Charlie Huston - No Dominion

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A review by Victoria Strauss
Joe Pitt's a Vampyre. He's been infected by a Vyrus that slows aging, imparts phenomenal strength and sensory abilities, and survives by feeding off its host's blood – which forces its host to go out and drink more blood so the Vyrus can survive. There's a whole Vampyre subculture in New York City, dominated by several powerful Clans – a hidden world of power and violence unsuspected by ordinary human beings. In this secret world, Joe's what's known as a Rogue. Though he was once an enforcer for the politically-minded Society, does occasional strong-arm work for the powerful Coalition, and is the object of periodic recruitment efforts by the mysterious Enclave, he has no fixed Clan alliance.
This can be a problem when the freelance jobs dry up, and there's no money to buy the packaged blood that keeps a Vampyre from prowling the streets and ripping people's throats out. To make matters worse, Joe's worried about his girlfriend Evie, whose HIV status is deteriorating and whose medical bills are mounting. Swallowing his pride, he goes to Terry Bird, leader of the Society, and asks for work. As it happens, Terry's got something that needs looking into. There's a growing drug problem in the Vampyre community, some really bad stuff that makes users go crazy – not easy to manage for those infected with the Vyrus, which is solicitous of its hosts and cleans drugs and alcohol out of their systems almost as fast as they go in. Terry asks Joe to find out who's dealing.
A little pressure on Joe's favorite snitch turns up a middleman: a trust fund kid in a downtown loft who calls himself the Count. The drug is in bags of fresh, Vyrus-infected blood. Drinking infected blood would kill a Vampyre – but the drug isn't consumed, it's injected. The Count doesn't know what the drug is or why it works, but he does know where it comes from: Uptown, above 110th Street, the area controlled by the Vampyre Clan known as the Hood. This is enemy turf. To reach it, Joe will have to cross Coalition territory, and he's not exactly on good terms with the Coalition either. But Hood thugs and Coalition enforcers turn out to be the least of his problems. A forgotten evil waits in an Uptown mansion, along with a deadly plot that could lead to war among the Clans – unless Joe can survive long enough to figure out who's pulling the strings.
Already Dead was gritty and hip, packed with exciting action yet carefully attentive to the nuances of character. No Dominion is even better. The plot is a nonstop, explosively gory thrill-ride whose twists and reversals deliver surprises right up until the end – a true page-turner, impossible to put down. The glimpses of Vampyre culture, a bizarre nighttime world invisible to those who walk in daylight, are both fascinating and chilling, and the vicious complexities of Vampyre politics, where the smallest alteration of the balance could tip the Clans into open conflict, have plenty of real-world resonance.
As before, Charlie Huston fills the book with memorable characters – from the bigoted, relentless Vampyre matriarch Maureen Vandewater, to DJ Grave Digga, the charismatic leader of the Hood, to Terry Bird, who combines a post-Woodstock cultural ethos with a Machiavellian mastery of double dealing, to the Count, an amoral Gen-X slacker whose home life is a series of satirical references to Dracula movies ("I hate that self-aware, ironic, pop culture Vampyre shit," Joe tells him at one point). Huston has an amazing ear for dialogue, and endows each of these characters with his or her own distinctive voice. As for Joe, a tough guy's tough guy whose profane, world-weary first-person narration anchors the story, he edges close to noir stereotype, but is saved from actually becoming stereotypical by his very human doubts, and his unflinching recognition of his own moral failings.
Huston doesn't neglect the meta-story. Once again, Joe must seek help from the secretive Enclave, which is founded on the belief that the Vyrus is a spiritual force that will ultimately produce a Vampyre savior. Joe's discoveries about the drug may reflect upon that spiritual quest, and also raise disturbing questions about the origins and history of Vampyre society. Hopefully, we'll learn more in the series' next installment. I can't wait.

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He goes to the fridge.

– Tell me, Terry.

He opens the fridge, back to me, lips zipped.

– Was this the way you had it figured from the top? I mean, when I came wandering in here looking for a gig and you sent me looking for the anathema, was this the way you had it in mind?

He looks at me over his shoulder.

– You need some?

I flex my hands, the dry white skin over my knuckles cracks.

– I’m not thirsty right now.

He sighs.

– You’re a better man than I.

He comes back to the table, a pint of blood in his hand.

– Me, I need a drink.

He takes a penknife from his pocket and pokes a hole in the bag.

– I need it something fierce.

He takes a drink.

I blow smoke.

He points at it.

– That’s not a habit you should be getting into, smoking in here. It’s special circumstances tonight, but in general, not the way we do it.

I keep smoking.

He nods.

– Joe, it did get a little more complicated than I thought it might. I mean, you heard the story. I’m, you know, still waiting for a loose end to come around and get me.

He drinks. A little shudder runs down his body.

– Never get used to it, you know? Never. No matter how long it’s been, no matter how many times I’ve felt it, I’ve never gotten used to how good it goes down. How many other things are like that? How many things in life that you just don’t get tired of?

– You tell me.

He takes another drink.

– Not too many, man, not too many at all.

He drains the rest of the bag, folds it neatly, sets it on the table in front of him.

– So. How I had it figured, what I knew I could count on?

He looks at me.

– How I had it figured was you’d dig around. Being you, you’d, you know, keep digging. Dig and dig and dig until you hit something that stopped you, and then you’d try to dig through it. Knowing that, well, I, you know, guessed it’d be just a matter of time before you dug up Tom.

I smoke.

– Yeah, I get that. A matter of time seeing the way you guys had things all set up, anyway. Pretty fucked up, Terry. All the way around.

– You know what, Joe? You got that right.

He scratches the side of his nose.

– Know what else is fucked up?

– What’s that?

– Think about it.

– About?

He taps his forehead.

– Think for a second. It won’t take long.

I think. I think about the story he just told me. And I get it.

I have my gun. Terry gave it back before I went out with Hurley. I’ve used it since then. I reach for it.

I hear a noise. Terry shakes his head. His hand under the table, holding the sawed-off double-barrel that’s taped there. The one I’ve just heard him cock.

– Easy, Joe.

I take my hand off my gun.

He nods.

– Cool, man. That’s it. Let me show you something.

He brings up his hands. Brings them up empty.

– Nobody here, man. Just me and you. You want to hold your piece on me while we talk, go ahead.

I do want to hold my piece on him. So I pull it and point it.

He smiles.

– Well, shit, what did I expect, right? Offer a guy like you a chance to invest in some mutual trust, I get what I deserve, right?

– What the fuck, Terry? What the fuck with telling me that story? That’s like a goddamn death sentence.

He runs a hand over the top of his head.

– Just trying to get your attention, Joe.

– Trying to get my? Fuck that. You’re trying to. I don’t know what you’re trying to do, but it’s fucked up whatever it is.

– Well, that is one possible interpretation of events.

– Fuck you. I’m a Rogue. I can’t get away with knowing that shit.

– Yes, you are. You are a Rogue.

He puts his glasses back on.

– Then again, what if things were, you know, different?

I start to smell it now. He sees me smelling it.

– No.

– Just hear me out. Just, you know, give this a listen.

– No.

– Joe.

He leans forward.

– You have the gun, but you’re in my place. Hear me out.

Shit.

I put the gun away. For as much good as it will do me now.

He rubs his hands together.

– OK. OK. That’s cool. Now we can really rap, really get into it. OK. So, you’ve been asking some interesting questions here. Some deep stuff. Stuff that gets right down there in the roots, down where you don’t go swinging away, hacking things to bits. Cut the wrong bit, the whole tree dies. Thing is, being around as long as you have, you’ve ended up mixed up in some pretty serious stuff the last couple years. Gotten some pretty deep knowledge on your own. That’s what happens. You last long enough, you’re going to get sucked into some stuff. Period. Can’t get around that. There are only so many of us. Only so many who have some staying power. Sooner or later, you’re going to get involved. Just, for just a second, just think about who you met the last couple days. Think about the people you met last year. Think about the kind of juice those people squeeze. Think about, about the things you know now, about how stuff works, the things you didn’t know last year. Seriously, think.

He shuts up and watches me.

And I think.

I think about it. And it scares me.

He nods.

– Right? Got it? See what I mean? Hey, man, not everybody spends their time rapping with DJ Grave Digga and Dexter Predo and me and old lady Vandewater. And let’s not even talk about how you have something going with Daniel. Any idea how many people get a repeat audience with him? How many survive the first one? That is, you know, a very short list. You’re, whether you like it or not, and for lack of a better word, you’re becoming a player.

He raises a finger.

– And check this out. For every little detail you’ve picked up, there’s a whole mosaic attached to it. You just can’t see it yet. Keep going, you’re gonna see more. But, you being a Rogue and all, not everyone is going to be happy about your growing understanding of, you know, how we do things. A Rogue has no loyalty. You don’t know where he’s going to go, which way he’ll jump. That puts people, I don’t know, on edge. Joe, I’m not gonna lie, it harshes my mellow, too. A good mellow is hard to come by. Security, can’t pay enough to have it. And, well, that’s kind of it. If your knowing things, combined with your being a Rogue, if that unsettles people? Sooner or later someone’s going to deal with that. Screw the metaphors, someone’s going to put you in the sun. Like Tom. And for the same reason: because he was harshing everybody’s mellow.

He leans back.

– Which is why I can sit here and offer you a job I know you don’t want.

– I said, no.

– Joe, man, it doesn’t have to be like the old days. I mean, today, yeah, man, that was bad karma all the way around. But it’s not really like it used to be. Mostly, it’s just showing yourself in the neighborhood. Keeping an eye on things. Pretty much the kind of stuff you do on your own. And, you know, if someone does get out of line, sure, that would be down to you. But you make the call. With this job, you have the license to, well let’s just say it like it is, you have a license to fuck people up. You employ it as you see fit. Straight up. Tom sucked at the job. You, you’re a natural. We both know that.

I pick up my gun. Put it back in my belt.

– No.

I stand up.

He stands up.

– Joe, come on, I know you, man. You like to know what’s up. You got to pick a scab, man. Well this job puts you on the inside, where things happen.

I turn to the door.

– No.

Like that, he’s in front of me.

– Please, man. I’m telling you, it’s not, like, a threat or anything, but I’m telling you, it can’t go on like it has. Not now. Me, I can play it as loose as you. I dig that. But Digga? Predo? They won’t have it. Not like this. You have to come back inside, Joe. It’s down to that. In or out.

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