Амброз Бирс - Очень страшные истории / Best Horror Stories

Здесь есть возможность читать онлайн «Амброз Бирс - Очень страшные истории / Best Horror Stories» весь текст электронной книги совершенно бесплатно (целиком полную версию без сокращений). В некоторых случаях можно слушать аудио, скачать через торрент в формате fb2 и присутствует краткое содержание. Город: Москва, Год выпуска: 2017, ISBN: 2017, Издательство: Литагент 2 редакция, Жанр: Ужасы и Мистика, Классический детектив, Проза, на английском языке. Описание произведения, (предисловие) а так же отзывы посетителей доступны на портале библиотеки ЛибКат.

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Чтение оригинальных произведений – простой и действенный способ погрузиться в языковую среду и совершенствоваться в иностранном языке. Серия «Бестселлер на все времена» – это возможность улучшить свой английский, читая лучшие произведения англоязычных авторов, любимые миллионами читателей. Для лучшего понимания текста в книгу включены краткий словарь и комментарии, поясняющие языковые и лингвострановедческие вопросы, исторические и культурные реалии описываемой эпохи. В этой книге собраны страшные истории о таинственных силах, невероятных событиях и необъяснимых явлениях. Их авторы знали, как нагнетать напряжение и закручивать сюжеты. Среди них Э. А. По, Брэм Стокер, Артур Конан Дойль, Амброз Бирс, М. Д. Родс, Ф. М. Кроуфорд, Э. Ф. Бенсон. Оторваться от чтения невозможно, и пугающие истории порадуют заметным прогрессом в английском языке.
Книга предназначена для тех, кто изучает английский язык на продолжающем или продвинутом уровне и стремится к его совершенствованию.

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Эдгар По, Брэм Стокер, А. Конан Дойль и др. / Edgar Рое, Bram Stoker, A. Conan Doyle and others

Очень страшные истории / Best Horror Stories

Комментарии и словарь М. Поповец

© ООО «Издательство «Эксмо», 2017

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Читайте «Бестселлер на все времена» – погрузитесь в языковую среду с лучшими произведениями любимых авторов!

«Языковая компетенция – вещь капризная. Это как балет, как умение играть на музыкальном инструменте, как гимнастика, как любое действие, которое требует навыка. Либо вы идете вперед, либо начинаете сползать назад.

А самое главное – не прекращать изучение языка. Это может быть чтение оригинальной литературы. Любите читать про любовь – читайте про любовь, любите фантастику – читайте фантастику. Но читайте обязательно!»

Н. А. Бонк, лингвист, педагог, автор наиболее популярных в России учебников английского языка

E.F. Benson

The Room in the Tower

It is probable that everybody who is at all a constant dreamer has had at least one experience of an event or a sequence of circumstances which have come to his mind in sleep being subsequently realized in the material world. But, in my opinion, so far from this being a strange thing, it would be far odder if this fulfilment did not occasionally happen, since our dreams are, as a rule, concerned with people whom we know and places with which we are familiar, such as might very naturally occur in the awake and daylit world. True, these dreams are often broken into by some absurd and fantastic incident, which puts them out of court in regard to their subsequent fulfilment, but on the mere calculation of chances, it does not appear in the least unlikely that a dream imagined by anyone who dreams constantly should occasionally come true. Not long ago, for instance, I experienced such a fulfilment of a dream which seems to me in no way remarkable and to have no kind of psychical significance. The manner of it was as follows.

A certain friend of mine, living abroad, is amiable enough to write to me about once in a fortnight. Thus, when fourteen days or thereabouts have elapsed since I last heard from him, my mind, probably, either consciously or subconsciously, is expectant of a letter from him. One night last week I dreamed that as I was going upstairs to dress for dinner I heard, as I often heard, the sound of the postman’s knock on my front door, and diverted my direction downstairs instead. There, among other correspondence, was a letter from him. Thereafter the fantastic entered, for on opening it I found inside the ace of diamonds, [1] the ace of diamonds – бубновый туз (diamonds – бубны, одна из 4-х карточных мастей. Clubs – трефы, hearts – черви, spades – пики). and scribbled across it in his well-known handwriting, ‘I am sending you this for safe custody, as you know it is running an unreasonable risk to keep aces in Italy.’ The next evening I was just preparing to go upstairs to dress when I heard the postman’s knock, and did precisely as I had done in my dream. There, among other letters, was one from my friend. Only it did not contain the ace of diamonds. Had it done so, I should have attached more weight to the matter, which, as it stands, seems to me a perfectly ordinary coincidence. No doubt I consciously or subconsciously expected a letter from him, and this suggested to me my dream. Similarly, the fact that my friend had not written to me for a fortnight suggested to him that he should do so. But occasionally it is not so easy to find such an explanation, and for the following story I can find no explanation at all. It came out of the dark, and into the dark it has gone again.

All my life I have been a habitual dreamer: the nights are few, that is to say, when I do not find on awaking in the morning that some mental experience has been mine, and sometimes, all night long, apparently, a series of the most dazzling adventures befall me. Almost without exception these adventures are pleasant, though often merely trivial. It is of an exception that I am going to speak.

It was when I was about sixteen that a certain dream first came to me, and this is how it befell. It opened with my being set down at the door of a big red-brick house, where, I understood, I was going to stay. The servant who opened the door told me that tea was being served in the garden, and led me through a low dark-panelled hall, with a large open fireplace, on to a cheerful green lawn set round with flower beds. There were grouped about the tea-table a small party of people, but they were all strangers to me except one, who was a schoolfellow called Jack Stone, clearly the son of the house, and he introduced me to his mother and father and a couple of sisters. I was, I remember, somewhat astonished to find myself here, for the boy in question was scarcely known to me, and I rather disliked what I knew of him; moreover, he had left school nearly a year before. The afternoon was very hot, and an intolerable oppression reigned. On the far side of the lawn ran a red-brick wall, with an iron gate in its center, outside which stood a walnut tree. We sat in the shadow of the house opposite a row of long windows, inside which I could see a table with cloth laid, glimmering with glass and silver. This garden front of the house was very long, and at one end of it stood a tower of three stories, which looked to me much older than the rest of the building.

Before long, Mrs. Stone, who, like the rest of the party, had sat in absolute silence, said to me, ‘Jack will show you your room: I have given you the room in the tower.’

Quite inexplicably my heart sank at her words. I felt as if I had known that I should have the room in the tower, and that it contained something dreadful and significant. Jack instantly got up, and I understood that I had to follow him. In silence we passed through the hall, and mounted a great oak staircase with many corners, and arrived at a small landing with two doors set in it. He pushed one of these open for me to enter, and without coming in himself, closed it after me. Then I knew that my conjecture had been right: there was something awful in the room, and with the terror of nightmare growing swiftly and enveloping me, I awoke in a spasm of terror.

Now that dream or variations on it occurred to me intermittently for fifteen years. Most often it came in exactly this form, the arrival, the tea laid out on the lawn, the deadly silence succeeded by that one deadly sentence, the mounting with Jack Stone up to the room in the tower where horror dwelt, and it always came to a close in the nightmare of terror at that which was in the room, though I never saw what it was. At other times I experienced variations on this same theme. Occasionally, for instance, we would be sitting at dinner in the dining-room, into the windows of which I had looked on the first night when the dream of this house visited me, but wherever we were, there was the same silence, the same sense of dreadful oppression and foreboding. And the silence I knew would always be broken by Mrs. Stone saying to me, ‘Jack will show you your room: I have given you the room in the tower.’ Upon which (this was invariable) I had to follow him up the oak staircase with many corners, and enter the place that I dreaded more and more each time that I visited it in sleep. Or, again, I would find myself playing cards still in silence in a drawing-room lit with immense chandeliers, that gave a blinding illumination. What the game was I have no idea; what I remember, with a sense of miserable anticipation, was that soon Mrs. Stone would get up and say to me, ‘Jack will show you your room: I have given you the room in the tower.’ This drawing-room where we played cards was next to the dining-room, and, as I have said, was always brilliantly illuminated, whereas the rest of the house was full of dusk and shadows. And yet, how often, in spite of those bouquets of lights, have I not pored over the cards that were dealt me, scarcely able for some reason to see them. Their designs, too, were strange: there were no red suits, but all were black, and among them there were certain cards which were black all over. I hated and dreaded those.

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