Emmy Laybourne - Monument 14

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Your mother hollers that you’re going to miss the bus. She can see it coming down the street. You don’t stop and hug her and tell her you love her. You don’t thank her for being a good, kind, patient mother. Of course not—you launch yourself down the stairs and make a run for the corner.
Only, if it’s the last time you’ll ever see your mother, you sort of start to wish you’d stopped and did those things. Maybe even missed the bus.
But the bus was barreling down our street, so I ran.
“…Laybourne’s debut ably turns what could have been yet another postapocalyptic YA novel into a tense, claustrophobic, and fast-paced thriller.”

, starred “…intriguing beyond the survival elements…”

“…readers will eagerly await the second volume.”
— Fourteen kids. One superstore. A million things that go wrong.
In Emmy Laybourne’s action-packed debut novel, six high school kids (some popular, some not), two eighth graders (one a tech genius), and six little kids trapped together in a chain superstore build a refuge for themselves inside. While outside, a series of escalating disasters, beginning with a monster hailstorm and ending with a chemical weapons spill, seems to be tearing the world—as they know it—apart. Review

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“I know,” he said.

“You were a great leader,” she told him.

I hated hearing this conversation. Everything had this terribly final feel to it.

“Good luck,” he said.

“You, too.”

And Astrid went to wait for the air horn.

* * *

The bus was running now.

Josie and Sahalia were standing by with their air masks on.

All we had to do was take down the last panels and then blow the horn for Astrid to retract the center gate.

“Wait!” I said.

I had an idea. I turned from Niko and I ran.

“Dean! We have to go!!!” Niko shouted.

I hurdled through the store.

Searching for what I needed.

I was breathless when I got back.

I saw Josie and Sahalia were on the bus. I had forfeited my chance to say good-bye to them. It didn’t matter.

I took the stairs to the bus in two steps.

There he was. Front row.

“Alex,” I said. “Take this.”

I held out a blank journal, just like mine, and a box of pens.

“You take this and you write down everything that happens. You write it all and you write it to me . Tell it to me.”

He was sobbing and he reached his many-layered arms to me and we hugged.

“That way I’ll know what happens to you,” I said.

“I will,” he said. “I promise.”

* * *

Niko and I unscrewed the last of the screws.

Luna was tied to a four-top in the kitchen. Chloe lay on the air mattress.

All the children were seat-belted into their seats.

I stood at one corner of the final section and Niko at the other.

We pulled and the four remaining plywood sheets came crashing down. I dragged two out of the way. Niko dragged the other two.

Josie stood on the steps of the bus. She has been waiting for the wood to come down. That was her cue.

BWRAAAM! She hit the air horn and tossed it aside.

But under the wood, we had covered the gate in thick woolen blankets and layers of plastic. I had forgotten that.

I reached up, wondering if we should pull down the blankets.

But then the gate started up with a loud mechanical drone. Too late.

The gate went up, chucking and whining with the added padding of the blankets and plastic, but still retracting.

And there was the dark parking lot. The broken asphalt. The ruined cars. The dots of light, far in the distance, that were the emergency lights on the highway.

There was the world.

We had blocked it out for so long.

The engine of the bus roared as Niko put it into reverse and backed out into the lot.

It worked! It rolled! The bus could drive.

Niko honked the horn.

I knew inside they were shouting good-bye, probably crying, but I couldn’t hear them…

They were leaving now. Without us.

I hit the air horn: BWRAAAM!

The bus drove forward into the lot.

But then it stopped. The doors opened.

What was happening?!

Two bundled-up children got off the bus and started running clumsily back to me.

My heart was in my gut. My stomach was in my throat. My nerves were jangling and I rushed forward, outside, my arms out to them, whoever they were.

* * *

Then, behind me, the gate started to lower.

* * *

I ran to them and slid on the slimy, sticky pavement. I darted past the cracked sections, trying not to fall.

I picked the two children up and ran for the store. The gate was coming down, shutting out the light of the Greenway. It was slicing down, cutting off the view of the Kitchen, the cash registers, the empty carts waiting in their corral.

* * *

I threw the children onto the ground, pushing first one and then the other under the gate.

I squeezed under it. My coat—my stupid layers—made it harder. The gate was crushing my chest. The two kids pulling at me, trying to get me in.

I pushed up and to the side, and somehow, I got in.

It had my sneaker but I pulled my foot out of it. The sneaker got left outside, but my foot made it in.

* * *

We were inside. Back to our blessed home. Our bright commercial sanctuary from the dark, grisly, true world. Our Greenway.

* * *

The two children took off their balaclavas and removed their masks. They were Caroline and Henry.

“We want to stay with you,” Caroline said.

“You’ll keep us safe,” Henry added.

“Can we stay?” Caroline asked. She looked up at me, her face streaked with grime and tears.

“Of course,” I said. “Of course you can stay.”

* * *

Astrid came out from the storeroom.

“Oh!” she cried when she saw them.

They ran to her.

She sank to her knees and covered their faces with kisses. Just took their little, grimy, stained faces in her hands and kissed them all over.

Then she hugged them.

And Astrid had them in her arms, she looked up at me, welcoming me with her eyes and I joined them.

Alex was gone.

And Niko and Josie and Brayden and the rest.

Jake was gone, too.

But we had Caroline and Henry and Chloe.

And we had each other.

We were five.

ACKNOWLEDGMENTS

Heartfelt thanks go to my agent, Susanna Einstein, who supported Monument 14 from the moment I told her the first glimmer of the idea, to this very draft you’ve just read. Jean Feiwel, my editor and publisher, thank you for your vision and dedication to making M14 the best book it could be. I feel tremendously fortunate to work with you. Holly West, thanks for loving the book so much and taking such great care of it.

Big thanks to Gregory Casimir and Vinny at Target for all their insider know-how. And thanks to the Boy Scouts from Upstate New York that I met at that Chuckwagon Dinner in Colorado Springs. Your openness, intelligence, and honesty made me decide to make Niko a Boy Scout. I hope he does you proud.

I would also like to acknowledge Jane and Bob Stine, who gave me the opportunity to write my first book way back when. Bill Gifford, Terry Culleton, Richard Walter, and Howard Suber are all educators who made a big difference to me and I want them to know it.

Marina Dominguez, I wouldn’t have found my way back to a creative life if I hadn’t had you to help with the kids.

Thank you to my early readers: Amy Baily, Cate Baily, Andrew Bair, Kristin Bair, Wendy Shanker, and Kevin Maher; and my always readers: Kit and Gerry Laybourne (my very own parents).

Thanks to Patricia Hasegawa and the Parent Your Dream group. To the Warriors. To the Heartless Floozies. To my e-mail vibe group. (It turns out, I run on groups.) How lucky I am to have you all!

And Greg, thank you for being my advocate and my hero.

About the Author

Emmy Laybourne is a screenwriter, lyricist, and actress. She has acted in movies, television, and improv groups including Chicago City Limits. She lives in Chestnut Ridge, New York, with her husband and their two children. Monument 14 marks her fiction debut. Visit her online at www.emmylaybourne.com.

Copyright

A FEIWEL AND FRIENDS BOOK

An Imprint of Macmillan

MONUMENT 14. Copyright © 2012 by Emmy Laybourne. All rights reserved.

For information, address Feiwel and Friends, 175 Fifth Avenue, New York, N.Y. 10010.

Library of Congress Cataloging-in-Publication Data Available

ISBN: 978-0-312-56903-7

Feiwel and Friends logo designed by Filomena Tuosto

First Edition: 2012

eISBN 9781429955249

macteenbooks.com

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