William Gibson - Count Zero

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Count Zero: краткое содержание, описание и аннотация

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Turner, corporate mercenary, wakes in a reconstructed body, a beautiful woman by his side. Then Hosaka Corporation reactivates him for a mission more dangerous than the one he’s recovering from: Maas-Neotek’s chief of R&D is defecting. Turner is the one assigned to get him out intact, along with the biochip he’s perfected. But this proves to be of supreme interest to certain
parties — some of whom aren’t remotely human.
Bobby Newmark is entirely human: a rustbelt data-hustler totally unprepared for what comes his way when the defection triggers war in cyberspace. With voodoo on the Net and a price on his head, Newmark thinks he’s only trying to get out alive. A stylish, streetsmart, frighteningly probable parable of the future and sequel to
.
Niminated for Locus and BSFA Awards in 1986.
Nominated for Hugo and Nebula awards in 1987.

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“Is that a question?”

“I was security for IBM Marrakech when you blew the hotel.”

Turner met the man’s eyes. They were blue, calm, very bright. “Is that a problem for you?”

“No fear,” Sutcliffe said. “Just to say I’ve seen you work.” He snapped the prostho back in place. “Lynch” — nodding toward the other man — “and Webber” — toward the woman.

“Run it down to me,” Turner said, and lowered himself into the scrap of shade. He squatted on his haunches, still holding the gun.

“We came in three days ago,” Webber said, “on two bikes. We arranged for one of them to snap its crankshaft, in case we had to make an excuse for camping here. There’s a sparse transient population, gypsy bikers and cultists. Lynch walked an optics spool six kilos east and tapped into a phone…”

“Private?”

“Pay,” Lynch said.

“We sent out a test squirt,” the woman continued. “If it hadn’t worked, you’d know it.”

Turner nodded. “Incoming traffic?”

“Nothing. It’s strictly for the big show, whatever that is.” She raised her eyebrows.

“It’s a defection.”

“Bit obvious, that,” Sutcliffe said, settling himself beside Webber, his back to the wall. “Though the general tone of the operation so far suggests that we hirelings aren’t likely to even know who we’re extracting. True, Mr. Turner? Or will we be able to read about it in the fax?”

Turner ignored him. “Go on. Webber.”

“After our landline was in place, the rest of the crew filtered in, one or two at a time. The last one in primed us for the tankful of Japs.”

“That was raw,” Sutcliffe said, “bit too far up front.”

“You think it might have blown us?” Turner asked.

Sutcliffe shrugged. “Could be, could be no. We hopped it pretty quick. Damned lucky we’d the roof to tuck it under.”

“What about the passengers?”

“They only come out at night,” Webber said. “And they know we’ll kill them if they try to get more than five meters away from the thing.”

Turner glanced at Sutcliffe.

“Conroy’s orders,” the man said.

“Conroy’s orders don’t count now,” Turner said. “But that one holds. What are these people like?”

“Medicals,” Lynch said, “bent medicals.”

“You got it,” Turner said. “What about the rest of the crew?”

“We rigged some shade with mimetic tarps. They sleep in shifts. There’s not enough water and we can’t risk much in the way of cooking.” Sutcliffe reached for the coffeepot. “We have sentries in place and we run periodic checks on the integrity of the landline.” He splashed black coffee into a plastic mug that looked as though it had been chewed by a dog. “So when do we do our dance, Mr. Turner?”

“I want to see your tank of pet medics. I want to see a command post. You haven’t said anything about a command post.”

“All set,” Lynch said.

“Fine. Here.” Turner passed Webber the revolver. “See if you can find me some sort of rig for this. Now I want Lynch to show me these medics.”

“He thought it would be you,” Lynch said, scrambling effortlessly up a low incline of rubble. Turner followed “You’ve got quite a rep.” The younger man glanced back at him from beneath a fringe of dirty, sun-streaked hair.

“Too much of one,” Turner said. “Any is too much. You worked with him before? Marrakech?” Lynch ducked side-ways through a gap in the cinderblock, and Turner was close behind. The desert plants smelled of tar; they stung and grabbed if you brushed them. Through a vacant, rectangular opening intended for a window, Turner glimpsed pink mountaintops; then Lynch was loping down a slope of gravel.

“Sure, I worked for him before,” Lynch said, pausing at the base of the slide. An ancient-looking leather belt rode low on his hips, its heavy buckle a tarnished silver death’s-head with a dorsal crest of blunt, pyramidal spikes. “Marrakech — that was before my time.”

“Connie, too, Lynch?”

“How’s that?”

“Conroy. You work for him before? More to the point are you working for him now?” Turner came slowly, deliberately down the gravel as he spoke; it crunched and slid beneath his deck shoes, uneasy footing. He could see the delicate little fletcher holstered beneath Lynch’s denim vest.

Lynch licked dry lips, held his ground. “That’s Sut’s contact. I haven’t met him.”

“Conroy has this problem, Lynch. Can’t delegate responsibility. He likes to have his own man from the start, someone to watch the watchers. Always. You the one, Lynch?”

Lynch shook his head, the absolute minimum of movement required to convey the negative. Turner was close enough to smell his sweat above the tarry odor of the desert plants.

“I’ve seen Conroy blow two extractions that way,” Turner said. “Lizards and broken glass, Lynch? You feel like dying here?” Turner raised his fist in front of Lynch’s face and slowly extended the index finger, pointing straight up “We’re in their footprint. If a plant of Conroy’s bleeps the least fucking pulse out of here, they’ll be on to us.”

“If they aren’t already.”

“That’s right.”

“Sut’s your man,” Lynch said. “Not me, and I can’t see it being Webber.” Black-rimmed, broken nails came up to scratch abstractedly at his beard. “Now, did you get me back here exclusively for this little talk, or do you still wanna see our canful of Japs?”

“Let’s see it.”

Lynch. Lynch was the one.

* * *

Once, in Mexico, years before, Turner had chartered a portable vacation module, solar-powered and French-built, its seven-meter body like a wingless housefly sculpted in polished alloy, its eyes twin hemispheres of tinted, photosensitive plastic; he sat behind them as an aged twin-prop Russian cargo lifter lumbered down the coast with the module in its jaws, barely clearing the crowns of the tallest palms. Deposited on a remote beach of black sand, Turner spent three days of pampered solitude in the narrow, teak-lined cabin, micro-waving food from the freezer and showering, frugally but regularly, in cool fresh water. The module’s rectangular banks of cells would swivel, tracking the sun, and he’d learned to tell time by their position.

Hosaka’s portable neurosurgery resembled an eyeless ver-sion of that French module, perhaps two meters longer and painted a dull brown. Sections of perforated angle iron had been freshly braised at intervals along the lower half of the hull, and supported simple spring suspensions for ten fat, heavily nubbed red rubber bicycle tires.

“They’re asleep,” Lynch said. “It bobs around when they move, so you can tell. We’ll have the wheels off when the time comes, but for now we like being able to keep track of them.”

Turner walked slowly around the brown pod, noting the glossy black sewage tube that ran to a small rectangular tank nearby.

“Had to dump that, last night. Jesus.” Lynch shook his head. “They got food and some water.”

Turner put his ear to the hull.

“It’s proofed,” Lynch said.

Turner glanced up at the steel roof above them. The surgery was screened from above by a good ten meters of rusting roof. Sheet steel, and hot enough now to fry an egg. He nodded. That hot rectangle would be a permanent factor in the Maas infrared scan.

“Bats,” Webber said, handing him the Smith Wesson in a black nylon shoulder rig. The dusk was full of sounds that seemed to come from inner space, metallic squeaks and the cackling of bugs, cries of unseen birds. Turner shoved gun and holster into a pocket on the parka. “You wanna piss, go up by that mesquite. But watch out for the thorns.”

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