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Charlie Huston: No Dominion

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Charlie Huston No Dominion

No Dominion: краткое содержание, описание и аннотация

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A review by Victoria Strauss Joe Pitt's a Vampyre. He's been infected by a Vyrus that slows aging, imparts phenomenal strength and sensory abilities, and survives by feeding off its host's blood – which forces its host to go out and drink more blood so the Vyrus can survive. There's a whole Vampyre subculture in New York City, dominated by several powerful Clans – a hidden world of power and violence unsuspected by ordinary human beings. In this secret world, Joe's what's known as a Rogue. Though he was once an enforcer for the politically-minded Society, does occasional strong-arm work for the powerful Coalition, and is the object of periodic recruitment efforts by the mysterious Enclave, he has no fixed Clan alliance. This can be a problem when the freelance jobs dry up, and there's no money to buy the packaged blood that keeps a Vampyre from prowling the streets and ripping people's throats out. To make matters worse, Joe's worried about his girlfriend Evie, whose HIV status is deteriorating and whose medical bills are mounting. Swallowing his pride, he goes to Terry Bird, leader of the Society, and asks for work. As it happens, Terry's got something that needs looking into. There's a growing drug problem in the Vampyre community, some really bad stuff that makes users go crazy – not easy to manage for those infected with the Vyrus, which is solicitous of its hosts and cleans drugs and alcohol out of their systems almost as fast as they go in. Terry asks Joe to find out who's dealing. A little pressure on Joe's favorite snitch turns up a middleman: a trust fund kid in a downtown loft who calls himself the Count. The drug is in bags of fresh, Vyrus-infected blood. Drinking infected blood would kill a Vampyre – but the drug isn't consumed, it's injected. The Count doesn't know what the drug is or why it works, but he does know where it comes from: Uptown, above 110th Street, the area controlled by the Vampyre Clan known as the Hood. This is enemy turf. To reach it, Joe will have to cross Coalition territory, and he's not exactly on good terms with the Coalition either. But Hood thugs and Coalition enforcers turn out to be the least of his problems. A forgotten evil waits in an Uptown mansion, along with a deadly plot that could lead to war among the Clans – unless Joe can survive long enough to figure out who's pulling the strings. Already Dead was gritty and hip, packed with exciting action yet carefully attentive to the nuances of character. No Dominion is even better. The plot is a nonstop, explosively gory thrill-ride whose twists and reversals deliver surprises right up until the end – a true page-turner, impossible to put down. The glimpses of Vampyre culture, a bizarre nighttime world invisible to those who walk in daylight, are both fascinating and chilling, and the vicious complexities of Vampyre politics, where the smallest alteration of the balance could tip the Clans into open conflict, have plenty of real-world resonance. As before, Charlie Huston fills the book with memorable characters – from the bigoted, relentless Vampyre matriarch Maureen Vandewater, to DJ Grave Digga, the charismatic leader of the Hood, to Terry Bird, who combines a post-Woodstock cultural ethos with a Machiavellian mastery of double dealing, to the Count, an amoral Gen-X slacker whose home life is a series of satirical references to Dracula movies ("I hate that self-aware, ironic, pop culture Vampyre shit," Joe tells him at one point). Huston has an amazing ear for dialogue, and endows each of these characters with his or her own distinctive voice. As for Joe, a tough guy's tough guy whose profane, world-weary first-person narration anchors the story, he edges close to noir stereotype, but is saved from actually becoming stereotypical by his very human doubts, and his unflinching recognition of his own moral failings. Huston doesn't neglect the meta-story. Once again, Joe must seek help from the secretive Enclave, which is founded on the belief that the Vyrus is a spiritual force that will ultimately produce a Vampyre savior. Joe's discoveries about the drug may reflect upon that spiritual quest, and also raise disturbing questions about the origins and history of Vampyre society. Hopefully, we'll learn more in the series' next installment. I can't wait.

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– Since I took over security.

I look him up and down.

– Evening, Tom. See you finally got that promotion you been bucking for.

– It wasn’t a promotion, asshole. The Society isn’t a fucking corporation, it’s a collective. I was elected to the post by my peers.

– Yeah, sure. Anything you say. I’m sure Terry backing you had nothing to do with it.

He starts to come outside, but stops himself.

– OK. OK. You know, you can say whatever you want, Pitt. Doesn’t matter to me. Know why?

– No. Tell me, please.

– ’Cuz you’re just a slob on the outside who’s trying to get inside, and all I have to do to get rid of you is this.

And he slams the door in my face.

Well, shit, I’m a bigger pain in the ass than that.

I cover all the buttons on the intercom panel, push them down and hold them there. It takes about a minute for him to open back up.

– Knock that shit off, Pitt!

I take my hands off the buttons.

– Hey, Tom. Terry around?

– You don’t have a fucking appointment. No appointment, no Terry.

He slams the door. I hit the buttons. He opens the door.

– Hey, Tom. Terry around?

– Hurley, get rid of this guy.

Hurley comes out onto the porch.

– Time fer ya ta go, Joe.

– Hey, Hurl, that rhymes.

He points at the steps.

– Ya want ta walk down ’em, or ya want ta fall down ’em?

I stand on my tiptoes and look over his shoulder at Tom.

– So if a guy wanted to make an appointment, how would he go about it?

Tom smiles.

– A guy like you? An old friend of Terry’s?

– Yeah, a guy like me.

– Well, I’d say all a guy like you has to do is pencil something in for a week past fucking never.

– That’s a long time.

– Hurley.

Hurley turns around and looks past Tom.

– Yeah, Terry?

– What’s the hassle about?

– Joe here wanted ta come in.

– Well, why’s the man standing out there?

– Didn’t have no appointment.

– That’s cool. Let him in.

Tom spins, dreadlocks flying.

– What the fuck? He’s got no appointment.

– No problem, Tom. I’m not really busy right now. Just taking it easy.

– That doesn’t matter. I’m supposed to be clearing people in advance.

– Sure, but we got to stay flexible, too.

– But security.

– Sure, sure, we want to be safe. But that’s Joe. We all know Joe.

I hold my hand up.

– Hey, Terry, I don’t want to cause trouble. I can make an appointment. No problem.

– No, man, no. Come on in.

– You sure?

I take a step toward the door. Hurley moves to the side, but Tom steps in front of me.

– Security is supposed to be my job. And this asshole hasn’t been cleared by security.

Terry takes off his Lennon glasses and wipes them on his Monterey Pop Festival T-shirt.

– Yeah, man, you’re security and all, but we got to remember this is a community organization. You know, it’s all well and good for us to be safe, but we have to be able to respond to the needs of the community. Otherwise, man, what’s the point? And Joe here, he’s a member of the community. So let’s, you know, let’s just bend a point here and let the man in.

– Fucking. I was duly elected and I’m taking this shit seriously. I’m drawing a line. No appointment, no meeting. Especially for a security threat like this guy.

Terry puts his glasses back on.

– A line. Uh-huh. A line. OK. OK. I get it. You and Joe have history. Some, you know, some difficult history. Some unresolved conflicts. That’s cool. So I tell you what, why don’t you and Hurley go do a perimeter check?

– What?

– You know, go, like, check the perimeter. Make sure it’s secure or whatever.

– My post is-

– Tom, really, go check the damn perimeter and stop acting like a storm trooper.

Tom opens and closes his mouth a couple times, looks at me, looks back at Terry, looks at me again.

– This goes on the list, Pitt. Right near the top.

And he storms down the steps, making sure to hit me with his shoulder on the way.

– What list is that, Tom?

– Fuck you, cocksucker. Come on, Hurley.

– The list of times you’ve made an ass of yourself?

– FUCK YOU!

He walks away down the sidewalk, Hurley a few steps behind him.

I turn to Terry.

– It really safe letting him walk around with Hurley?

– He’s an OK guy, Joe. Good at his job. Pretty mellow most of the time. It’s only when he’s around you that he loses his cool.

– Well, that’s the only time I see him.

– Think there’s a connection there?

– Got me.

He smiles.

– Uh-huh. So. Something you wanted to see me about?

– Yeah.

– Well, come on in, my friend. I’m just brewing up some chai.

– Lucky me.

– The thing is, Joe, the thing is, I really thought I’d be seeing more of you. After the last, you know, realignment, I thought we had gotten back some of that trust, some of those good vibes we used to share.

– Thought it’d be just like old times?

He takes a big whiff of the branches and dirt brewing on the stove.

– Well, old times. You can never get those back. But I thought we’d reached an accord, an understanding. Something to build on. But you haven’t really been around. Why do you suppose that is?

– Got me, Terry. Maybe because I don’t like you?

He laughs as he pours the mess in the pan through a strainer and into a cup.

– Well, yeah, I guess that’d explain it. Sure I can’t interest you in some of this? It’ll mellow you right out, put you in a good frame for conversation.

– I don’t like to be mellow.

– And that, Joe, that is too bad. Too bad.

He picks up his cup, walks across the dingy kitchen and takes the chair next to mine.

– Well then, what is it, my man, what’s on your mind?

– A job. I need a job.

You could say Terry saved my life.

You could also say that over two decades back he found me on the bathroom floor at CBGB, bleeding my life away through a hole that had been chewed in my neck. The guy who put the hole in me must have had a real taste for that shit, a real yen for the old-school style. That kind of thing ain’t easy, a person’s got to be desperate-hungry, or just be the sort who enjoys it. This guy, he’d taken his time with me, buttered me up, picked me out of the crowd as an easy mark. He was right. Nineteen seventy-eight: me, seventeen and living on the street, a hard-ass punk looking for cash, looking to score. He offered me a twenty to suck me off. No brainer at the time. Terry found me right after. Scooped me off the floor and took me to a Society safe house. Not like this deal they got now, but one of the holes they used to skulk around in before they had fully secured their turf. I ran with him for a few years, learned the ropes, saw how some things got done.

Salad days, those.

– Not to make light, Joe, but we’re not really an employment agency.

– No shit, Terry. I don’t need a career, I need a gig. I need to beef up my stash and make some money.

He shrugs.

– I don’t really see where we can help. Now, don’t get me wrong; you’re hard up, we can, you know, front you a little something to get you by. But our resources are limited. You know that.

– Sure.

– What we do have, we need to use it to help support the cause. World’s not gonna change on its own.

– Sure.

– The Society is always looking for opportunities to reach outside, to aid anyone afflicted with the Vyrus, but the pledged membership, the people doing the actual dirty work of trying to integrate the infected population into the noninfected, they have to come first.

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