Роберт Хьюз - Шок новизны

Matisse on Art / Ed. Jack D. Flam. London: Phaidon, 1973.

Modernism 1890–1930 / Ed. Malcolm Bradbury, James McFarlane. London: Penguin Books, 1978.

Mondrian Piet . Plastic Art and Pure Plastic Art. New York: Wittenborn, 1945.

Museums in Crisis / Brian O’Doherty. New York: Braziller, 1972.

Nadeau Maurice . The History of Surrealism. London: Cape, 1968.

Nochlin Linda . Realism. London: Penguin Books, 1971.

Nochlin Linda . The Invention of the Avant-Garde: France, 1830–1880 // Avant-Garde Art / Thomas B. Hess, John Ashbery. New York: Macmillan, 1968.

Novak Barbara . Nature and Culture: American Landscape and Paintings, 1825–1875. New York & London: Oxford University Press, 1980.

O’Connor Francis, Thaw Eugene. Jackson Pollock: A Catalogue Raisonne of Paintings, Drawings and Other Works. New Haven, Connecticut & London: Yale University Press, 1978.

O’Neill John P . Clyfford Still. New York: Abrams, 1979.

Overy Paul. Kandinsky: The Language of the Eye. London: Elek; New York: Praeger, 1969.

Paul Gauguin: The Writings of a Savage / Ed. Daniel Guérin. New York: Viking, 1978.

Pehnt Wolfgang . Expressionist Architecture. London & New York: Thames & Hudson, 1979.

Poggioli Renato . The Theory of the Avant-Garde. New York: Harper, 1971.

Programs and Manifestoes on 20th-century Architecture / Ulrich Conrads. London: Lund Humphries; Cambridge Mass.: MIT Press, 1970.

Readings in American Art since 1900: a Documentary Survey / Ed. Barbara Rose. New York: Praeger, 1968.

Richardson John. Georges Braque. London: Penguin Books, 1959.

Richter Hans . Dada: Art and Anti-Art. London: Thames & Hudson, 1968; New York: McGraw-Hill, 1966.

Rose Barbara . Claes Oldenberg: a Catalogue. New York: MoMA, 1969.

Rose Barbara . Helen Frankenthaler. New York: Abrams, 1971.

Rosenberg Harold . Art on the Edge: Creators and Situations. London: Secker & Warburg, 1976; New York: Macmillan, 1975.

Rosenberg Harold . Discovering the Present: Three Decades in Art, Culture, and Politics. Chicago & London: University of Chicago Press, 1973.

Rosenberg Harold . The De-Definition of Art: Action Art to Pop to Earthworks. London: Secker & Warburg; New York: Horizon Press, 1972.

Rosenblum Robert. Cubism and Twentieth-Century Art. London: Thames & Hudson; New York: Abrams, 1961.

Rosenblum Robert . Modern Painting and the Northern Romantic Tradition: Friedrich to Rothko. London: Thames & Hudson; New York: Harper & Row, 1975.

Rowell Margit . The Planar Dimension, Europe 1912–1932. New York: Guggenheim Museum, 1979.

Rubin William S. André Masson. New York: MoMA, 1976.

Rubin William S. Dada and Surrealist Art. London: Thames & Hudson, 1969; New York: Abrams, 1968.

Rubin William S . Frank Stella. New York: MoMA, 1970.

Rubin William S. Pablo Picasso: A Retrospective. New York: MoMA, 1980.

Russell John . Georges Braque. London: Phaidon Press, 1959.

Russell John. The World of Matisse, 1869–1954. New York & London: Time-Life Books, 1969.

Russell John, Gablik Suzi . Pop Art Redefined. London: Thames & Hudson; New York: Praeger, 1969.

Russian Art of the Avant-Garde: Theory and Criticism 1902–1934 / Ed. John E. Bowlt. New York: Viking, 1976.

Schapiro Meyer. Modern Art, 19 thand 20 thCenturies: Selected Papers. New York: Braziller, 1978.

Scharf Aaron . Art and Photography. London: Allen Lane, 1968.

Schneider Pierre, Preaud T. Exposition: Henri Matisse. Paris: Editions des Musées Nationaux, 1970.

Seitz William C. The Art of Assemblage. New York: MoMA, 1961.

Shattuck Roger . The Banquet Years: The Origins of the Avant-Garde in France, 1885 to World War I. London: Cape, 1969; New York: Random House, 1968.

Speer Albert . Architektur. Berlin: Propyläen, 1978.

Steinberg Leo . Jasper Johns. New York: Wittenborn, 1963.

Steinberg Leo. Other Criteria: Confrontations with Twentieth-Century Art. New York & London: Oxford University Press, 1972.

Stuart Davis / Ed. Diane Kelder. New York: Praeger, 1971.

Stuckey Charles F . Toulouse-Lautrec: Paintings. Chicago: Art Institute, 1979.

Tafuri Manfredo, Dal Co Francesco . Modern Architecture. New York: Abrams, 1978.

Taylor Joshua C . Futurism. New York: MoMA, 1967.

The Blaue Reiter Almanac / Eds. Wassily Kandinsky, Franz Marc. Munich: Piper, 1965; London: Thames & Hudson; New York: Viking, 1974.

The Dada Painters and Poets: an Anthology / Ed. Robert Motherwell. New York: Wittenborn, 1951.

The New Art of Color: The Writings of Robert and Sonia Delaunay / Arthur Cohen. New York: Viking, 1978.

Theories of Modern Art / Ed. Herschel B. Chipp. Berkeley: Univercity of California Press, 1968.

Tisdall Caroline . Joseph Beuys. New York & London: Thames & Hudson, 1979.

Vladimir Tatlin / Ed. Troels Andersen. Stockholm: Moderna Museet, 1968.

Waldman Diane . Kenneth Noland: A Retrospective. New York: Guggenheim Museum, 1977.

Waldman Diane. Mark Rothko, 1903–1970. London: Thames & Hudson; New York: Abrams, 1978.

Waldman Diane. Roy Lichtenstein. London: Thames & Hudson; New York: Abrams, 1971.

Welsh Robert P. Piet Mondrian 1872–1944. Toronto: The Art Gallery, 1966.

Wildenstein Daniel . Monet’s Years at Giverny: Beyond Impressionism. New York: Metropolitan Museum of Art, 1978.

Willett John . The New Sobriety, 1917–1933: Art and Politics in the Weimar Period. London: Thames & Hudson; New York: Pantheon, 1978.

© Succession H. Matisse: с. 143 Luxe, calme et volupté, localisation: Paris, musée d’Orsay, photo © RMN-Grand Palais (musée d’Orsay) / Hervé Lewandowski; c. 144 «Танец», 1910, фото © Государственный Эрмитаж, Санкт-Петербург, 2020; с. 145 «Музыка», 1910, фото © Государственный Эрмитаж, Санкт-Петербург, 2020.

© Succession Picasso 2020: с. 155 «Обнаженная в саду», 1934; с. 260 «Купальщица, сидящая на берегу моря», 1930; с. 397 «Nu couché et tête (Лежащая обнаженная и голова)», 1972.

© Frank Auerbach. Courtesy of the Artist and Marlborough Gallery, New York and London: с. 423 Head of J.Y.M. I, 1981.

© R. B. Kitaj Estate: с. 394 «Там, где железная дорога расстается с морем», 1964, photo © Photographic Archives Museo Nacional Centro de Arte Reina Sofia, reproduction © Museo Nacional Centro de Arte Reina Sofia.

© Bridgeman Images/FOTODOM; Depositphotos.com/FOTODOM; Shutterstock/FOTODOM: с. 54, 112, 113, 195 (в., н.), 196, 197, 201, 207, 236, 386.

© Жорж Брак (наследники): с. 31 «Большая обнаженная», 1908; с. 32 «Дома в Эстаке», 1908; с. 33 «Замок в Ла-Рош-Гийон», 1909; с. 35 «Португалец», 1911; с. 152 «Столик (Le Guéridon)», 1921–1922.

© Фернан Леже (наследники): с. 39 «Солдаты, играющие в карты», 1917; с. 40 «Три женщины за красным столом (Le Grand Déjeuner)», 1921. © Джакомо Балла (наследники): с. 50 «Динамизм собаки на поводке», 1912; с. 51 «Мчащийся автомобиль», 1913.