Cornelia Funke - Inkdeath

Battista had promised Mo to write a song like that, but Fenoglio only shook his head. "No one will sing it, Meggie. People don't like their heroes to need help, particularly not from women and children."

No doubt he was right. Perhaps that meant Violante would have a hard time on the throne of Ombra, although all its people were cheering her today. Jacopo stood beside his mother. He looked more like a small copy of his father every day, but all the same he still reminded Meggie even more of his sinister grandfather. She shuddered to think how ready Jacopo had been to deliver the Adderhead up to Death – even though that had been the saving of Mo.

Another widow now ruled the country on the far side of the forest, and she, too, had a son and was taking care of the throne for him. Meggie knew that Violante expected war, but no one wanted to think of that today. This day belonged to the children who had come home. Not one of them was missing, and the strolling players sang about Farid's fire, the tree full of nests, and the giant who had so mysteriously come out of the mountains at just the right moment.

"I'll miss him," Elinor had whispered as he disappeared among the trees, and Meggie felt the same. She would never forget how the Inkworld was reflected on his skin, or how light-footed he was when he strode away, so gentle in such a big body.

"Meggie!" Farid made his way through the women and children. "Where's Silvertongue?"

"With my mother," she replied – and was surprised to find that her heart beat no faster than usual at the sight of him. When had that changed?

Farid frowned. "Yes, yes," he said, "and Dustfinger's with his minstrel woman again. He kisses her so often you might think her lips tasted of honey."

Oh dear. Farid was still jealous of Roxane.

"I think I'll go away for a while," he said.

"Go away? Where to?"

Behind Meggie, Elinor and Fenoglio began arguing over something Elinor didn't like about the look of the castle. Those two loved arguing with each other, and they had plenty of opportunity for arguments because they were neighbors now. The bag in which Elinor had packed all kinds of things that might come in useful in the Inkworld, including her silver cutlery, was still standing in her house in the other world ("Well, I was very excited, it's easy to forget such things then!"), but fortunately she had been wearing the Loredan family jewels when Darius read them both over, and Rosenquartz had sold them for her so cleverly ("Meggie, you've no idea what a shrewd businessman that glass man is!") that now she was the proud possessor of a house in the street where Minerva lived.

"Where to?" Farid made a fiery flower grow between his fingers and placed it on Meggie's dress. "Oh, I think I'll just stroll from village to village the way Dustfinger used to."

Meggie looked at the burning flower. The flames faded like real petals, and only a tiny spot of ash was left on her dress. Farid. His mere name used to quicken her pulse, but now she hardly listened as he told her about his plans, all the marketplaces where he would put on a show, the mountain villages, the far side of the Wayless Wood. Her heart leaped only when she suddenly saw the Strong Man standing there with the women. A few of the children had climbed onto his shoulders, just as they often used to in the cave, but she couldn't see the face she was looking for beside him. Disappointed, she let her eyes wander on, and blushed when Doria was suddenly standing there in front of her Farid abruptly fell silent, and looked at the other boy in the same way as he so often looked at Roxane.

The scar on Doria's forehead was as long as Meggie's middle finger. "A blow with a spiked mace, not particularly well aimed," Roxane had said. "Head wounds bleed a lot, so they probably thought he was dead." Roxane had nursed him for many nights on end, but Fenoglio's opinion was still that Doria was alive thanks only to the story he had written long ago about the boy's future. "And anyway, even if you want to believe it was Roxane who made him better, then who made up Roxane, may I ask?" He was certainly his old self again.

"Doria! How are you?" Meggie involuntarily put out her hand and caressed the scar on his forehead. Farid gave her a strange look.

"Fine. My head's as good as new." Doria brought something out from behind his back. "Is this what they're like?"

Meggie stared at the tiny wooden airplane he had made.

"That's how you described them, isn't it? The flying machines."

"But you were unconscious!"

He smiled and put his hand to his head. "The words are in here, all the same. But I don't know how the music thing is supposed to work. You know, the little box that plays music."

Meggie had to smile. "Oh yes, a radio. That wouldn't be any good here. I don't know just how to explain it to you…"

Farid was still looking at her. Then he abruptly took her hand. "Excuse us," he told Doria, and led Meggie into the nearest doorway. "Does Silvertongue know how you look at him?"

"Look at who?"

"Who!" He passed his finger over his forehead as if tracing Doria's scan "Listen," he said, stroking her hair back. "Why don't you come with me? We could go from village to village together.

The way we did when we and Dustfinger were following your mother and father. Do you remember?"

How could he ask that?

Meggie looked over her shoulder. Doria was standing beside Fenoglio and Elinor. Fenoglio was looking at the airplane.

"I'm sorry, Farid," she said, gently removing his hand from her shoulder. "But I don't want to leave."

"Why not?" He tried to kiss her, but Meggie turned her face away. Even though she felt tears coming to her eyes. Do you remember?

"I wish you luck," she said, kissing him on the cheek. He still had the most beautiful eyes of any boy she'd ever seen. But now her heart beat so much faster for someone else.

Almost five months later a baby will be born at the lonely farm where the Black Prince once hid the Bluejay. It will be a boy, dark-haired like his father, but with his mother and sister's eyes. He will think that every wood is full of fairies, that a glass man sleeps on every table – so long as there's some parchment on it – that books are written by hand, and that the most famous of illuminators paints with his left hand because his right hand is made of leather. He will think that strolling players breathe fire and perform comic plays in every marketplace, that women always wear long dresses, and that soldiers stand at every city gate.

And he will have a great-aunt called Elinor who tells him there's a world that is not like this one. A world with neither fairies nor glass men, but with animals who carry their young in a pouch in front of their bellies, and birds with wings that beat so fast it sounds like the humming of a bumblebee, with carriages that drive along without any horses, and pictures that move of their own accord. Elinor will tell him how, long ago, a horrible man called Orpheus brought his parents out of that world and into this one by magic, and how this Orpheus finally had to flee from his father and the Fire-Dancer to the northern mountains, where it's to be hoped he froze to death. She will tell him that even the most powerful men don't carry swords in the other world, but there are much, much more terrible weapons there. (His father owns a very fine sword, kept wrapped in a cloth in his workshop. He hides it from the child, but sometimes the boy will secretly unwrap it and run his fingers over the shiny blade.) Elinor will tell him amazing things about that other world. She will even claim that the people there have built coaches that can fly, but he doesn't really believe that, although Doria has made wings for his sister, and Meggie really did fly from the city wall to the river wearing them. The boy laughed at her, all the same, for he knows more about flying than Meggie. That's because he sometimes grows wings at night, and he and his mother fly up into the trees. But perhaps he's just dreaming it. He dreams it almost every night, but he'd like to see the flying coaches all the same, and the animals with pouches, the moving pictures, and the house that Elinor is always talking about. A house full of books not written by any hand – books that are sad, because they're waiting for Elinor.