Cornelia Funke - Inkheart

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Inkheart: краткое содержание, описание и аннотация

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One cruel night, Meggie's father, Mo, reads aloud from INKHEART, and an evil ruler named Capricorn escapes the boundaries of fiction, landing instead in their living room. Suddenly, Meggie's in the middle of the kind of adventure she thought only took place in fairy tales. Somehow she must master the magic that has conjured up this nightmare. Can she change the course of the story that has changed her life forever

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In the end, however, forty-three blue-skinned fairies with dragonfly wings fluttered into the buses and settled on the backs of the gray-patterned seats. Capricorn had obviously swatted fairies as carelessly as other people swat flies. Tinker Bell was among those who didn't come, which did not particularly trouble Meggie, for she had realized that Peter Pan's fairy was very self-centered. Her tinkling really got on your nerves, too, and she tinkled almost all the time if she didn't get what she wanted.

In addition to four trolls who looked like very small and hairy human beings, thirteen little glass men and women climbed into Elinor's buses – and so did Darius, the unhappy stammering reader. There was nothing to keep him in the village with its new inhabitants, and it held too many painful memories for him. He offered to help Elinor build up her library again, and she accepted. Meggie suspected she was secretly toying with the idea of getting Darius to read aloud again, now that Capricorn's malevolent presence no longer left him tongue-tied.

Meggie looked back for a long time as they left Capricorn's village behind them. She knew she would never forget the sight of it, just as you never forget many stories even though – or perhaps because – they have scared you.

Before they left, Mo had asked her, with concern in his voice, whether she minded if they drove to Elinor's first. Meggie did not mind at all. Oddly enough, she felt more homesick for Elinor's house than for the old farmhouse where she and Mo had lived for the last few years.

The scar left by the bonfire was still visible on the lawn behind the house, where Capricorn's men had piled up the books and burned them. But before Elinor had had the ashes taken away, she had filled a jam jar with the fine gray dust, and it stood on the bedside table in her room.

Many of the books that Capricorn's men had only swept off the shelves were already back in their old places, others were waiting on Mo's workbench to be rebound, but the library shelves were empty. As they stood looking at them, Meggie saw the tears in Elinor's eyes even though she was quick to wipe them away.

Elinor did a great deal of buying over the next few weeks. She bought books. She traveled all over Europe in search of them. Darius was always with her, and sometimes Mo went with them, too. But Meggie stayed in the big house with her mother. They would sit together at a window looking out at the garden where the fairies were building themselves nests, gently glowing globes that hung among the branches of the trees. The glass men and women settled into Elinor's attic, and the trolls dug caves among the big old trees that grew in abundance in Elinor's garden. She told them all that they should never leave her property, warning them urgently of the dangers of the world beyond the hedges that enclosed it, but soon the fairies were flying down to the lake by night, the trolls were walking along its banks and stealing into the sleeping villages, and the little glass people would disappear into the tall grass that covered the slopes of the mountains around the lake.

"Don't worry too much, " said Mo, whenever Elinor bewailed their stupidity. "After all, the world they came from wasn't without its dangers. "

"But it was different!" cried Elinor. "There were no cars – suppose the fairies fly into a windshield? And there were no hunters with rifles shooting at anything that moves, just for the fun of it."

By now Elinor knew everything about the world of Inkheart . Meggie's mother had needed a great deal of paper to write down her memories of it. Every evening Meggie asked her to tell more stories, and then they sat together while Teresa wrote and Meggie read the words and sometimes even tried to paint pictures of what her mother described.

The days went by, and Elinor's shelves filled up with wonderful new books. Some of them were in poor condition, and Darius, who had begun to draw up a catalog of Elinor's printed treasures, kept interrupting his own work to watch Mo at his. He sat there wide-eyed as Mo freed a badly worn book from its old cover, fixed loose pages back, glued the spines in place, and did whatever else was necessary to preserve the books for many more years to come.

Long after all this, Meggie couldn't have said exactly when they had decided to stay on with Elinor. Perhaps not for many weeks, or perhaps they had known from the first day they were back. Meggie was given the room with the bed that was much too big for her, and which still had her book box standing under it. She would have loved to read aloud to her mother from her own favorite books, but of course she understood why Mo very seldom did so, even now. And one night when she couldn't get to sleep, because she thought she saw Basta's face out in the dark, she sat down at the desk in front of her window and began to write, while the fairies played in Elinor's garden and the trolls rustled in the bushes. For Meggie had a plan: She wanted to learn to make up stories like Fenoglio. She wanted to learn to fish for words so that she could read aloud to her mother without worrying about who might come out of the stories and look at her with homesick eyes. So Meggie decided words would be her trade.

And where better could she learn that trade than in a house full of magical creatures, where fairies built their nests in the garden and books whispered on the shelves by night? As Mo had said: writing stories is a kind of magic, too.

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