happy" by applying it to something else. If you are alone, you are the only other available possibility, and even if you are with others, you are still a possibility. All this processing will occur completely unconsciously, so it can't be countered by your conscious thinking.

Of course despite all this wonderful understanding, this process can be completely nullified if someone uses a voice tone that is sarcastic, scornful, or dismissive, as we explored in chapter 2. But if you use a tone that is ordinary, simply reporting your experience "objectively," or one that includes even a little bit of pleasure, it will work. Whether you do this with yourself, or with someone else, you can notice the tonality, and change it if it does not support the process.

You can also use this method with any other useful adjective, such as "calm" or "peaceful" for someone who is too easily agitated, "loving" for someone who feels angry, or "balanced" or "centered" for someone who feels scattered or chaotic. Simply identify the problem mood, think of its opposite, and then select an adjective that expresses this opposite mood to put in the place of "happy."

For instance, if someone is often fearful or anxious, the opposite of that is safe, and they can use this word to describe the world around them. "I see the safe chair," "Those are safe curtains," "This is a safe computer," etc.

Be sure that you choose an opposite experience, not something in the mid–range of a continuum. For instance, if you are often critical and rejecting, the opposite of that would be welcoming or loving, not accepting, which is too neutral.

Try this now. Think of an unpleasant state that you sometimes slip into… .

Then think of its opposite, a positive state that you would like to have in its place… .

Then use this word to describe the things around you, either internally, or out loud. Continue to do this for several minutes, and notice how it changes your response… .

This method is an affirmation that will work, and it won't arouse other conflicting voices to disagree with it. What can we learn from the two examples I have given?

"I am sitting on this happy chair," etc. "What else can I enjoy right now?"

First, they all direct attention to events in the present moment, withdrawing your attention from whatever is going on in your mind that may be contributing to your unpleasant state.

Second, it is a process that you can do right now — whatever your present state is — in contrast to an end point (enjoyment, happiness) which may seem distant in time and unattainable.

Third, they don't contradict your reality in the moment.

Fourth, they direct attention to something in the world external to you, yet in a way that naturally and indirectly elicits an internal resourceful state of enjoyment or happiness.

These four characteristics of a positive affirmation that works can be put to use for other states. Let's take the other three qualities in one of the previous examples of an affirmation given above: healthy, wise, and free. How could you use the models given above to elicit a feeling of being healthy? …

"I am sitting on a healthy chair," etc.

"What else can I notice about my healthy functioning right now?"

Now do the same with wise and free, and then go on to create affirmations about pleasure, beauty, love, balance, or whatever you want more of in your life. "What else pleases me right now." "What else is beautiful to me right now." "What else can I love right now." "What else is balanced in my experience right now?"

Another exercise that Vikas offers to participants in his trainings is provided below:

With their eyes closed, I ask them to imagine they are standing in front of the front door of their home. I ask them to feel the key in their hands, and hear it turning in the lock as they open the door. And then I ask them to appreciate the door, and smile. Then I ask them go around the home and appreciate and smile with everything that they see or hear.

And then repeat the same process of appreciating and smiling with all the family members, neighbors and acquaintances. Then they do the same for the other places that they visit often, like office, school or shops. And then repeat this with some strangers as well.

And I also ask them to go inside their own bodies and appreciate and smile with all their body parts.