Cornelia Funke - Inkspell

"But you must bring him back!" Farid's lips were trembling. "You made the Adderhead immortal, so why not him?"

"You're talking about Dustfinger, aren't you?" Fenoglio sat up and rubbed his face, sighing heavily. "Yes, he's dead now, too, dead as a doornail, but I'd planned that a long way back, as you perhaps remember. Be that as it may, Dustfinger is dead, you were dead… Minerva's husband, Cosimo, the boys who rode with him, they're all dead! Can't this story think of anything else? I'll tell you something, my boy. I'm not its author anymore. No, the author is Death, the Grim Reaper, the Cold Man, call him what you like. It's his dance, and never mind what I write he'll take my words and make them serve him!"

"Nonsense!" Farid was no longer even wiping away the tears that streamed down his face. "You must fetch him back. It wasn't his death at all, it was mine! Make him breathe again! It will only take a few words. After all, you did it for Cosimo and for Silvertongue."

"Just a moment – Meggie's father wasn't dead yet," Fenoglio soberly pointed out. "And as for Cosimo, he only looked like

Cosimo – how many more times do I have to explain that? Meggie and I made a brand-new Cosimo, and unfortunately it went terribly wrong. No!" He reached into his belt, produced something resembling a handkerchief, and blew his nose noisily. "This is not a story in which the dead come to life! All right, I admit I brought immortality into it, yes. But that's different from bringing back the dead. No, when someone is dead here, he stays dead! It's the same in this world as in the one I come from. Dustfinger got around that rule very cleverly on your behalf. Perhaps I wrote the sentimental story that gave him the idea myself… I really don't remember, but never mind, there are always gaps. And he paid for your life with his own. That's always been the only trade-off that Death will accept. Who'd have thought it? Dustfinger, of all people, gets so fond of a good-for-nothing boy that he ends up dying for him. I admit it's a much better idea than the one about the marten, but it isn't mine. Oh no! So if you're looking for someone to blame, then blame yourself. Because one thing is certain, my boy" – and so saying he jabbed his finger roughly into Farid's thin chest – "and it's that you don't belong in this story! And if you hadn't taken it into your head to wangle your way into it, Dustfinger would still be alive -"

Farid punched Fenoglio in the face before Meggie could pull him back.

"How can you say a thing like that?" she shouted at Fenoglio as Farid, sobbing, put his arms around her. "Farid saved Dustfinger at the mill. He's protected him ever since he arrived here -"

"Yes, yes, all right!" growled Fenoglio, feeling his nose. It hurt. "I'm a heartless old man, I know. But although you may not believe it, I felt dreadful when I saw Dustfinger lying there. And then Roxane's tears, appalling, really appalling. All the wounded men, Meggie, all the dead, so many dead… No, Meggie, the words don't obey me anymore. Except when it suits them. They've turned against me like snakes."

"Exactly. You're a failure, a miserable failure!" Farid shook Meggie off. "You don't know your own trade. But someone else does. The man who brought Dustfinger here. Orpheus. He'll get him back, you wait and see. Write him here! You can at least do that! Yes, write Orpheus here at once or… or… I'll tell the Adderhead you were going to kill him, I'll tell all the women in Ombra it's your fault their menfolk are dead… I'll… I'll…"

He stood there with his fists clenched, quivering with rage and despair. But the old man just looked at him. Then, with difficulty, he rose to his feet. "Do you know something, my boy?" he said, putting his face very close to Farid's. "If you'd asked me nicely I might have tried, but not this way. No, no! Fenoglio must be asked, not threatened. I still have that much pride left."

At this Farid looked like going for him again, but Meggie held him back. "Fenoglio, stop it!" she shouted at the old man. "He's desperate, can't you see that?"

"Desperate? So what? I'm desperate, too!" Fenoglio snapped at her. "My story is foundering in misfortune, and these hands here," he said, holding them out to her, "don't want to write anymore! I'm afraid of words, Meggie! Once they were like honey, now they're poison, pure poison! But what is a writer who doesn't love words anymore? What have I come to? This story is devouring me, crushing me, and I'm its creator!"

"Fetch Orpheus!" said Farid hoarsely. Meggie could hear how much trouble he was taking to control his voice, to banish the rage from it. "Bring him here, and let him write it for you! Teach him what you know, the way Dustfinger taught me everything! Let him find the right words for you. He loves your story, he told Dustfinger so himself! He even wrote you a letter when he was a boy."

"Did he?" For a moment Fenoglio sounded almost like his old inquisitive self.

"Yes, he admires you! He thinks this is the best of all stories, he said so!"

"Really?" Fenoglio sounded flattered. "Well, it isn't bad. That is to say, it wasn't bad." He looked thoughtfully at Farid. "A pupil. A pupil for Fenoglio," he murmured. "A writer's apprentice. Hmm. Orpheus…" He spoke the name as if he had to taste it. "The only poet who ever challenged Death… appropriate."

Farid was looking at him so hopefully that it went to Meggie's heart again. But Fenoglio smiled, even though it was a sad smile.

"Look at him, Meggie!" he said. "He has the same pleading look as my grandchildren could turn on to wheedle anything out of me. Does he look at you the same way when he wants something from you?"

Meggie felt herself blushing. However, Fenoglio turned back to Farid. "You know we'll need Meggie's help, don't you?"

Farid nodded, and looked at her.

"I'll read it," she said quietly. "If Fenoglio writes it, I'll read it." And get the man who helped Mortola to bring my father here and almost kill him into this story, Meggie added in her thoughts. She tried not to think of what Mo would say about the deal.

However, Fenoglio already seemed to be searching for words in his mind. The right words – words that would not betray and deceive him. "Very well," he muttered abstractedly, "let's get down to work one last time. But where am I going to find paper and ink? Not to mention a pen and a helpful glass man? Poor Rosenquartz is still in Ombra."

"I have paper," said Meggie, "and a pencil."

"That's very beautiful," said Fenoglio when she put her notebook in his lap. "Did your father bind it?"

Meggie nodded.

"There are some pages torn out."

"Yes, for a message I gave my mother and the letter I sent you. The one that Cloud-Dancer brought you."

"Oh. Oh yes. Him." For a moment Fenoglio looked dreadfully tired. "Books with blank pages," he murmured. "They seem to be playing more and more of a part in this story, don't you think?" Then he asked Meggie to leave him alone with Farid so that the boy could tell him about Orpheus. "To be honest," he whispered to Meggie, "I think he vastly overestimates the man's abilities! What has this fellow Orpheus done? Put my own words together in a different order, that's all. But I'll admit I'm curious to meet him. It takes a fair amount of megalomania to give yourself a name like that, and megalomania is an interesting character trait."

Meggie did not share his opinion, but it was too late to go back on her promise. She would read again. For Farid this time. She went quietly back to her parents, laid her head on Mo's chest, and fell asleep hearing his heartbeat in her ear. Words had saved him, why shouldn't they do the same for Dustfinger? Even if he had gone far, far away… didn't the words of this world rule even the land of silence?