Charlie Huston - No Dominion

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A review by Victoria Strauss
Joe Pitt's a Vampyre. He's been infected by a Vyrus that slows aging, imparts phenomenal strength and sensory abilities, and survives by feeding off its host's blood – which forces its host to go out and drink more blood so the Vyrus can survive. There's a whole Vampyre subculture in New York City, dominated by several powerful Clans – a hidden world of power and violence unsuspected by ordinary human beings. In this secret world, Joe's what's known as a Rogue. Though he was once an enforcer for the politically-minded Society, does occasional strong-arm work for the powerful Coalition, and is the object of periodic recruitment efforts by the mysterious Enclave, he has no fixed Clan alliance.
This can be a problem when the freelance jobs dry up, and there's no money to buy the packaged blood that keeps a Vampyre from prowling the streets and ripping people's throats out. To make matters worse, Joe's worried about his girlfriend Evie, whose HIV status is deteriorating and whose medical bills are mounting. Swallowing his pride, he goes to Terry Bird, leader of the Society, and asks for work. As it happens, Terry's got something that needs looking into. There's a growing drug problem in the Vampyre community, some really bad stuff that makes users go crazy – not easy to manage for those infected with the Vyrus, which is solicitous of its hosts and cleans drugs and alcohol out of their systems almost as fast as they go in. Terry asks Joe to find out who's dealing.
A little pressure on Joe's favorite snitch turns up a middleman: a trust fund kid in a downtown loft who calls himself the Count. The drug is in bags of fresh, Vyrus-infected blood. Drinking infected blood would kill a Vampyre – but the drug isn't consumed, it's injected. The Count doesn't know what the drug is or why it works, but he does know where it comes from: Uptown, above 110th Street, the area controlled by the Vampyre Clan known as the Hood. This is enemy turf. To reach it, Joe will have to cross Coalition territory, and he's not exactly on good terms with the Coalition either. But Hood thugs and Coalition enforcers turn out to be the least of his problems. A forgotten evil waits in an Uptown mansion, along with a deadly plot that could lead to war among the Clans – unless Joe can survive long enough to figure out who's pulling the strings.
Already Dead was gritty and hip, packed with exciting action yet carefully attentive to the nuances of character. No Dominion is even better. The plot is a nonstop, explosively gory thrill-ride whose twists and reversals deliver surprises right up until the end – a true page-turner, impossible to put down. The glimpses of Vampyre culture, a bizarre nighttime world invisible to those who walk in daylight, are both fascinating and chilling, and the vicious complexities of Vampyre politics, where the smallest alteration of the balance could tip the Clans into open conflict, have plenty of real-world resonance.
As before, Charlie Huston fills the book with memorable characters – from the bigoted, relentless Vampyre matriarch Maureen Vandewater, to DJ Grave Digga, the charismatic leader of the Hood, to Terry Bird, who combines a post-Woodstock cultural ethos with a Machiavellian mastery of double dealing, to the Count, an amoral Gen-X slacker whose home life is a series of satirical references to Dracula movies ("I hate that self-aware, ironic, pop culture Vampyre shit," Joe tells him at one point). Huston has an amazing ear for dialogue, and endows each of these characters with his or her own distinctive voice. As for Joe, a tough guy's tough guy whose profane, world-weary first-person narration anchors the story, he edges close to noir stereotype, but is saved from actually becoming stereotypical by his very human doubts, and his unflinching recognition of his own moral failings.
Huston doesn't neglect the meta-story. Once again, Joe must seek help from the secretive Enclave, which is founded on the belief that the Vyrus is a spiritual force that will ultimately produce a Vampyre savior. Joe's discoveries about the drug may reflect upon that spiritual quest, and also raise disturbing questions about the origins and history of Vampyre society. Hopefully, we'll learn more in the series' next installment. I can't wait.

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Terry doesn’t need to move.

– Hurley.

Hurley scoops Tom up before he can touch The Count. He puts him on the floor and puts his foot in his chest as he pulls out his twin.45s and points them at Tom’s partisans. They stop thinking about whatever moves they were thinking about and get busy thinking about staying very still.

Hurley looks down.

– Sorry ’bout dat, Tom. You OK?

– Get off me, you fucking moron!

– Sorry, Tom. Not till Terry says so.

The Count, his legs strapped to the legs of the chair, is rocking and lunging against his bindings, trying to get farther away from Tom.

– No! No! Don’t let him up! No! He’ll kill me! No!

Terry stands, arms held out.

– Cool it! Everybody just needs to cool it. Kid! Kid! Count! Dude, cool it. No one is gonna hurt you. Just cool it.

The Count freezes, eyes big in his head. He’s stopped screaming. Mumbling now, whispering.

– Oh, shit, oh shit. I’m gonna die. I don’t wanna die. Oh shit.

– Cool it. Calm down, man.

The Count goes silent except for the crying.

Tom is another matter.

– Get your fucking foot off me, you fucking stupidass retard.

Hurley looks at Terry.

Terry walks over and looks down at Tom.

– Be cool, Tom. This is a tense situation, I know, but we’re gonna sort it. Don’t take it out on Hurley.

– Fuck you, Terry. Get him the fuck off of me.

– You gonna be cool?

Tom opens and closes his mouth a few times, takes some deep breaths.

– Yeah. I’m gonna be cool. Now. Get. Him. Off. Me.

Terry nods.

– OK, cool. Let him up, Hurley. And those guys are OK, you don’t have to cover them.

Hurley takes his foot off Tom’s chest and lowers his guns. But he doesn’t put them away, just moves to the door so no one can get out without going through him.

Tom jumps up and takes a step toward The Count.

– You fucker.

Terry comes between them.

– Cool. Remember?

Tom turns and walks to the other side of the room, closer to his partisans.

– Yeah. Cool. Fine. Long as I don’t have to hear more of that shit.

Terry nods.

– Sure, sure. But, you know, let’s just look into this. See where The Count is coming from.

He faces The Count.

– What’s it about? An accusation like that, that’s a pretty big deal, you know? Could get you in a lot of trouble.

The Count rolls his eyes.

– Trouble? I’m in trouble, man. What do you think? Man, that’s why. Don’t you know what?

– Cooool. Easy. Breathe a little.

– Little lying fucker.

– Tom! Cool it.

The Count breathes.

Terry puts a hand on his shoulder.

– So what’s up here? What’s got you spooked enough to try a story like that?

– Story? Man. Story? You want a story ? OK, try this. Tom is the fucking dealer. Tom is the hookup for all of downtown.

– This is such fucking!

– Hurley.

Hurley holds up one of his pistols and presses it to his lips.

– Tom, shhhh.

Tom shuts up.

Terry pats The Count.

– And?

– And. And. Oh shit. You guys. You’re gonna. Just. Look. All I want is. I’ll tell you everything, man. It’s gonna come out. All I want is, keep him away from me. And. And when you do me. Don’t let me burn. Just. Not the sun. Something. But not the sun.

– Hey, hey. We’ll talk about executions, all that, you know, later. But, we’re not gonna burn anyone.

– OK. OK. I’m. OK. So. I, you know, I have some money, I like a good time. The other fish, they know that. So I have a lot of friends. Tom, he, you know, he’s the guy who gets the shit. Me, I’m the guy helps to hook him up with other fish, other kids.

Tom’s not even trying to talk now, just staring, jaw hanging, face going from red to white and back again.

– Tom brings it in, and I help to hook up the customers.

– OK. So Tom brought it in. You helped. Why? You don’t need money.

– No. It’s. Oh shit. It’s for the Coalition. Tom’s a fucking mole for the Coalition.

Tom coughs. Laughs. Laughs some more. He shakes his head. Starts to breathe normally again. It’s too outrageous. Hearing it, it’s too much to believe.

The look The Count is getting from Terry is the look you give someone when the lie they’re telling is so over the top you have to listen out of sheer awe.

– Wow. OK. That’s, wow, that’s pretty big. That would be a pretty big deal. So he, what? He told you? He told you he was a Coalition mole and he was, I don’t know, bringing this shit in to undermine the Society. Is that how this stuff works?

– No. I. No.

– No. OK. OK. You, like, you found out. You found out and you were outraged and now you’re telling us, that it?

– No.

– OK. Well, I don’t know, man, you tell me what the story is. How’d you find this out?

The Count starts to cry again.

– Because I’m a spy, man. I’m a fucking Coalition agent. Don’t you. Maaaan. You’re being sold out. There’s a deal. Tom helps to bring you down, man, he does that, sets up an alliance with the Coalition and they let him run the turf. I know. I made the contact, man. I’m a spy. I’m a spy. Just don’t. God, please. Don’t burn me, man. Don’t burn me.

Terry straightens up. He looks at Tom.

– Wow. How about that?

Tom is shaking his head.

– Fucking spies, man. What a load. That, see, that’s how the Coalition works. That’s how they fucking plan to undermine us. By attacking our unity. That kind of creepy bullshit.

The Count isn’t done.

– He told me. He said I was supposed to tell a story about Joe. Say Joe was the dealer, say he was the spy. I was supposed to do it here. In front of the council. He told me to act like I was unconscious until the council was in session. Then tell this story. Tell it in front of everybody, that it was Joe, and that you knew. Tell ’em that you knew. So he could, he could have you removed. Have you executed and take the chair, man. He. He would have killed me after. He would have. He’s a fucking.

He turns his eyes on Tom.

– You fucking sadist! You sick son of a bitch! That shit you did to me! You fucking! You die! I don’t care anymore! Burn me! Burn me! Just burn him next to me so I can watch!

It’s more than a guy like Tom can take.

Terry takes care of him this time, has him on the ground almost as quickly as Hurley did. The partisans want to help their leader, but what are you supposed to do with Hurley and Lydia in your face?

The Count sobs.

– I’ll burn. Ungh, God. I’ll, Jesus, I’ll, hngh, hngh, hngh, I’ll burn just to watch.

Tom raves.

– Off me! That fucking spy. Both of them. Don’t think this is gonna get you off the hook. You know it’s bullshit. Everyone in here can smell it.

I clear my throat.

– Um, I don’t want to stick my nose in family business, but that is pretty much what the old lady told me.

Terry swings around.

– Old lady?

– Vandewater. She said her name was Vandewater. Lives Uptown. Ever hear of her?

First, things come to a halt as Terry tries to get Digga on the phone. That takes awhile. Seems he’s been pretty busy smacking some ass up there. But once he does, once Digga confirms that I did some muthafuckin’ fine recognizance for him up on Morningside Heights, once it is confirmed that I was up there and met the old lady and came down with the anathema and a witness, once that all gets said? The shoe gets on the other foot in a hurry. Figure some of that speed has to do with a sense of justice needing to be done in a hurry. Figure some of it’s because Terry doesn’t want me talking too much about some of the things Vandewater had to say. Figure six of one, a half dozen of the other. But mostly, figure it’s the other: Terry being the private sort and all.

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