Frank Long - Mythos and Horror Stories

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This is the collection of Frank Belknap Long stories, with the complete short novel « One of the early works of pulp terror, «The Horror from the Hills» is the legendary first tale of the Cthulhu Mythos. It is drawn from the disturbing nightmares of Belknap Long's friend and colleague, H. P. Lovecraft, the master writer of supernatural fiction of the modern age. A blood-sucking demon from the fourth dimension is mistakenly exhibited in a Manhattan museum and feasts on the blood of its admirers. This influential tale of extraterrestrial terror, a bestseller in the 1930s and 1940s, has been out of print for more than three decades. In a relatively short narrative, Long takes us from the remotest origins of our common culture, to the center of civilized mid-twentieth-century, to the cutting edges of contemporary technology to bring us face to face with horrible bloodsucking malevolence. We are fortunate that Chaugnar Faugn is a creation of fiction, drawn from one dark mind into another's pen.

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There is no describing the joy that filled us when we saw the light. Yellow and bright it streamed over the water and illuminated sharply the outlines of the great rocks that rose on both sides of the Narrows.

"Let me have the wheel," I shouted as I stepped quickly forward. "This is a ticklish passage, but we'll come through now with colors flying."

In our excitement and elation we almost forgot the horror that we had left behind us. I stood at the wheel and smiled confidently as we raced over the dark water. Quickly the rocks drew nearer until their vast bulk towered above us.

"We shall certainly make it!" I cried.

But no response came from Howard. I heard him choke and gasp.

"What is the matter?" I asked suddenly, and turning, saw that he was crouching in terror above the engine. His back was turned toward me, but I knew instinctively in which direction he was gazing.

The dim shore that we had left shone like a flaming sunset. Mulligan Wood was burning. Great flames shot up from the highest of the tall trees, and a thick curtain of black smoke rolled slowly eastward, blotting out the few remaining lights in the harbor.

But it was not the flames that caused me to cry out in fear and horror. It was the shape that towered above the trees, the vast, formless shape that moved slowly to and fro across the sky.

God knows I tried to believe that I saw nothing. I tried to believe that the shape was a mere shadow cast by the flames, and I remember that I gripped Howard's arm reassuringly.

"The wood will be destroyed completely," I cried, "and those ghastly things with us will be destroyed with it."

But when Howard turned and shook his head, I knew that the dim, formless thing that towered above the trees was more than a shadow.

"If we see it clearly, we are lost!" he warned, his voice vibrant with terror. "Pray that it remains without form!"

It is older than the world , I thought, older than all religion. Before the dawn of civilization men knelt in adoration before it. It is present in all mythologies. It is the primal symbol. Perhaps, in the dim past, thousands and thousands of years ago, it was used to — repel the invaders. I shall fight the shape with a high and terrible mystery.

Suddenly I became curiously calm. I knew that I had hardly a minute to act, that more than our lives were threatened, but I did not tremble. I reached calmly beneath the engine and drew out a quantity ot cotton waste.

"Howard," I said, "light a match. It is our only hope. You must strike a match at once."

For what seemed eternities Howard stared at me uncomprehendingly. Then the night was clamorous with his laughter.

"A match!" he shrieked. "A match to warm our little brains! Yes, we shall need a match."

"Trust me!" I entreated. "You must — it is our one hope. Strike a match quickly."

"I do not understand!" Howard was sober now, but his voice quivered.

"I have thought of something that may save us," I said. "Please light this waste for me."

Slowly he nodded. I had told him nothing, but I knew he guessed what I intended to do. Often his insight was uncanny. With fumbling fingers he drew out a match and struck it.

"Be bold," he said. "Show them that you are unafraid. Make the sign boldly."

As the waste caught fire, the form above the trees stood out with a frightful clarity.

I raised the flaming cotton and passed it quickly before my body in a straight line from my left to my right shoulder. Then I raised it to my forehead and lowered it to my knees.

In an instant Howard had snatched the brand and was repeating the sign. He made two crosses, one against his body and one against the darkness with the torch held at arm's length.

For a moment I shut my eyes, but I could still see the shape above the trees. Then slowly its form became less distinct, became vast and chaotic — and when I opened my eyes it had vanished. I saw nothing but the flaming forest and the shadows cast by the tall trees.

The horror had passed, but I did not move. I stood like an image of stone staring over the black water. Then something seemed to burst in my head. My brain spun dizzily, and I tottered against the rail.

I would have fallen, but Howard caught me about the shoulders. "We're saved!" he shouted. "We've won through."

"I'm glad," I said. But I was too utterly exhausted to really rejoice. My legs gave way beneath me and my head fell forward. All the sights and sounds of Earth were swallowed up in a merciful blackness.

II

Howard was writing when I entered the room.

"How is the story going?" I asked.

For a moment he ignored my question. Then he slowly turned and faced me. He was hollow-eyed, and his pallor was alarming.

"It's not going well," he said at last. "It doesn't satisfy me. There are problems that still elude me. I haven't been able to capture all of the horror of the thing in Mulligan Wood."

I sat down and lit a cigarette.

"I want you to explain that horror to me," I said. "For three weeks I have waited for you to speak. I know that you have some knowledge which you are concealing from me. What was the damp, spongy thing that landed on Wells's head in the woods? Why did we hear a droning as we fled in the fog? What was the meaning of the shape that we saw above the trees? And why, in heaven's name, didn't the horror spread as we feared it might? What stopped it? Howard, what do you think really happened to Wells's brain? Did his body burn with the farm, or did they — claim it? And the other body that was found in Mulligan Wood — that lean, blackened horror with riddled head — how do you explain that?" (Two days after the fire a skeleton had been found in Mulligan Wood. A few fragments of burnt flesh still adhered to the bones, and the skullcap was missing.)

It was a long time before Howard spoke again. He sat with bowed head fingering his notebook, and his body trembled all over. At last he raised his eyes. They shone with a wild light and hi's lips were ashen.

"Yes," he said. "We will discuss the horror together. Last week I did not want to speak of it. It seemed too awful to put into words. But I shall never rest in peace until I have woven it into a story, until I have made my readers feel and see that dreadful, unspeakable thing. And I cannot write of it until I am convinced beyond the shadow of a doubt that I understand it myself. It may help me to talk about it.

"You have asked me what the damp thing was that fell on Wells's head. I believe that it was a human brain — the essence of a human brain drawn out through a hole, or holes, in a human head. I believe the brain was drawn out by imperceptible degrees, and reconstructed again by the horror. I believe that for some purpose of its own it used human brains — perhaps to learn from them. Or perhaps it merely played with them. The blackened, riddled body in Mulligan Wood? That was the body of the first victim, some poor fool who got lost between the tall trees. I rather suspect the trees helped. I think the horror endowed them with a strange life. Anyhow, the poor chap lost his brain. The horror took it, and played with it, and then accidentally dropped it. It dropped it on Wells's head. Wells said that the long, thin, and very white arm he saw was looking for something that it had dropped. Of course Wells didn't really see the arm objectively, but the horror that is without form or color had already entered his brain and clothed itself in human thought.

"As for the droning that we heard and the shape we thought we saw above the burning forest — that was the horror seeking to make itself felt, seeking to break down barriers, seeking to enter our brains and clothe itself with our thoughts. It almost got us. If we had seen the white arm, we should have been lost."

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