Charlie Huston - No Dominion

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A review by Victoria Strauss
Joe Pitt's a Vampyre. He's been infected by a Vyrus that slows aging, imparts phenomenal strength and sensory abilities, and survives by feeding off its host's blood – which forces its host to go out and drink more blood so the Vyrus can survive. There's a whole Vampyre subculture in New York City, dominated by several powerful Clans – a hidden world of power and violence unsuspected by ordinary human beings. In this secret world, Joe's what's known as a Rogue. Though he was once an enforcer for the politically-minded Society, does occasional strong-arm work for the powerful Coalition, and is the object of periodic recruitment efforts by the mysterious Enclave, he has no fixed Clan alliance.
This can be a problem when the freelance jobs dry up, and there's no money to buy the packaged blood that keeps a Vampyre from prowling the streets and ripping people's throats out. To make matters worse, Joe's worried about his girlfriend Evie, whose HIV status is deteriorating and whose medical bills are mounting. Swallowing his pride, he goes to Terry Bird, leader of the Society, and asks for work. As it happens, Terry's got something that needs looking into. There's a growing drug problem in the Vampyre community, some really bad stuff that makes users go crazy – not easy to manage for those infected with the Vyrus, which is solicitous of its hosts and cleans drugs and alcohol out of their systems almost as fast as they go in. Terry asks Joe to find out who's dealing.
A little pressure on Joe's favorite snitch turns up a middleman: a trust fund kid in a downtown loft who calls himself the Count. The drug is in bags of fresh, Vyrus-infected blood. Drinking infected blood would kill a Vampyre – but the drug isn't consumed, it's injected. The Count doesn't know what the drug is or why it works, but he does know where it comes from: Uptown, above 110th Street, the area controlled by the Vampyre Clan known as the Hood. This is enemy turf. To reach it, Joe will have to cross Coalition territory, and he's not exactly on good terms with the Coalition either. But Hood thugs and Coalition enforcers turn out to be the least of his problems. A forgotten evil waits in an Uptown mansion, along with a deadly plot that could lead to war among the Clans – unless Joe can survive long enough to figure out who's pulling the strings.
Already Dead was gritty and hip, packed with exciting action yet carefully attentive to the nuances of character. No Dominion is even better. The plot is a nonstop, explosively gory thrill-ride whose twists and reversals deliver surprises right up until the end – a true page-turner, impossible to put down. The glimpses of Vampyre culture, a bizarre nighttime world invisible to those who walk in daylight, are both fascinating and chilling, and the vicious complexities of Vampyre politics, where the smallest alteration of the balance could tip the Clans into open conflict, have plenty of real-world resonance.
As before, Charlie Huston fills the book with memorable characters – from the bigoted, relentless Vampyre matriarch Maureen Vandewater, to DJ Grave Digga, the charismatic leader of the Hood, to Terry Bird, who combines a post-Woodstock cultural ethos with a Machiavellian mastery of double dealing, to the Count, an amoral Gen-X slacker whose home life is a series of satirical references to Dracula movies ("I hate that self-aware, ironic, pop culture Vampyre shit," Joe tells him at one point). Huston has an amazing ear for dialogue, and endows each of these characters with his or her own distinctive voice. As for Joe, a tough guy's tough guy whose profane, world-weary first-person narration anchors the story, he edges close to noir stereotype, but is saved from actually becoming stereotypical by his very human doubts, and his unflinching recognition of his own moral failings.
Huston doesn't neglect the meta-story. Once again, Joe must seek help from the secretive Enclave, which is founded on the belief that the Vyrus is a spiritual force that will ultimately produce a Vampyre savior. Joe's discoveries about the drug may reflect upon that spiritual quest, and also raise disturbing questions about the origins and history of Vampyre society. Hopefully, we'll learn more in the series' next installment. I can't wait.

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– Hey, guys. What’s up?

Terry takes off his glasses, rubs his eyes, making a big show of how run down he is.

– I need your help, Joe.

Tom starts waving his arms around.

– Fuck that, his help. We don’t need his help, he’s already helped plenty, already fucked himself. It’s time for sentencing. I move waiving the inquiry and going straight to the sentencing.

– Yeah, Tom, once we’re officially convened and the whole council is here, that’ll be cool. But for now, I’m just kind of passing the time with an old friend here.

– Bullshit! That’s favoritism, Terry! That kind of crap, that shit is over! You can’t get away with, with protecting him anymore. He’s done. And, man, your time, your time is coming to a close. As soon as we’re convened, as soon as this spy has been executed, I’m calling for a referendum on your chairmanship. You harbored his ass, you kept this serpent in the garden, man. This shit is down to you as much as it is to him.

Terry starts to open his mouth. I get ready to enjoy seeing Tom put in his place, but it doesn’t happen. Terry just shakes his head and holds up one hand.

– Yeah. Yeah, you’re right. That’s right. And I, man, I thoroughly expect something like this, my chairmanship has to come into question. That’s, you know, that’s just the price. But I am going to invoke some privileges, I am going to serve as Joe’s defense in the inquiry.

Tom shakes his head, arms folded over his chest.

– Not gonna be an inquiry.

Terry nods.

– Yeah, OK, if you have your way, in the sentencing phase I’m still gonna serve as his defense. And, you know, as such, I have a right to talk to the man. Right here, in front of everybody.

Tom taps his index finger on the table right in front of Terry.

– No. Fucking. Way. No way does this guy get any more special treatment.

Lydia leans forward, putting her elbows on the table, her biceps stretching the fabric of her black sweater.

– You’re wrong, Tom.

He moves his eyes from Terry to her.

– What?

– It’s due process. He may be a shit, and Terry may be on his way out, but due process is due process. He can talk to him if he wants.

There’s a little stare-off. Lydia could tear Tom a few new assholes at will. If he didn’t have his partisans here. But it hasn’t come to that yet, it hasn’t come to an open coup of Society leadership. Yet.

He nods, throws up his hands.

– OK, OK, due process it is. But if Terry can ask questions, we all can.

Terry shrugs.

– Sure, sure, if that’s what it takes. Sure.

He looks back at me.

– So, like I was saying, Joe, I can use your help. As I guess you can kind of see, the shit’s been hitting the fan.

– No kidding?

– Sure has.

– How hard?

Tom sits on the edge of the table.

– Not as hard as I’m gonna kick your balls into your throat if you don’t stop being a smartass.

I look at him.

– How’s the leg, Tom? Get that bullet out?

He laughs.

– Yeah, be funny. Take it all the way. Sure, I got the bullet out. Got it in a plastic bag. Gonna be exhibit A when we sentence your ass. That alone, fucker, that alone is gonna get you executed. Before we do it, I’m gonna take that bullet and shove it through your ear.

I look at Terry.

– You gonna let him talk to me like that?

Terry fingers his papers, gives them a flip.

– Well, right now, like you kind of been hearing, there’s not much I can do. I mean, you ask how hard the shit’s hit the fan, let me tell you, hard enough to stick on everything.

– That’s pretty hard.

– Yeah, yeah it is. Hell, Joe, once we got tipped off you were on your way back down, the shit would have to be pretty hard to get Predo and us to agree to let you pass all the way without no one getting in your way. ’Cause, you know, no one wanted a big scene with you getting dragged off a train or anything. And still, getting Predo to agree to let us take you into custody, that took some doing. Wouldn’t you say that’s some shit hitting hard?

I don’t say anything. I don’t really have to. Because he’s right, that’s some shit hitting the fan pretty damn hard.

– You got to admit, whatever it was made you go wandering around the Hood, trailing one of Predo’s enforcers, whatever that was, it’d have to be pretty damn important to get you off the hook at this point. And, well, that’s even assuming the enforcer hadn’t gone missing. Then we got.

He looks at his papers.

– We got one of Digga’s people, Papa Doc, sending word through Predo that you escaped custody and beat on some guards. All and all…

He looks at the papers again.

– Looks like you’ve been making some noise all over. And, you know, shooting Tom, well, that was a bad call, too. So.

He drops the papers and looks up.

– So, I don’t know. You got anything to say about all this?

Anything to say? Anything to say about Terry being the one who set me off poking in the first place? No. Not yet.

And Tom’s just playing his angle. Hand it to the shit, it’s a bold play. We’ll see how far it gets him.

– I got nothing to say.

Tom hops off the table and goes to the fridge.

– And how ’bout this, asshole, got anything to say about this?

He drops a bag of anathema on the table.

– Got anything to say about this being in your apartment? You fucking poisoner. You motherfucking dealer piece of shit.

Terry gives me a look.

The look goes from the anathema to me and back again. A shake of the head goes with it.

– Of all things, Joe. This stuff? I never thought I’d see it again. Been so long, I had to explain it to Tom and Lydia. You know it’s killing kids out there? You know what it’s doing right now to our kids? Let alone the Society cause, man. Stuff is trouble. Got to say, Tom’s right on this one, it’s poison.

Lydia points at the bag.

– That shit. That shit. That kid you took care of at Doc’s? That fish you put down? That fish was one of mine. He was in the Alliance. You. You fucking. You what? You hooked him and what? He was gonna talk to someone? Tell someone where he got it? Was that it? Did you give him the hotshot that sent him over? You. Jesus. You fucking.

She looks elsewhere, happy not to have my face in her field of vision.

Terry picks up the papers.

– All this stuff, I don’t know, man, this stuff. Maybe, maybe we could have worked some of this out. But that.

He waves the papers at the anathema.

– That is…I don’t know, Joe.

He drops the papers.

– Help me here, man. Tell me something that will help.

Tom sticks his face in mine.

– No. He’s got nothing to say this time. He’s in it now and he knows it. Don’t you, asshole? You are in the shit. Know better than to open your mouth this time, don’t you? Know if you open your mouth this time it’ll fill right up with shit.

– It’s Tom! He’s the one!

It’s funny. Sometimes, you’ll be thinking something, thinking it over and over and over again. You’ll be thinking it and just waiting for the absolutely perfect moment to say it when you know it will have the most impact and really fuck somebody’s shit up. And then, right when you’re all set to say it, someone beats you to the punch.

We all look at The Count.

He says it again.

– It’s Tom! He’s the one! He’s the dealer. Not Joe. It’s Tom.

Tears are running down his face, cutting tracks in the dry blood.

– It’s Tom. He. Oh, God. Don’t let him hurt me. Don’t let him hurt me anymore. It’s Tom.

Not surprisingly, Tom does try to hurt him.

– You shit! You little fuck!

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