Frank Long - Mythos and Horror Stories

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This is the collection of Frank Belknap Long stories, with the complete short novel « One of the early works of pulp terror, «The Horror from the Hills» is the legendary first tale of the Cthulhu Mythos. It is drawn from the disturbing nightmares of Belknap Long's friend and colleague, H. P. Lovecraft, the master writer of supernatural fiction of the modern age. A blood-sucking demon from the fourth dimension is mistakenly exhibited in a Manhattan museum and feasts on the blood of its admirers. This influential tale of extraterrestrial terror, a bestseller in the 1930s and 1940s, has been out of print for more than three decades. In a relatively short narrative, Long takes us from the remotest origins of our common culture, to the center of civilized mid-twentieth-century, to the cutting edges of contemporary technology to bring us face to face with horrible bloodsucking malevolence. We are fortunate that Chaugnar Faugn is a creation of fiction, drawn from one dark mind into another's pen.

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It is not surprising that so splendid a garnering should have elated Algernon immoderately and impelled him to behave like a college junior at a fraternity-house jamboree. He addressed the attendants by their names, slapped them boisterously upon their shoulders whenever they had occasion to approach him, and went roaming haphazardly about the building immersed in ecstatic reveries. So far indeed did he descend from his pedestal that even the directors were disturbed, and it is doubtful if anything short of the arrival of Clark Ulman could have jolted him out of it.

Ulman may have been aware of this, for he telephoned first to break the news mercifully. He had apparently heard of the success of the other expeditions and hated infernally to intrude his skeleton at the banquet. Algernon, as we have seen, was humming, and the jingling of a phone-bell at his elbow was the first intimation he had of Ulman’s return. Hastily detaching the receiver he pressed it against his ear and injected a staccato “What is it?’ into the mouthpiece.

There ensued a silence. Then Ulman’s voice, disconcertingly shrill, forced him to hold the receiver a little further from his ear. “I’ve got the god, Algernon, and I’ll be over with it directly. I’ve three men helping me. It’s four feet high and as heavy as granite. Oh, it’s a strange, loathsome thing, Algernon. An unholy thing. I shall insist that you destroy it!"

“What’s that?” Algernon raised his voice incredulously.

“You may photograph it and study it, but you’ve got to destroy it. You’ll understand when you see what— what I have become! "

There came a hoarse sobbing, whilst Algernon struggled to comprehend what the other was driving at.

“It has wreaked its malice on me — on me…”

With a frown Algernon re-cradled the receiver and began agitatedly to pace the room. “The elephant-god of Tsang!" he muttered to himself. “The horror Richardson drew before — before they impaled him. It’s unbelievable. Ulman has crossed the desert plateau on foot — he’s crossed above the graves of Steelbrath, Talman, McWilliams, Henley and Holmes. Richardson swore the cave was guarded night and day by hideous yellow abnormalities. I’m sure that’s the phrase he used — abnormalities without faces — subhuman worshippers only vaguely manlike, in thrall to some malign wizardry. He averred they moved in circles about the idol on their hands and knees, and participated in a rite so foul that he dared not describe it.

"His escape was a sheer miracle. He had displayed extraordinary courage and endurance when they had tortured him, and it was merely because they couldn’t kill him that the priest was impressed. A man who can curse valiantly after three days of agonizing torture must of necessity be a great magician and wonder-worker. But it couldn’t have happened twice. Ulman could never have achieved such a break. He is too frail — a day on their cross would have finished him. They would never have released him and decked him out with flowers and worshipped him as a sort of subsidiary elephant-god. Richardson predicted that no other white man would ever get into the cave alive. And as for getting out…

“I can’t imagine how Ulman did it. If he encountered even a few of Richardson’s beast-men it isn’t surprising he broke down on the phone. ‘Destroy the statue!’ Imagine! Sheer insanity, that. Ulman is evidently in a highly nervous and excitable state and we shall have to handle him with gloves.”

There came a knock at the door.

“I don’t wish to be disturbed,” shouted Algernon irritably.

“We’ve got a package for you, sir. The doorman said for us to bring it up here.”

“Oh, all right. I’ll sign for it.”

The door swung wide and in walked three harshly- breathing, shabbily dressed men staggering beneath a heavy burden.

“Put it down there,” said Algernon, indicating a spot to the rear of his desk.

The men complied with a celerity that amazed him.

“Did Mr. Ulman send you?” he demanded curtly.

“Yes, sir.” The spokesman’s face had formed into a molding of relief. “The poor guy said he’d be here himself in half an hour.”

Algernon started. “What kind of talk is that?” he demanded. “He doesn’t happen to be a ‘guy’ but I’ll pretend you didn’t say it. Why the ‘poor’? That’s what I’m curious about.”

The spokesman shuffled his feet. “It’s on account of his face. There’s something wrong with it. He keeps it covered and won’t let nobody look at it.”

“Good God!” murmured Algernon. “They’ve mutilated him!”

“What’s that, sir? What did you say?”

Algernon collected himself with an effort. “Nothing. You may go now. The doorman will give you a dollar. I’ll phone down and tell him.”

Silently the men filed out. As soon as the door closed behind them Algernon strode into the center of the room and began feverishly to strip the wrappings from the thing on the floor. He worked with manifest misgivings, the distaste in his eyes deepening to disgust and horror as the massive idol came into view.

Words could not adequately convey the repulsiveness of the thing. It was endowed with a trunk and great, uneven ears, and two enormous tusks protruded from the corners of its mouth. But it was not an elephant. Indeed, its resemblance to an actual elephant was, at best, sporadic and superficial, despite certain unmistakable points of similarity. The ears were webbed and tentacled, the trunk terminated in a huge flaring disk at least a foot in diameter, and the tusks, which intertwined and interlocked at the base of the statute, were as translucent as rock crystal.

The pedestal upon which it squatted was of black onyx: the statue itself, with the exception of the tusks, had apparently been chiseled from a single block of stone, and was so hideously mottled and eroded and discolored that it looked, in spots, as though it had been dipped in sanies.

The thing sat bolt upright. Its forelimbs were bent stiffly at the elbow, and its hands — it had human hands — rested palms upward on its lap. Its shoulders were broad and square and its breasts and enormous stomach sloped outward, cushioning the trunk. It was as quiescent as a Buddha, as enigmatical as a sphinx, and as malignantly poised as a gorgon or cockatrice. Algernon could not identify the stone out of which it had been hewn, and its greenish sheen disturbed and puzzled him.

For a moment he stood staring uncomfortably into its little malign eyes. Then he shivered, and taking down a woolen scarf from the coatrack in the corner he cloaked securely the features which repelled him.

Ulman arrived unannounced. He advanced unobtrusively into the room and laid a tremulous hand on Algernon’s shoulder. “Well, Algernon, how are you?” he murmured. “I–I’m glad to get back. Just to see — an old friend — is a comfort. I thought — but, well it doesn’t matter. I was going to ask — to ask if you knew a good physician, but perhaps— I–I…

Startled, Algernon glanced backward over his shoulder and straight into the other’s eyes. He saw only the eyes, for the rest of Ulman’s face was muffled by a black silk scarf. “Clark!” he exclaimed. “By God, but you gave me a start!” Rising quickly, he sent his chair spinning against the wall and gripped his friend affectionately by the shoulders. “It’s good to see you again, Clark,” he said, with a warm cordiality in his voice. “It’s good — why, what’s the matter?” Ulman had fallen upon his knees and was choking and gasping for breath.

“I should have warned you not to touch me,” he moaned. “I can’t stand — being touched.”

“But why…”

“The wounds haven’t healed,” he sobbed, "It doesn’t want them to heal. Every night it comes and lays — the disk on them. I can’t stand being touched.”

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