Lauren Willig - Masque of the Black Tulip

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Willig picks up where she left readers breathlessly hanging with 2005's
. After discovering the identity of the Pink Carnation, one of England's most successful spies during the Napoleonic wars, modern-day graduate student Eloise Kelly is hot on the trail of the Black Tulip, the Pink Carnation's French counterpart. While researching the archives of dashing-but-grumpy Colin Selwick (a descendant of the Selwick spy family), Eloise learns that spy Purple Gentian (Richard Selwick) safely retired to the countryside; meanwhile, the Pink Carnation continues her mission with the help of Richard's younger sister. Spirited Henrietta Selwick discovers that the Black Tulip has resurfaced after a 10-year silence with the intent of eliminating the Pink Carnation. Miles Dorrington (Richard's best friend) works for the War Office and is directed to unearth the deadly spy. As he and Henrietta investigate, they try to deny their attraction for each other — and avoid becoming the Black Tulip's next victims. Hero and heroine can be quite silly, and there are overlong ballroom shenanigans aplenty; like last time, Eloise and Colin's will-they-won't-they dance isn't nearly as interesting as what takes place in 1803. No matter. Willig knows her audience; Regency purists may gnash their teeth in frustration, but many more will delight in this easy-to-read romp and line up for the next installment.

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"The Black Tulip," countered Wickham, "is always most deadly after a silence."

Miles couldn't argue with that. The English in France had been most on edge not when the Black Tulip acted, but when he didn't. Like the gray calm before thunder, the Black Tulip's silence generally presaged some new and awful ill. Austrian operatives had been found dead, minor members of the royal family captured, English spies eliminated, all without fuss or fanfare. For the past two years, the Black Tulip had maintained a hermetic silence. Miles grimaced.

"Precisely," said Wickham. He extricated the scrap of paper from Miles's grasp, returning it to its place on his desk. "The murdered man was one of our operatives. We had inserted him into the household of a gentleman known for his itinerant tendencies."

Miles rocked forward in his chair. "Who found him?"

Wickham dismissed the question with a shake of his head. "A

scullery maid from the kitchen of a neighboring house; she had no part in it."

"Had she witnessed anything out of the ordinary ?"

"Aside from a dead body?" Wickham smiled grimly. "No. Think of it, Dorrington. Ten houses — at one of which, by the way, a card party was in progress — several dozen servants coming and going, and not one of them heard anything out of the ordinary. What does that suggest to you?"

Miles thought hard. "There can't have been a struggle, or someone in one of the neighboring houses would have noticed. He can't have called out, or someone would have heard. I'd say our man knew his killer." A hideous possibility occurred to Miles. "Could our chap have been a double agent? If the French thought he had outlived his usefulness…"

The bags under Wickham's eyes seemed to grow deeper. "That," he said wearily, "is always a possibility. Anyone can turn traitor given the right circumstances — or the right price. Either way, we find ourselves with our old enemy in the heart of London. We need to know more. Which is where you come in, Dorrington."

"At your disposal."

Ah, the time had come. Now Wickham would ask him to find the footman's murderer, and he could make suave assurances about delivering the Black Tulip's head on a platter, and…

"Do you know Lord Vaughn?" asked Wickham abruptly.

"Lord Vaughn." Taken off guard, Miles wracked his memory. "I don't believe I know the chap."

"There's no reason you should. He only recently returned from the Continent. He is, however, acquainted with your parents."

Wickham's gaze rested piercingly on Miles. Miles shrugged, lounging back in his chair. "My parents have a wide and varied acquaintance."

"Have you spoken to your parents recently?"

"No," Miles replied shortly. Well, he hadn't. That was all there was to it.

"Do you have any knowledge as to their whereabouts at present?"

Miles was quite sure that Wickham's spies had more up-to-date information on his parents' whereabouts than he did.

"The last time I heard from them, they were in Austria. As that was over a year ago, they may have moved on since. I can't tell you more than that."

When was the last time he had seen his parents? Four years ago? Five? Miles's father had gout. Not a slight dash of gout, the sort that attends overindulgence in roast lamb at Christmas dinner, not periodic gout, but perpetual, all-consuming gout, the sort of gout that required special cushions and exotic diets and frequent changing of doctors. The viscount had his gout, and the viscountess had a taste for Italian operas, or, more properly, Italian opera singers. Both those interests were better served in Europe. For as long as Miles could remember, the Viscount and Viscountess of Loring had roved about Europe from spa to spa, taking enough waters to float a small armada, and playing no small part in supporting the Italian musical establishment.

The thought of either of his parents having anything to do with the Black Tulip, murdered agents, or anything requiring more strenuous activity than a carriage ride to the nearest opera house strained the imagination. Even so, it made Miles distinctly uneasy that they had come to the attention of the War Office.

Miles put both feet firmly on the floor, rested his hands on his knees, and asked bluntly, "Did you have a reason for inquiring after my parents, sir, or was this merely a social amenity?"

Wickham looked at Miles with something akin to amusement. "There's no need to be anxious on their account, Dorrington. We need information on Lord Vaughn. Your parents are among his social set. If you have occasion to write to your parents, you may Want to ask them — casually — if they have encountered Lord Vaughn in their travels."

In his relief, Miles refrained from pointing out that his correspondence with his parents, to date, could be folded into a medium-sized snuffbox. "I'll do that."

"Casually," cautioned Wickham.

"Casually," confirmed Miles. "But what has Lord Vaughn to do with the Black Tulip?"

"Lord Vaughn," Wickham said simply, "is the employer of our murdered agent."

"Ah."

"Vaughn," continued Wickham, "is recently returned to London after an extended stay on the Continent. A stay of ten years, to be precise."

Miles engaged in a bit of mental math. "Just about the time the Black Tulip began operations."

Wickham didn't waste time acknowledging the obvious. "You move in the same circles. Watch him. I don't need to tell you how to go about it, Dorrington. I want a full report by this time next week."

Miles looked squarely at Wickham. "You'll have it."

"Good luck, Dorrington." Wickham began shuffling papers, a clear sign that the interview had come to a close. Miles levered himself out of the chair, pulling on his gloves as he strode to the door. "I expect to see you this time next Monday."

"I'll be here." Miles gave his hat an exuberant twirl before clapping it firmly onto his unruly blond hair. Pausing in the doorway, he grinned at his superior. "With flowers."

Chapter Four

"The Black Tulip?"

Colin grinned. "Somewhat unoriginal, I admit. But what can you expect from a crazed French spy?"

"Isn't there a Dumas novel by that name?"

Colin considered. "I don't believe they're related. Besides, Dumas came later."

"I wasn't suggesting that Dumas was the Black Tulip," I protested.

"Dumas' father was a Napoleonic soldier," Colin pronounced with an authoritative wag of his finger, but spoiled the effect by adding, "Or perhaps it was his grandfather. One of them, at any rate."

I shook my head regretfully. "It's too good a theory to be true."

I was sitting in the kitchen of Selwick Hall, at a long, scarred wooden table that looked like it had once been victim to beefy-armed cooks bearing cleavers, while Colin poked a spoon into a gooey mass on the stove that he promised was rapidly cooking its way towards being dinner. Despite the well-worn flagstones covering the floor, the kitchen appliances looked as though they had been modernized at some point in the past two decades. They had begun life as that ugly mustard yellow so incomprehensibly beloved of kitchen designers, but had faded with time and use to a subdued beige.

It wasn't a designer's showcase of a kitchen. Aside from one rather dispirited pot of basil perched on the windowsill, there were no hanging plants, no gleaming copper pots, no color-coordinated jars of inedible pasta, no artistically arranged bunches of herbs poised to whack the unwary visitor on the head. Instead, it had the cozy air of a room that someone actually lives in. The walls had been painted a cheery, very un-mustardy yellow. Blue and white mugs hung from a rack above the sink; a well-used electric kettle stood next to a battered brown teapot with a frayed blue cozy; and brightly patterned yellow and blue drapes framed the room's two windows. The refrigerator made that comfortable humming noise known to refrigerators around the world, as soothing as a cat's purr.

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