Charlie Huston - No Dominion

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A review by Victoria Strauss
Joe Pitt's a Vampyre. He's been infected by a Vyrus that slows aging, imparts phenomenal strength and sensory abilities, and survives by feeding off its host's blood – which forces its host to go out and drink more blood so the Vyrus can survive. There's a whole Vampyre subculture in New York City, dominated by several powerful Clans – a hidden world of power and violence unsuspected by ordinary human beings. In this secret world, Joe's what's known as a Rogue. Though he was once an enforcer for the politically-minded Society, does occasional strong-arm work for the powerful Coalition, and is the object of periodic recruitment efforts by the mysterious Enclave, he has no fixed Clan alliance.
This can be a problem when the freelance jobs dry up, and there's no money to buy the packaged blood that keeps a Vampyre from prowling the streets and ripping people's throats out. To make matters worse, Joe's worried about his girlfriend Evie, whose HIV status is deteriorating and whose medical bills are mounting. Swallowing his pride, he goes to Terry Bird, leader of the Society, and asks for work. As it happens, Terry's got something that needs looking into. There's a growing drug problem in the Vampyre community, some really bad stuff that makes users go crazy – not easy to manage for those infected with the Vyrus, which is solicitous of its hosts and cleans drugs and alcohol out of their systems almost as fast as they go in. Terry asks Joe to find out who's dealing.
A little pressure on Joe's favorite snitch turns up a middleman: a trust fund kid in a downtown loft who calls himself the Count. The drug is in bags of fresh, Vyrus-infected blood. Drinking infected blood would kill a Vampyre – but the drug isn't consumed, it's injected. The Count doesn't know what the drug is or why it works, but he does know where it comes from: Uptown, above 110th Street, the area controlled by the Vampyre Clan known as the Hood. This is enemy turf. To reach it, Joe will have to cross Coalition territory, and he's not exactly on good terms with the Coalition either. But Hood thugs and Coalition enforcers turn out to be the least of his problems. A forgotten evil waits in an Uptown mansion, along with a deadly plot that could lead to war among the Clans – unless Joe can survive long enough to figure out who's pulling the strings.
Already Dead was gritty and hip, packed with exciting action yet carefully attentive to the nuances of character. No Dominion is even better. The plot is a nonstop, explosively gory thrill-ride whose twists and reversals deliver surprises right up until the end – a true page-turner, impossible to put down. The glimpses of Vampyre culture, a bizarre nighttime world invisible to those who walk in daylight, are both fascinating and chilling, and the vicious complexities of Vampyre politics, where the smallest alteration of the balance could tip the Clans into open conflict, have plenty of real-world resonance.
As before, Charlie Huston fills the book with memorable characters – from the bigoted, relentless Vampyre matriarch Maureen Vandewater, to DJ Grave Digga, the charismatic leader of the Hood, to Terry Bird, who combines a post-Woodstock cultural ethos with a Machiavellian mastery of double dealing, to the Count, an amoral Gen-X slacker whose home life is a series of satirical references to Dracula movies ("I hate that self-aware, ironic, pop culture Vampyre shit," Joe tells him at one point). Huston has an amazing ear for dialogue, and endows each of these characters with his or her own distinctive voice. As for Joe, a tough guy's tough guy whose profane, world-weary first-person narration anchors the story, he edges close to noir stereotype, but is saved from actually becoming stereotypical by his very human doubts, and his unflinching recognition of his own moral failings.
Huston doesn't neglect the meta-story. Once again, Joe must seek help from the secretive Enclave, which is founded on the belief that the Vyrus is a spiritual force that will ultimately produce a Vampyre savior. Joe's discoveries about the drug may reflect upon that spiritual quest, and also raise disturbing questions about the origins and history of Vampyre society. Hopefully, we'll learn more in the series' next installment. I can't wait.

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So me, I’m feeling pretty good about things. A gig that should take care of my rent and empty fridge at the same time? What’s not to feel good about? I even got a couple leads. I can go poke around Doc’s, see if anyone noticed if The Spaz had company that night, do a little sniffing around in that vicinity. Might turn something up. But I’ll save that for later. Right now I got another idea. Someone in this town’s figured out a new way to get high. And if getting high is involved, I know the man to talk to.

– Hey, Phil.

– Aw shit. Aw fuck.

He tries to duck off into the crowd. I hook the collar of his shirt and tug him back.

– I said, hey Phil.

He turns around, adjusting his collar, flipping it back up James Dean style.

– Oh, hey, Joe. Didn’t see ya there.

– Yeah, well, it’s dark in here, so I see how that might happen.

– Yeah, dark in here. Couldn’t see ya cuz of all the dark.

He smiles at me, lifts his drink to his mouth and tilts the glass just enough to wet his lips. He’ll drink like that all night. Has to, he’ll only buy the one drink. When no one’s looking he’ll snatch up any glasses left unattended and suck them dry before the owners can turn from the jukebox. But that one drink he paid for, he’ll nurse that all night. It’s like a badge of honor he can show a bartender or doorman if they question his right to be here. Hey, man, I paid for my drink and I got a right ta finish it. Only way he’ll toss that thing down is if someone offers to buy him another.

– Buy ya a drink, Phil.

He brings the glass up, vacuums the contents and nods.

– Yeah, that’d be great. I was about to offer, but sure, thanks.

A waitress bustles past and I lift my chin. She gives me a harried half smile, too busy right now to work the charm for a tip.

– What? What?

– Double bourbon, rocks. And…

I look at Phil. He glances at the bar, cataloging the bottles on the top shelf.

– Oban neat.

She starts to leave. Phil grabs her arm.

– And a water back.

She nods and starts to leave again, but he still has her arm.

– And no ice in the water.

– You don’t let go my arm I’m gonna piss in the glass.

He lets go of her arm.

– Jeez, what a bitch. What crawled up her cooz?

– You, Phil.

He giggles.

– Yeah, yeah. Sure like to, Joe. She’s a piece.

He brings up his glass again, tilts it, lowers it, and looks into it sadly, having forgotten already that he emptied it. He reaches between a couple sitting at the table next to us and sets the glass down. He looks at me.

– Sure could use a drink.

He’s trying to sad-puppy-eye me. Problem is his eyes are betraying him. The pupils are screwed up to the size of pinheads, the whites marbled red, his irises, usually muddy green to start with, are a sickly diarrhea shade, and I’d swear there’s sweat breaking out across the damn things.

– Jesus, Phil, what the fuck you on?

He bounces up and down on his toes, his enormous blond pompadour swaying.

– A bender.

– Of what?

– Uh, the usual, man.

His eyes scan the ceiling, searching for the contents of his bloodstream.

– Bennies, couple bumps of crank, little freebase.

The cocktail waitress appears with our drinks. She hands me my whiskey.

– Double bourbon, rocks.

And offers Phil his.

– Oban neat, water back, no ice.

Phil looks at the glasses.

– I didn’t order those, I ain’t paying for those.

I hand the waitress some cash.

– I got it, Phil.

He smiles and takes the glasses.

– Thanks, Joe. I was about to offer, but thanks.

The waitress takes off. Phil guzzles the water.

– Jeez, needed that.

He squeezes between the couple again to set the empty on their table.

– Well, see ya ’round.

He turns to go and I snag him again.

– What’s the hurry, I just got here?

– Sure, sure ya did, Joe, but I got a thing I got to get to.

– What’s that?

– A, you know, a thing.

– No problem, Phil. We’ll have a little talk, then you can go to your thing.

– Sure, sure. Um, hey, but I gotta hit the can first. Take a leak.

– Fine by me.

He just about sighs with relief. I put my hand on his shoulder.

– In fact, why don’t I go with you? We can talk in private. Long time since we had a private chat.

His free hand goes to his face, covering the crooked nose and the scarred cheek I gave him last time we had a private chat in a bathroom.

– Hey, no, that’s OK, I can hold it.

The couple at the table are collecting their coats.

– Here, we can sit here, let’s talk here, Joe.

– Sure.

We sit at the little table. I stare at him and he stares down into his expensive Scotch, turning the glass around and around with his fingertips.

– How many days you been on the bender?

He jumps.

– Uh, what? Oh, uh…

He starts counting on his fingers. Finds them inadequate to the task.

– Couple weeks maybe.

– Not too healthy.

He carefully weaves the fingers of his right hand into his pomp and scratches his scalp.

– Well, healthy, you know? I mean, healthy? Not really my MO.

I smile.

– Nah, guess not.

He draws his fingers clear of his hairdo and wipes greasy pomade on his tight black jeans.

– So?

– Yeah, Phil?

– So, ya got something to ask, Joe? Cuz if you’re just looking to break my chops or bounce me off the walls I, not that I’m looking forward to it or anything, but if that’s the plan, I kinda wish ya’d just get it over with cuz I really want ta get on with my evening and see if I can’t maybe score a little something to keep me going a little longer.

– Going for the record or something?

– No, no, just, you know me, just that I got my hands on this bag of bennies and I, you know, don’t have such great self-control so I kind of just did ’em ’til they were gone and by then I’d been up however long and I thought I’d keep the party going, but, jeez, I been up so long now, when I come down the crash is gonna be murder and I really don’t want to deal with it if I can, like, put it off.

– Sound reasoning.

– Yeah, that’s what I thought.

– Speaking of drugs, Phil, you hear of anything new?

– Anything new?

– Like a new product going around?

His ears literally prick up.

– New? Something new going ’round? Ya on to something new? What’s the deal? It like an up? There a new up out there, Joe?

– Settle down. This’ll be something for people like me only.

He screws up his eyes, trying to focus.

– People like you? Like what, like nonusers? Shit, man, I’m not into the light stuff. You know me.

I lean across the table.

– Focus for a second here, Phil. I’m asking if you’ve heard about a new drug out there.

I point my finger at my own chest.

– Something for people like me.

I point the finger at his chest.

– As opposed to people like you.

He concentrates, looking from my finger to me to his own chest, then back at me.

– Oh! Oh, shit! Oh, yeah! Oh, I get it.

He points his finger at me.

– Some shit for people like you.

He points at himself.

– But not for people like me.

He grins.

– I get it.

He wets his lips with Scotch and his eyes wander off.

I slap the table.

– And?

His eyes come back around.

– And? Oh, right. Yeah, yeah, I heard about that shit. The new deal, the shit the new kids are into. ’Course I heard about that shit, who ain’t? Shit, Joe, where ya been, under a fucking rock?

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