John Adams - Wastelands - Stories of the Apocalipse

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Wastelands: Stories of the Apocalipse: краткое содержание, описание и аннотация

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Famine, Death, War, and Pestilence: The Four Horsemen of the Apocalypse, the harbingers of Armageddon — these are our guides through the Wastelands…
From the
to
; from
to
, storytellers have long imagined the end of the world, weaving eschatological tales of catastrophe, chaos, and calamity. In doing so, these visionary authors have addressed one of the most challenging and enduring themes of imaginative fiction: the nature of life in the aftermath of total societal collapse.
Gathering together the best post-apocalyptic literature of the last two decades from many of today’s most renowned authors of speculative fiction — including George R.R. Martin, Gene Wolfe, Orson Scott Card, Carol Emshwiller, Jonathan Lethem, Octavia E. Butler, and Stephen King —
explores the scientific, psychological, and philosophical questions of what it means to remain human in the wake of Armageddon. Whether the end of the world comes through nuclear war, ecological disaster, or cosmological cataclysm, these are tales of survivors, in some cases struggling to rebuild the society that was, in others, merely surviving, scrounging for food in depopulated ruins and defending themselves against monsters, mutants, and marauders.
Complete with introductions and an indispensable appendix of recommendations for further reading,
delves into this bleak landscape, uncovering the raw human emotion and heart-pounding thrills at the genre’s core.
John Joseph Adams is the assistant editor of The Magazine of Fantasy & Science Fiction and a freelance writer. His website is
.
Wastelands: Stories of the Apocalypse

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"Second time saying no." She fixed her eyes on the road. She could see the way the asphalt buckled, now, and the dim glow from the bottom of the sinkhole underneath the church. "You really are used to people doing your bidding, aren’t you, Nick?"

"They don’t usually put up much of a fight." He twisted the throttle while the clutch was engaged, coaxing a whining, competitive cough from his Honda.

Harrie caught his shrug sideways but kept her gaze trained grimly forward. Was that the earth shivering, or was it just the shimmer of heat-haze over the road? The Kawasaki whined. She petted the clutch to reassure herself.

The groaning rumble that answered her wasn’t the Kawasaki. She tightened her knees on the seat as the ground pitched and bucked under her tires, hand clutching the throttle to goose the Connie forward. Broken asphalt sprayed from her rear tire. The road split and shattered, vanishing behind her. She hauled the bike upright by raw strength and nerved herself to check her mirrors; lazy steam rose from a gaping hole in the road.

Nick cruised along, unperturbed. "You sure, Princess?"

"What was that you said about Hell, Nick?" She hunkered down and grinned at him over her shoulder, knowing he couldn’t see more than her eyes crinkle through the helmet. It was enough to draw an irritated glare.

He sat back on his haunches and tipped his toes up on the footpegs, throwing both hands up, releasing throttle and clutch, letting the Honda coast away behind her. "I said, welcome to it."

The Kawasaki snarled and whimpered by turns, heavy and agile between her legs as she gave it all the gas she dared. She’d been counting on the refuel stop here, but compact southwestern Tonopah had been replaced by a shattered sprawl of buildings, most of them obviously either bulldozed or vanished into pits that glared like a wolf’s eye reflecting a flash, and a gas station wasn’t one of the remaining options. The streets were broad, at least, and deserted, not so much winding as curving gently through shallow swales and over hillocks. Broad, but not intact; the asphalt rippled as if heaved by moles and some of the rises and dips hid fissures and sinkholes. Her tires scorched; she coughed into her filter, her mike amplifying it to a hyena’s bark. The Cross pen in her pocket pressed her breast over her heart. She took comfort in it, ducking behind the fairing to dodge the stinking wind and the clawing skeletons of ungroomed trees. She’d signed on the line, after all. And either Nick had to see her and the Kawasaki safe or she got back what she’d paid.

As if Nick abided by contracts.

As if he couldn’t just kill her and get what he wanted that way. Except he couldn’t keep her, if he did.

"Damn," she murmured, to hear the echoes, and hunched over the Kawasaki’s tank. The wind tore at her leathers. The heavy bike caught air coming over the last rise. She had to pee like she couldn’t believe, and the vibration of the engine wasn’t helping, but she laughed out loud to set the city behind.

She got out easier than she thought she would, although her gauge read empty at the bottom of the hill. She switched to reserve and swore. Dead trees and smoking stumps rippled into nonexistence around her, and the lone and level sands stretched to ragged mountains east and west. Back in Nevada, if she’d ever left it, hard westbound now, straight into the glare of the afternoon sun. Her polarized faceplate helped somewhat, maybe not enough, but the road was smooth again before and behind and she could see Tonopah sitting dusty and forsaken in her rearview mirror, inaccessible as a mirage, a city at the bottom of a well.

Maybe Nick could only touch her in the towns. Maybe he needed a little of man’s hand on the wilderness to twist to his own ends, or maybe it amused him. Maybe it was where the roads crossed, after all. She didn’t think she could make it back to Tonopah if she tried, however, so she pretended she didn’t see the city behind her and cruised west, toward Hawthorne, praying she had enough gas to make it but not expecting her prayers to be answered by anybody she particularly wanted to talk to.

#

The 95 turned northwest again at the deserted Coaldale junction; there hadn’t been a town there since long before the War, or even the disaster at Vegas. Mina was gone too, its outskirts marked by a peeling sign advertising an abandoned crawfish farm, the Desert Lobster Facility.

Harrie’s camel bag went dry. She sucked at the straw forlornly one last time and spat it out, letting it sag against her jaw, damp and tacky. She hunkered down and laid a long line of smoking road behind, cornering gently when she had to corner, worried about her scorched and bruised tires. At least the day was cooling as evening encroached, as she progressed north and gained elevation. It might be down into the double digits, even, although it was hard to tell through the leather. On her left, the Sarcophagus Mountains rose between her and California.

The name didn’t amuse her as much as it usually did.

And then they were climbing. She breathed a low sigh of relief and patted the hungry, grumbling Kawasaki on the fuel tank as the blistering blue of Walker Lake came into view, the dusty little town of Hawthorne huddled like a crab on the near shore. There was nothing moving there either, and Harrie chewed her lip behind the filter. Dust had gotten into her helmet somehow, gritting every time she blinked; weeping streaks marked her cheeks behind the visor. She hoped the dust wasn’t the kind that was likely to make her glow, but her dosimeters had settled down to chickenlike clucking, so she might be okay.

The Kawasaki whimpered apologetically and died as she coasted into town.

"Christ," she said, and flinched at the echo of her own amplified voice. She reached to thumb the mike off, and, on second thought, left it alone. It was too damned quiet out here without the Kawasaki’s commentary. She tongued her music back on, flipping selections until she settled on a tune by Grey Line Out.

She dropped her right foot and kicked the stand down on the left, then stood on the peg and slung her leg over the saddle. She ached with vibration, her hands stiff claws from clutching the handlebars. The stretch of muscle across her ass and thighs was like the reminder of a two-day-old beating but she leaned into the bike, boot sole slipping on grit as she heaved it into motion. She hopped on one foot to kick the stand up, wincing.

It wasn’t the riding. It was the standing up, afterward.

She walked the Kawasaki up the deserted highway, between the deserted buildings, the pavement hot enough to sear her feet through the boot leather if she stood still for too long. "Good girl," she told the Kawasaki, stroking the forward brake handle. It leaned against her heavily, cumbersome at a walking pace, like walking a drunk friend home. "Gotta be a gas station somewhere."

Of course, there wouldn’t be any power to run the pumps, and probably no safe water, but she’d figure that out when she got there. Sunlight glimmered off the lake; she was fine, she told herself, because she wasn’t too dehydrated for her mouth to wet at the thought of all that cool, fresh water.

Except there was no telling what kind of poison was in that lake. There was an old naval base on its shore, and the lake itself had been used as a kind of kiddie pool for submarines. Anything at all could be floating around in its waters. Not, she admitted, that there wasn’t a certain irony to taking the long view at a time like this.

She spotted a Texaco station, the red and white sign bleached pink and ivory, crazed by the relentless desert sun. Harrie couldn’t remember if she was in the Mojave or the Black Rock desert now, or some other desert entirely. They all ran together. She jumped at her own slightly hysterical giggle. The pumps were off, as she’d anticipated, but she leaned the Kawasaki up on its sidestand anyway, grabbed the climate-controlled case out of her saddlebag, and went to find a place to take a leak.

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