John Adams - Wastelands - Stories of the Apocalipse

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Wastelands: Stories of the Apocalipse: краткое содержание, описание и аннотация

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Famine, Death, War, and Pestilence: The Four Horsemen of the Apocalypse, the harbingers of Armageddon — these are our guides through the Wastelands…
From the
to
; from
to
, storytellers have long imagined the end of the world, weaving eschatological tales of catastrophe, chaos, and calamity. In doing so, these visionary authors have addressed one of the most challenging and enduring themes of imaginative fiction: the nature of life in the aftermath of total societal collapse.
Gathering together the best post-apocalyptic literature of the last two decades from many of today’s most renowned authors of speculative fiction — including George R.R. Martin, Gene Wolfe, Orson Scott Card, Carol Emshwiller, Jonathan Lethem, Octavia E. Butler, and Stephen King —
explores the scientific, psychological, and philosophical questions of what it means to remain human in the wake of Armageddon. Whether the end of the world comes through nuclear war, ecological disaster, or cosmological cataclysm, these are tales of survivors, in some cases struggling to rebuild the society that was, in others, merely surviving, scrounging for food in depopulated ruins and defending themselves against monsters, mutants, and marauders.
Complete with introductions and an indispensable appendix of recommendations for further reading,
delves into this bleak landscape, uncovering the raw human emotion and heart-pounding thrills at the genre’s core.
John Joseph Adams is the assistant editor of The Magazine of Fantasy & Science Fiction and a freelance writer. His website is
.
Wastelands: Stories of the Apocalypse

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The leather was hot on her fingers when she pulled her gloves off and dropped her pants. "Damned, stupid … First thing I do when I get back to civilization is buy a set of leathers and a helmet in white, dammit." She glanced at the Kawasaki as she fixed herself, expecting a hiss of agreement, but the black bike was silent. She blinked stinging eyes and turned away.

There was a garden hose curled on its peg behind one of the tan-faced houses huddled by the Texaco station, the upper side bleached yellow on green like the belly of a dead snake. Harrie wrenched it off the peg one-handed. The rubber was brittle from dry rot; she broke it twice trying to uncoil a section, but managed to get about seven feet clean. She pried the fill cap off the underground tank with a tire iron and yanked off her helmet and air filter to sniff, checking both dosimeters first.

It had, after all, been one of those days.

The gas smelled more or less like gasoline, though, and it tasted like fucking gasoline too, when she got a good mouthful of it from sucking it up her impromptu siphon. Not very good gasoline, maybe, but beggars and choosers. The siphon wouldn’t work as a siphon because she couldn’t get the top end lower than the bottom end, but she could suck fuel up into it and transfer it, hoseful by hoseful, into the Kawasaki’s empty tank, the precious case leaning against her boot while she did.

Finally, she saw the dark gleam of fluid shimmer through the fill hole when she peered inside and tapped the side of the tank.

She closed the tank and spat and spat, wishing she had water to wash the gasoline away. The lake glinted, mocking her, and she resolutely turned her back on it and picked up the case.

It was light in her hand. She paused with one hand on the flap of the saddlebag, weighing that gleaming silver object, staring past it at her boots. She sucked on her lower lip, tasted gas, and turned her head and spat again. "A few more years of freedom, Connie," she said, and stroked the metal with a black-gloved hand. "You and me. I could drink the water. It wouldn’t matter if that was bad gas I fed you. Nothing could go wrong…"

The Kawasaki was silent. Its keys jangled in Harrie’s hip pocket. She touched the throttle lightly, drew her hand back, laid the unopened case on the seat. "What do you say, girl?"

Nothing, of course. It was quiescent, slumbering, a dreaming demon. She hadn’t turned it on.

With both thumbs at once, Harrie flicked up the latches and opened the case.

It was cool inside, cool enough that she could feel the difference on her face when she bent over it. She kept the lid at half-mast, trying to block that cool air with her body so it wouldn’t drift away. She tipped her head to see inside: blue foam threaded through with cooling elements, shaped to hold the contents without rattling. Papers in a plastic folder, and something in sealed culture plates, clear jelly daubed with ragged polka dots.

There was a sticky note tacked on the plastic folder. She reached into the cool case and flicked the sticky note out, bringing it into the light. Patch’s handwriting. She blinked.

"Sacramento next, if these don’t get there," it said, thick black definite lines. "Like Faustus, we all get one good chance to change our minds."

If you meet the Buddha on the road—

"I always thought there was more to that son of a bitch than met the eye," she said, and closed the case, and stuffed the note into her pocket beside the pen. She jammed her helmet back on, double-checking the filter that had maybe started leaking a little around the edges in Tonopah, slung her leg over the Kawasaki’s saddle, and closed the choke.

It gasped dry when she clutched and thumbed the start button, shaking between her legs like an asthmatic pony. She gave it a little throttle, then eased up on it like easing up on a virgin lover. Coaxing, pleading under her breath. Gasoline fumes from her mouth made her eyes tear inside the helmet; the tears or something else washed the grit away. One cylinder hiccuped. A second one caught.

She eased the choke as the Kawasaki coughed and purred, shivering, ready to run.

#

Both dosimeters kicked hard as she rolled across the flat, open plain toward Fallon, a deadly oasis in its own right. Apparently Nick hadn’t been satisfied with a leukemia cluster and perchlorate and arsenic tainting the ground water; the trees Harrie saw as she rolled up on the startling green of the farming town weren’t desert cottonwoods but towering giants of the European forest, and something grey and massive, shimmering with lovely crawling blue Cherenkov radiation, gleamed behind them. The signs she passed were in an alphabet she didn’t understand, but she knew the name of this place.

A light rain was falling as she passed through Chernobyl.

It drove down harder as she turned west on the 50, toward Reno and Sparks and a crack under the edge of the clouds that glowed a toxic, sallow color with evening coming on. Her tires skittered on slick, greasy asphalt.

Where the cities should have been, stinking piles of garbage crouched against the yellowing evening sky, and nearly naked, starvation-slender people picked their way over slumped rubbish, calling the names of loved ones buried under the avalanche. Water sluiced down her helmet, soaked her saddle, plastered her leathers to her body. She wished she dared drink the rain. It didn’t make her cool. It only made her wet.

She didn’t turn her head to watch the wretched victims of the garbage slide. She was one hour out of Sacramento, and in Manila of fifty years ago.

Donner Pass was green and pleasant, sunset staining the sky ahead as red as meat. She was in plenty of time. It was all downhill from here.

Nick wasn’t about to let her get away without a fight.

#

The big one had rerouted the Sacramento River too, and Harrie turned back at the edge because the bridge was down and the water was on fire. She motored away, a hundred meters, two hundred, until the heat of the burning river faded against her back. "What’s that?" she asked the slim man in the pinstriped suit who waited for her by the roadside.

"Cuyahoga river fire," he said. "1969. Count your blessings. It could have been Bhopal."

"Blessings?" She spared him a sardonic smile, invisible behind her helmet. He tilted the brim of his hat with a grey-gloved finger. "I suppose you could say that. What is it really?"

"Phlegethon."

She raised her visor and peeked over her shoulder, watching the river burn. Even here, it was hot enough that her sodden leathers steamed against her back. The back of her hand pressed her breast pocket. The paper from Patch’s note crinkled; her Cross poked her in the tit.

She looked at Nick, and Nick looked at her. "So that’s it."

"That’s all she wrote. It’s too far to jump."

"I can see that."

"Give me the case and I’ll let you go home. I’ll give you the Kawasaki and I’ll give you your freedom. We’ll call it even."

She eyed him, tension up her right leg, toe resting on the ground. The great purring bike shifted heavily between her legs, lithe as a cat, ready to turn and spit gravel from whirring tires. "Too far to jump."

"That’s what I said."

Too far to jump. Maybe. And maybe if she gave him what was in the case, and doomed Sacramento like Bhopal, like Chernobyl, like Las Vegas … Maybe she’d be damning herself even if he gave it back to her. And even if she wasn’t, she wasn’t sure she and the Kawasaki could live with that answer.

If he wanted to keep her, he had to let her make the jump, and she could save Sacramento. If he was willing to lose her, she might die on the way over, and Sacramento might die with her, but they would die free.

Either way, Nick lost. And that was good enough for her.

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