Charlie Huston - No Dominion

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A review by Victoria Strauss
Joe Pitt's a Vampyre. He's been infected by a Vyrus that slows aging, imparts phenomenal strength and sensory abilities, and survives by feeding off its host's blood – which forces its host to go out and drink more blood so the Vyrus can survive. There's a whole Vampyre subculture in New York City, dominated by several powerful Clans – a hidden world of power and violence unsuspected by ordinary human beings. In this secret world, Joe's what's known as a Rogue. Though he was once an enforcer for the politically-minded Society, does occasional strong-arm work for the powerful Coalition, and is the object of periodic recruitment efforts by the mysterious Enclave, he has no fixed Clan alliance.
This can be a problem when the freelance jobs dry up, and there's no money to buy the packaged blood that keeps a Vampyre from prowling the streets and ripping people's throats out. To make matters worse, Joe's worried about his girlfriend Evie, whose HIV status is deteriorating and whose medical bills are mounting. Swallowing his pride, he goes to Terry Bird, leader of the Society, and asks for work. As it happens, Terry's got something that needs looking into. There's a growing drug problem in the Vampyre community, some really bad stuff that makes users go crazy – not easy to manage for those infected with the Vyrus, which is solicitous of its hosts and cleans drugs and alcohol out of their systems almost as fast as they go in. Terry asks Joe to find out who's dealing.
A little pressure on Joe's favorite snitch turns up a middleman: a trust fund kid in a downtown loft who calls himself the Count. The drug is in bags of fresh, Vyrus-infected blood. Drinking infected blood would kill a Vampyre – but the drug isn't consumed, it's injected. The Count doesn't know what the drug is or why it works, but he does know where it comes from: Uptown, above 110th Street, the area controlled by the Vampyre Clan known as the Hood. This is enemy turf. To reach it, Joe will have to cross Coalition territory, and he's not exactly on good terms with the Coalition either. But Hood thugs and Coalition enforcers turn out to be the least of his problems. A forgotten evil waits in an Uptown mansion, along with a deadly plot that could lead to war among the Clans – unless Joe can survive long enough to figure out who's pulling the strings.
Already Dead was gritty and hip, packed with exciting action yet carefully attentive to the nuances of character. No Dominion is even better. The plot is a nonstop, explosively gory thrill-ride whose twists and reversals deliver surprises right up until the end – a true page-turner, impossible to put down. The glimpses of Vampyre culture, a bizarre nighttime world invisible to those who walk in daylight, are both fascinating and chilling, and the vicious complexities of Vampyre politics, where the smallest alteration of the balance could tip the Clans into open conflict, have plenty of real-world resonance.
As before, Charlie Huston fills the book with memorable characters – from the bigoted, relentless Vampyre matriarch Maureen Vandewater, to DJ Grave Digga, the charismatic leader of the Hood, to Terry Bird, who combines a post-Woodstock cultural ethos with a Machiavellian mastery of double dealing, to the Count, an amoral Gen-X slacker whose home life is a series of satirical references to Dracula movies ("I hate that self-aware, ironic, pop culture Vampyre shit," Joe tells him at one point). Huston has an amazing ear for dialogue, and endows each of these characters with his or her own distinctive voice. As for Joe, a tough guy's tough guy whose profane, world-weary first-person narration anchors the story, he edges close to noir stereotype, but is saved from actually becoming stereotypical by his very human doubts, and his unflinching recognition of his own moral failings.
Huston doesn't neglect the meta-story. Once again, Joe must seek help from the secretive Enclave, which is founded on the belief that the Vyrus is a spiritual force that will ultimately produce a Vampyre savior. Joe's discoveries about the drug may reflect upon that spiritual quest, and also raise disturbing questions about the origins and history of Vampyre society. Hopefully, we'll learn more in the series' next installment. I can't wait.

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He picks up his glasses, starts to give them a wipe.

– What really got the ball rolling was when Predo got hip to Vandewater’s plans. Once he was on to that? Once he knew about The Count being down here? Once that happened, there were some pieces to start moving around. Like, Predo tells me about The Count, about him being a plant down here, Vandewater’s pet project. Predo sacrifices that pawn, and I flip him. I act like I just ESPed him out, and put him in a corner. I give him a little clarity about where he is and how he can save himself. I use him to point you uptown. All that took, once he knew what to do himself, all that took was making sure Philip Sax knew him a little. Something goes down, Joe, you always start shoving Phil around. That kind of, I don’t know, street corner imperialism, it never works to the oppressor’s advantage, you know.

I stare at him.

He shrugs.

– Anyways, once you were headed up, there were only so many ways for you to go. And we were watching, covering the routes. And Digga was waiting. Except.

He pinches his lower lip.

– What went down with you and Daniel. I didn’t call that one, you going to him. I thought, you know, you’d come to me for the passage. What was that about? Daniel give you a name or something?

I watch him, his line in the water, fishing.

He raises his hand, glasses dangling from his fingers.

– Cool. Cool. You got business with Daniel, that’s not the kind of thing to go public with. No problem.

He puts the glasses back on.

– It all worked out anyway. Predo had all the lines covered. And, hey, I don’t, you know, saying I don’t like the man is an understatement, but Predo, he kicked in. Sacrificing that enforcer, just to, you know, help set the scene and give Digga some leverage, that was commitment to the good of the whole.

– If you say so.

– Well, just one man’s, you know, opinion. So then Digga. Digga catches you up there. Plays some scenes, works a little on your head. Makes an impression. Once that impression is made, he makes sure you know what you’re after, points you at Vandewater. And, well, the details are complicated, but you got worked into her plan.

– Say what?

– Her plan. She’s, you know, doing her own thing completely separate from our gig. Mind you, man, there was a time, not too long ago, there was a time she would have been onto us from the start. But she’s gotten too narrow-minded, too focused on that whole racism thing. How’s that supposed to work? How’s that not like willfully blinding yourself to the big picture? She just doesn’t see the whole anymore. Anyway, what she thinks is, she thinks she’s letting you go to come down here to rock my boat.

Letting me go? Lady got a stomach full of bullets.

– Uh-huh, I hear you.

– I pumped her full of anathema.

– Yeah.

– Terry, I bit her fucking eye out.

– Sure, sure, I know.

– She did not let me go.

– Well, you know, like I said, it’s complicated. And you shouldn’t feel bad about the way you handled yourself, but, yeah, she let you go.

– Bull.

– Let’s just agree on that one for now, man. The real point is that she’s so blinded by her narrow mindedness, she can’t see that letting you go is not gonna rock my boat, it’s gonna rock her whole world. ’Cause she just handed you the evidence Digga’ll use to take care of Papa. Now, did she know Papa’s man would be lame enough to shoot and nod off in her basement? No. But that’s just a bonus to the fact that you have witnessed the whole scene up there. Digga is all set up now to confront Predo about the anathema in a public forum. And once public pressure is on Predo to deal with this, with the reemergence of anathema on his watch, he can publicly reprimand Vandewater and strip her of some of her powers. Curb her independence and install some of his own people up in the Morningside Settlement. And that leaves the Society’s needs. Digga puts you on a train. Truth is, he wanted you up there a little longer to corroborate some of the details of what was going down. You wanting to roll so soon threw things a little, but we got it back on track. Predo cleared the rails. I held Tom off until you could confront The Count. The Count played his scene for you. And I sent Hurley along with Tom to make sure you both ended up back here in one piece. After that, it’s just a matter of The Count doing his thing and waiting for you to chime in with the truth. Or, you know, the truth as you know it to be. Which is kinda, when you get right down to it, all the truth ever is anyway.

He lifts his hands from the table and drops them back down.

– And that’s how things work sometimes. Not always. Just sometimes. Believe me, you don’t want to be trying to keep all those balls in the air too often. But sometimes the stars align. And sometimes, this picture we’re trying to put together, this image of the infected in the world, sometimes it takes a different kind of cooperation than most people want to know about. It’s not that people don’t believe in what they say they believe in, it’s just that sometimes you need to bend so you don’t break. The weather isn’t always what you want it to be, Joe. Sometimes, got to make it yourself. Got to make the rain to get the crops to grow. That’s just pragmatic.

I think about Tom, the true believer, his final legacy being that he was a spy.

– That it is.

I look around the room.

– And Lydia?

He shakes his head.

– No way, man. Lydia is pure. She, you just know she could never take this kind of scene. Moral absolutes, that’s her thing. It’s right or it’s wrong. No, Lydia played her part, but she didn’t know she was.

– Where is she now?

– She’s out rallying her people. They’re, you know, pretty neutral as far as intra-Clan issues go. We thought it’d be a good idea if they kind of helped get the word out. Make sure, I don’t know, that the message being heard is the right one. That kind of thing.

– And what’s the message?

He raises his shoulders, lets them drop.

– Well, you know, man, you were here. We’re not really trying to hide anything.

– What’s the message, Terry?

– The message is, Everything’s cool. There was some trouble, but now it’s all cool.

– What kind of trouble?

– Well, we thought it best to leave out all the Coalition stuff. That kind of thing’s just gonna stir up bad feelings. So, you know, attempted coup. Not pretty, but an internal matter. No hard feelings to anyone or anything. Something that happens in any revolutionary movement.

– Sure, sure, just the price of doing business.

– The price of politics, anyway.

I fit a cigarette to the corner of my mouth.

– Yeah, politics. Politically speaking, you came out of this in pretty good shape.

– Well, I don’t know if I’d say that. Narrowly averting a coup. Discovering a Coalition plot at the heart of our Clan. Losing one of our highest placed members. I don’t know that that adds up to a good day for the Society and all.

I light up.

– Yeah, taken that way, I guess maybe not. However.

I look for a place to drop the spent match, settle on the floor.

– Taken the other way, it worked out pretty well.

Terry bends and picks up the match.

– What way is that, Joe?

– The way where the truth is involved.

He walks to the sink and drops the match.

– Well, it’s a realpolitik world. The truth doesn’t always will out, you know.

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