William Gibson - Count Zero

The episode seemed to be reaching some sort of climax — an antique BMW fuel-cell conversion had just been strafed by servo-piloted miniature West German helicopters on the street below Covina Concourse Courts, Michele Morgan Magnum was pistol-whipping her treacherous personal secretary with a nickel-plated Nambu, and Suslov, who Bobby was coming increasingly to identify with, was casually preparing to get his ass out of town with a gorgeous female bodyguard who was Japanese but reminded Bobby intensely of another one of the dreamgirls on his holoporn unit — when someone screamed.

Bobby had never heard anyone scream that way, and there was something horribly familiar about the voice. But before he could start to worry about it, those blood-red honeycombs came swirling in again and made him miss the end of People of Importance . Still, some part of him thought, as red went to black, he could always ask Marsha how it came out.

“Open your eyes, man. That’s it. Light too bright for you?”

It was, but it didn’t change White, white, he remembered his head exploding years away, pure white grenade in that cool-wind desert dark. His eyes were open, but he couldn’t see. Just white.

“Now, I’d leave you down, ordinarily, boy in your condition, but the people paying me for this say get a jump on, so I’m wakin’ you up before I’m done. You wonderin’ why you can’t see shit, right? Just light, that’s all you can see, that’s right. What we got here is a neural cutout. Now, between you and me, this thing come out of a sex shop, but there’s no reason not to use it in medicine if we want to. And we do want to, because you’re still hurtin’ bad, and anyway, it keeps you still while I get on with it.” The voice was calm and methodical. “Now, your big problem, that was your back, but I took care of that with a stapler and a few feet of claw You don’t get any plastic work here, you understand, but the honeys’ll think those scars are real Interesting. What I’m doin’ now is I’m cleanin’ this one on your chest, then I’ll zip a little claw down that and we’re all done, except you better move easy for a couple of days or you’ll pull a staple. I got a couple of derms on you, and I’ll stick on a few more. Meantime, I’m going to click your sensorium up to audio and full visual so you can get into being here. Don’t mind the blood; it’s all yours but there isn’t any more comin’.”

White curdled to gray cloud, objects taking form with the slow deliberation of a dust vision. He was flat against a padded ceiling, staring straight down at a blood-stained white doll that had no head at all, only a greenish blue surgical lamp that seemed to sprout from its shoulders. A black man in a stained green smock was spraying something yellow into a shallow gash that ran diagonally from just above the doll’s pelvic bone to just below its left nipple. He knew the man was black because his head was bare, bare and shaven, slick with sweat: his hands were covered in tight green gloves and all that Bobby could see of him was the gleaming crown of his head. There were pink and blue dermadisks stuck to the skin on either side of the doll’s neck. The edges of the wound seemed to have been painted with something that looked like chocolate syrup, and the yellow spray made a hissing sound as it escaped from its little silver tube.

Then Bobby got the picture, and the universe reversed itself sickeningly. The lamp was suspended from the ceiling, the ceiling was mirrored, and he was the doll. He seemed to snap back on a long elastic cord, back through the red honey-combs, to the dream room where the black girl sliced pizza for her children. The waterknife made no sound at all, microscopic grit suspended in a needle-stream of high-speed water. The thing was intended to cut glass and alloy, Bobby knew, not to slice microwaved pizza, and he wanted to scream at her because he was terrified she’d take off her thumb without even feeling it.

But he couldn’t scream, couldn’t move or make a sound at all. She lovingly sliced the last piece, toed the kickplate that shut the knife down, transferred the sliced pizza to a plain white ceramic platter, then turned toward the rectangle of blue beyond the balcony, where her children were — no, Bobby said, way down in himself, no way. Because the things that wheeled and plunged for her weren’t hang-gliding kids, but babies, the monstrous babies of Marsha’s dream, and the tattered wings a confusion of pink bone, metal, patched taut membranes of scrap plastic… He saw their teeth…

“Whoa,” said the black man, “lost you for a second. Not for long, you understand, just maybe a New York minute…” His hand, in the mirrors overhead, took a flat spool of blue transparent plastic from the bloody cloth beside Bobby’s ribs. Delicately, with thumb and forefinger, he drew out a length of some sort of brown, beaded plastic. Minute points of light flashed along its edges and seemed to quiver and shift. “Claw,” he said, and with his other hand thumbed some sort of integral cutter in the sealed blue spool. Now the length of beaded stuff swung free and began to writhe. “Good shit,” he said, bringing the thing into Bobby’s line of sight. “New. What they use in Chiba now.” It was brown, headless, each bead a body segment, each segment edged with pale shining legs. Then, with a conjurer’s flick of his green-gloved wrists, he lay the centipede down the length of the open wound and pinched delicately at the final segment, the one nearest Bobby’s face. As the segment came away. it withdrew a glittering black thread that had served the thing as a nervous system, and as that went, each set of claws locked shut in turn, zipping the slash tight as a new leather jacket.

“Now, you see,” said the black man, mopping the last of the brown syrup away with a wet white pad, “that wasn’t so bad, was it?”

His entrance to Two-a-Day’s apartment wasn’t anything like the way he’d so often imagined it. To begin with, he’d never imagined being wheeled in in a wheelchair that some-one had appropriated from St. Mary’s Maternity — the name and a serial number neatly laser-etched on the dull chrome of the left armrest. The woman who was wheeling him would have fitted neatly enough into one of his fantasies; her name was Jackie, one of the two Project girls he’d seen at Leon’s, and, he’d come to understand, one of his two angels. The wheelchair was silent as it glided across the scabrous gray wall-to-wall of the apartment’s narrow entranceway, but the gold bangles on Jackie’s fedora tinkled cheerfully as she pushed him along.

And he’d never imagined that Two-a-Day’s place would be quite this large, or that it would be full of trees.

Pye, the doctor, who’d been careful to explain that he wasn’t a doctor, just someone who “helped out sometimes,” had settled back on a torn barstool in his makeshift surgery, peeled off his bloody green gloves, lit a menthol cigarette, and solemnly advised Bobby to take it real easy for the next week or so. Minutes later, Jackie and Rhea, the other angel, had wrestled him into a pair of wrinkled black pajamas that looked like something out of a very cheap ninja kino, deposited him in the wheelchair, and set out for the central stem of elevators at the arcology’s core. Thanks to an additional three derms from Pye’s store of drugs, one of them charged with a good two thousand mikes of endorphin analog, Bobby was alert and feeling no pain.

“Where’s my stuff,” he protested, as they rolled him out into a corridor grown perilously narrow with decades of retrofitted ducts and plumbing. “Where’s my clothes and my deck and everything?”

“Your clothes, hon, such as they were, are taped up in a plastic bag waiting for Pye to shitcan ’em. Pye had to cut ’em off you on the slab, and they weren’t but bloody rags to begin with. If your deck was in your jacket, down the back, I’d say the boys who chopped you out got it. Damn near got you in the process. And you ruined my Sally Stanley shirt, you little shithead.” Angel Rhea didn’t seem too friendly.