Frank Long - Mythos and Horror Stories

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This is the collection of Frank Belknap Long stories, with the complete short novel « One of the early works of pulp terror, «The Horror from the Hills» is the legendary first tale of the Cthulhu Mythos. It is drawn from the disturbing nightmares of Belknap Long's friend and colleague, H. P. Lovecraft, the master writer of supernatural fiction of the modern age. A blood-sucking demon from the fourth dimension is mistakenly exhibited in a Manhattan museum and feasts on the blood of its admirers. This influential tale of extraterrestrial terror, a bestseller in the 1930s and 1940s, has been out of print for more than three decades. In a relatively short narrative, Long takes us from the remotest origins of our common culture, to the center of civilized mid-twentieth-century, to the cutting edges of contemporary technology to bring us face to face with horrible bloodsucking malevolence. We are fortunate that Chaugnar Faugn is a creation of fiction, drawn from one dark mind into another's pen.

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"Nonsense," I said. "The man never had a hole in his head before. Personally, I think he's been shot. Something ought to be done. He needs medical attention. I think I'll phone Dr. Smith."

"It is useless to interfere," said Howard. "That hole was not made by a bullet. I advise you to forget him until tomorrow. His insanity may be temporary, it may wear off; and then he'd blame us for interfering. If he's still emotionally disturbed tomorrow, if he comes here again and tries to make trouble, you can notify the proper authorities. Has he ever acted queerly before?"

"No," I said. "He was always quite sane. I think I'll take your advice and wait. But I wish I could explain the hole in his head."

"The story he told interests me more," said Howard. "I'm going to write it out before I forget it. Of course I shan't be able to make the horror as real as he did, but perhaps I can catch a bit of the strangeness and glamour."

He unscrewed his fountain pen and began to cover a sheet of paper with curious phrases.

I shivered and closed the door.

For several minutes there was no sound in the room save the scratching of his pen as it moved across the paper. For several minutes there was silence — and then the shrieks commenced. Or were they wails?

We heard them through the closed door, heard them above the moaning of the foghorns and the wash of the waves on Mulligan's Beach. We heard them above the million sounds of night that had horrified and depressed us as we sat and talked in that fog-enshrouded and lonely house. We heard them so clearly that for a moment we thought they came from just outside the house. It was not until they came again and again — long, piercing wails — that we discovered in them a quality of remoteness. Slowly we became aware that the wails came from far away, as far away, perhaps, as Mulligan Wood.

"A soul in torture," muttered Howard. "A poor, damned soul in the grip of the horror I've been telling you about — the horror I've known and felt for years."

He rose unsteadily to his feet. His eyes were shining and he was breathing heavily.

I seized his shoulders and shook him. "You shouldn't project yourself into your stories that way," I exclaimed. "Some poor chap is in distress. I don't know what's happened. Perhaps a ship foundered. I'm going to put on a slicker and find out what it's all about. I have an idea we may be needed."

"We may be needed," repeated Howard slowly. "We may be needed indeed. It will not be satisfied with a single victim. Think of that great journey through space, the thirst and dreadful hungers it must have known! It is preposterous to imagine that it will be content with a single victim!"

Then, suddenly, a change came over him. The light went out of his eyes and his voice lost its quiver. He shivered.

"Forgive me," he said. "I'm afraid you'll think I'm as mad as the yokel who was here a few minutes ago. But I can't help identifying myself with my characters when I write. I'd described something very evil, and those yells — well, they are exactly like the yells a man would make if — if…"

"I understand," I interrupted, "but we've no time to discuss that now. There's a poor chap out there" — I pointed vaguely toward the door—"with his back against the wall. He's fighting off something — I don't know what. We've got to help him."

"Of course, of course," he agreed, and followed me into the kitchen.

Without a word I took down a slicker and handed it to him. I also handed him an enormous rubber hat.

"Get into these as quickly as you can," I said. "The chap's desperately in need of us."

I had gotten my own slicker down from the rack and was forcing my arms through its sticky sleeves. In a moment we were both pushing our way through the fog.

The fog was like a living thing. Its long fingers reached up and slapped us relentlessly on the face. It curled about our bodies and ascended in great, grayish spirals from the tops of our heads. It retreated before us, and as suddenly closed in and enveloped us.

Dimly ahead of us we saw the lights of a few lonely farms. Behind us the sea drummed, and the foghorns sent out a continuous, mournful ululation. The collar of Howard's slicker was turned up over his ears, and from his long nose moisture dripped. There was grim decision in his eyes, and his jaw was set.

For many minutes we plodded on in silence, and it was not until we approached Mulligan Wood that he spoke.

"If necessary," he said, "we shall enter the wood."

I nodded. "There is no reason why we should not enter the wood," I said. "It isn't a large wood."

"One could get out quickly?"

"One could get out very quickly indeed. My God, did you hear that?"

The shrieks had grown horribly loud.

"He is suffering," said Howard. "He is suffering terribly. Do you suppose — do you suppose it's your crazy friend?"

He had voiced a question which I had been asking myself for some time.

"It's conceivable," I said. "But we'll have to interfere if he's as mad as that. I wish I'd brought some of the neighbors with me."

"Why in heaven's name didn't you?" Howard shouted. "It may take a dozen men to handle him." He was staring at the tall trees that towered before us, and I didn't think he really gave Henry Wells so much as a thought.

"That's Mulligan Wood," I said. I swallowed to keep my heart from rising to the top of my mouth. "It isn't a big wood," I added idiotically.

"Oh, my God!" Out of the fog there came the sound of a voice in the last extremity of pain. "They're eating up my brain. Oh, my God!"

I was at that moment in deadly fear that I might become as mad as the man in the woods. I clutched Howard's arm.

"Let's go back," I shouted. "Let's go back at once. We were fools to come. There is nothing here but madness and suffering and perhaps death."

"That may be," said Howard, "but we're going on."

His face was ashen beneath his dripping hat, and his eyes were thin blue slits.

"Very well," I said grimly. "We'll go on."

Slowly we moved among the trees. They towered above us, and the thick fog so distorted them and merged them together that they seemed to move forward with us. From their twisted branches the fog hung in ribbons. Ribbons, did I say? Rather were they snakes of fog— writhing snakes with venomous tongues and leering eyes. Through swirling clouds of fog we saw the scaly, gnarled boles of the trees, and every bole resembled the twisted body of an evil old man. Only the small oblong of light cast by my electric torch protected us against their malevolence.

Through great banks of fog we moved, and every moment the screams grew louder. Soon we were catching fragments of sentences, hysterical shoutings that merged into prolonged wails. "Colder and colder and colder… they are eating up my brain. Colder! Ah-h-h!"

Howard gripped my arm. "We'll find him," he said. "We can't turn back now."

When we found him he was lying on his side. His hands were clasped about his head, and his body was bent double, the knees drawn up so tightly that they almost touched his chest. He was silent. We bent and shook him, but he made no sound.

"Is he dead?" I choked out. I wanted desperately to turn and run. The trees were very close to us.

"I don't know," said Howard. "I don't know. I hope that he is dead."

I saw him kneel and slide his hand under the poor devil's shirt. For a moment his face was a mask. Then he got up quickly and shook his head.

"He is alive," he said. "We must get him into some dry clothes as quickly as possible."

I helped him. Together we lifted the bent figure from the ground and carried it forward between the trees. Twice we stumbled and nearly fell, and the creepers tore at our clothes. The creepers were little malicious hands grasping and tearing under the malevolent guidance of the great trees. Without a star to guide us, without a light except the little pocket lamp which was growing dim, we fought our way out of Mulligan Wood.

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