Charlie Huston - No Dominion

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A review by Victoria Strauss
Joe Pitt's a Vampyre. He's been infected by a Vyrus that slows aging, imparts phenomenal strength and sensory abilities, and survives by feeding off its host's blood – which forces its host to go out and drink more blood so the Vyrus can survive. There's a whole Vampyre subculture in New York City, dominated by several powerful Clans – a hidden world of power and violence unsuspected by ordinary human beings. In this secret world, Joe's what's known as a Rogue. Though he was once an enforcer for the politically-minded Society, does occasional strong-arm work for the powerful Coalition, and is the object of periodic recruitment efforts by the mysterious Enclave, he has no fixed Clan alliance.
This can be a problem when the freelance jobs dry up, and there's no money to buy the packaged blood that keeps a Vampyre from prowling the streets and ripping people's throats out. To make matters worse, Joe's worried about his girlfriend Evie, whose HIV status is deteriorating and whose medical bills are mounting. Swallowing his pride, he goes to Terry Bird, leader of the Society, and asks for work. As it happens, Terry's got something that needs looking into. There's a growing drug problem in the Vampyre community, some really bad stuff that makes users go crazy – not easy to manage for those infected with the Vyrus, which is solicitous of its hosts and cleans drugs and alcohol out of their systems almost as fast as they go in. Terry asks Joe to find out who's dealing.
A little pressure on Joe's favorite snitch turns up a middleman: a trust fund kid in a downtown loft who calls himself the Count. The drug is in bags of fresh, Vyrus-infected blood. Drinking infected blood would kill a Vampyre – but the drug isn't consumed, it's injected. The Count doesn't know what the drug is or why it works, but he does know where it comes from: Uptown, above 110th Street, the area controlled by the Vampyre Clan known as the Hood. This is enemy turf. To reach it, Joe will have to cross Coalition territory, and he's not exactly on good terms with the Coalition either. But Hood thugs and Coalition enforcers turn out to be the least of his problems. A forgotten evil waits in an Uptown mansion, along with a deadly plot that could lead to war among the Clans – unless Joe can survive long enough to figure out who's pulling the strings.
Already Dead was gritty and hip, packed with exciting action yet carefully attentive to the nuances of character. No Dominion is even better. The plot is a nonstop, explosively gory thrill-ride whose twists and reversals deliver surprises right up until the end – a true page-turner, impossible to put down. The glimpses of Vampyre culture, a bizarre nighttime world invisible to those who walk in daylight, are both fascinating and chilling, and the vicious complexities of Vampyre politics, where the smallest alteration of the balance could tip the Clans into open conflict, have plenty of real-world resonance.
As before, Charlie Huston fills the book with memorable characters – from the bigoted, relentless Vampyre matriarch Maureen Vandewater, to DJ Grave Digga, the charismatic leader of the Hood, to Terry Bird, who combines a post-Woodstock cultural ethos with a Machiavellian mastery of double dealing, to the Count, an amoral Gen-X slacker whose home life is a series of satirical references to Dracula movies ("I hate that self-aware, ironic, pop culture Vampyre shit," Joe tells him at one point). Huston has an amazing ear for dialogue, and endows each of these characters with his or her own distinctive voice. As for Joe, a tough guy's tough guy whose profane, world-weary first-person narration anchors the story, he edges close to noir stereotype, but is saved from actually becoming stereotypical by his very human doubts, and his unflinching recognition of his own moral failings.
Huston doesn't neglect the meta-story. Once again, Joe must seek help from the secretive Enclave, which is founded on the belief that the Vyrus is a spiritual force that will ultimately produce a Vampyre savior. Joe's discoveries about the drug may reflect upon that spiritual quest, and also raise disturbing questions about the origins and history of Vampyre society. Hopefully, we'll learn more in the series' next installment. I can't wait.

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– Um, yeah, well, yeah, I could have been list’ning to someone, to this guy.

– What guy?

– Guy goes by, The Count.

I lift my hand. He snatches his back and massages it.

– Jeezus, Joe, didn’t have to do that. Could have broke the damn thing. Ain’t ya had enough fun whalin’ on me over the years? Ain’t enough enough?

– Where do I find this guy?

– Got me. I mean, really, got me. The guy ain’t like no friend of mine or nothin’, he’s just a guy who’s around who I crossed paths with a couple times.

– Set something up for me.

– Aw c’mon. That could take all night. I got things of my own to deal with, I got a high to maintain here and you already got me off my schedule. As it is I don’t know how I’m gonna score, gonna have to rely on the kindness of strangers or something to get by, and now you want me to invest my few remaining energies in taking care of your business? That ain’t right, Joe, you know that ain’t right.

I stand up and dig the last of my cash out of my pocket. After the drinks here and Niagara and the twenty for the doorman, there’s about forty left. I drop it in front of him.

– Score.

He scoops the money up.

– Sure thing, don’t gotta tell me twice.

– Score, and then get me my meet. I want it set up tonight.

– I don’t know, man, could be tough on short notice. Like I said, not like he’s a pal of mine or anything.

He’s looking sadly at the bills in his hand, rubbing them back and forth against one another.

– Forget it, Phil, that’s all there is. Get me the meet. I’ll talk to you later tonight.

He gives up, tucking the cash into his jeans.

– Sure thing, Joe. You got it. Just tell me where to meet you and I’ll be there.

– I’ll find you.

– Uh, sure, sure OK. Um, where ya gonna find me?

– You’ll be at Blackie’s, right?

– Sure.

– I’ll find you there.

I make my way out of the place, leaving behind the low fog-bank of cigarette smoke, the fake wood paneling and the aroma of puke that drifts from the can every time someone opens the door. Leaving behind Philip, hip deep in his element.

The Count.

There’s one born every minute. Or every couple years anyway. Seems there’s always someone coming down the pike calling themselves The Count, or Vlad or Vampirella or some shit. Some asshole geeked on the whole vampire scene and wanting to play the role to the hilt. Whatever, I’ll meet this guy and talk to him. Won’t be the first time I’ve grilled a dude in a red satin-lined cape. Sad to say, it won’t be the last.

It’s close to one. Blackie’s won’t open ’til the regular bars close at four. I wander past Doc’s. A sheet of plywood has replaced the window I sent The Spaz through last night. I think about going in to talk to the bartenders, see if they saw anything I didn’t, but it’s pretty packed. I’ll save it for later. I walk to the corner of 10th and A. Take a left and I can stop by my place and grab some more cash, dig into that emergency fund. I stand on the corner for a minute. But I’m just putting shit off. I know where I need to go now, and my money’s no good there anyway. I walk one more block down A, take a right on 9th, and cross over to Avenue C.

When I come through the front door of Hodown, Evie glances up at me from behind the bar and gives me a look. She’s weeded back there. I slip past the pedal steel, fiddle and harmonica trio jamming on the tiny stage, collecting empties from the tables. I take the bottles behind the bar, dump them in a plastic garbage can with a couple hundred others just like them, and start washing glasses. Evie nods at me as she shakes a martini. Fifteen minutes later the glassware situation is looking better, so I go back around to the fun side of the bar and take a seat.

Evie’s still serving the crowd. It’s not a bad bunch. This late at night in the middle of the week it’s mostly waiters and waitresses getting off their shifts at the ten thousand cafés and bistros that opened down here in the last decade. Or it’s regulars coming in to work on their liver disease and listen to the music. She pops open a Lone Star, slides it down the bar to me. A half hour later things settle down and she comes over.

She wipes her hands on the bar rag tucked into her studded belt, picks up my smokes from the bar and sticks one in her mouth.

– Got a light?

She hardly ever smokes.

– What happened today?

She picks up my Zippo and lights the Lucky herself.

– No big deal.

– Good. What’d the doctor say?

She looks at the band.

– You hear these guys before? Corpus Christi?

– Yeah. I heard them before. What’s the doc say?

She takes a drag, coughs on the smoke.

– Said. Cough! Said. Cough! S’cuse me.

She takes a sip of my beer and stops coughing.

– Doctor said my viral load was up. Said the HIV is showing again.

I try to touch her hand, but she moves it. She stares at the band, holding the smoldering cigarette unsmoked.

– OK. Then what’s next?

A guy at the other end of the bar tries to catch her eye. She doesn’t see him.

– Well, it’s the second test showing a load, so that means we have to test to see if I’ve developed a resistance to the Kaletra.

– And if you have?

– We try other drugs.

– So when do you get the resistance test?

The guy at the bar is waving his hand.

– I get the resistance test after I take the recommendation from my doctor to my insurance company and they say I can have it, and if it comes back inconclusive I have to get them to approve a different test, and if that’s inconclusive we start shooting in the dark, trying different meds, but since Combivir and Kaletra are the Health and Human Services-recommended treatments, I’ll have to get every new drug we try approved first, and that will take Jesus knows how long, and they all have a different set of side effects so, instead of just puking all the time, I might start putting on something charmingly known as back fat or losing my hair or, you know, experiencing sudden heart failure.

She hands me the cigarette.

– Here, take this. I gotta go help this asshole.

She crosses over to the guy who’s been waiting for his drink. I stare at the cigarette she was smoking. She comes back, plucks it from my fingers, puts it to her lips, then pulls it away and hands it back to me.

– Sorry. Didn’t mean to blow up on you.

I take a drag from the smoke.

– What can I do?

She tucks some loose hair behind her ear.

– Honestly. There is something.

– What?

– Do you know your blood type?

– Um.

I take another drag.

– No. I guess not.

– Well, if you could find out that would be cool.

– What’s up?

– The doctor. He’s says I should start, this is so gruesome, he says I should start laying in a supply. For later. If I need transfusions. I can’t save my own obviously, so I need to find donors. I’ll get credits or something in the blood bank. So if you could find out. And then, if you’re a match.

She laughs.

– If you’re a match maybe you could give me some of your blood. Man, that’s about the most fucked up thing I’ve ever had to ask.

She looks at me.

– You OK, Joe?

– Yeah. I’m fine.

The infected population is pretty stable. And it’s that way for a couple reasons. One of the reasons is that it’s hard to infect anyone. It’s not just a matter of a couple bites on the neck. Somehow your infected bodily fluids need to mingle with someone else’s bodily fluids. The amount of mingling is up for debate. But seeing as how the Vyrus can’t survive outside the human body, it’s kind of tricky to get it from one person to another. It’s also not clear if it exists in any fluids other than blood. Not that I’ve done a lot of research into this stuff. My education stopped when I was about twelve. Biochemistry’s not my strong suit. I’m just getting by on the introductory lectures I got from Terry way back when. But I’m not special in my ignorance. Nobody has done any real research into this stuff. Way I understand it, researching a virus under the best of circumstances is a pretty tough proposition. But when the facilities at your disposal aren’t much more than a high school chemistry set, you’re doomed to operating in the dark.

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