Ben Aaronovitch - Moon Over Soho

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Moon Over Soho: краткое содержание, описание и аннотация

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I was my dad's vinyl-wallah: I changed his records while he lounged around drinking tea, and that's how I know my Argo from my Tempo. And it's why, when Dr Walid called me to the morgue to listen to a corpse, I recognised the tune it was playing. Something violently supernatural had happened to the victim, strong enough to leave its imprint like a wax cylinder recording. Cyrus Wilkinson, part-time jazz saxophonist and full-time accountant, had apparently dropped dead of a heart attack just after finishing a gig in a Soho jazz club. He wasn't the first. No one was going to let me exhume corpses to see if they were playing my tune, so it was back to old-fashioned legwork, starting in Soho, the heart of the scene. I didn't trust the lovely Simone, Cyrus' ex-lover, professional jazz kitten and as inviting as a Rubens' portrait, but I needed her help: there were monsters stalking Soho, creatures feeding off that special gift that separates the great musician from someone who can raise a decent tune. What they take is beauty. What they leave behind is sickness, failure and broken lives. And as I hunted them, my investigation got tangled up in another story: a brilliant trumpet player, Richard 'Lord' Grant — my father — who managed to destroy his own career, twice. That's the thing about policing: most of the time you're doing it to maintain public order. Occasionally you're doing it for justice. And maybe once in a career, you're doing it for revenge.  

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I wanted the fluorescent lights to stop giving me a headache.

Dr. Walid came back with water and a couple of ibuprofen tablets. He couldn’t stay because he had a brand-new body to look at. After some more time the junior doctor came back.

“You can go home now,” he said. “Nothing is broken.”

I think I walked back to the Folly — it’s not that far.

I woke up the next morning to find that breakfast hadn’t been served. When I went down to the kitchen to find out why, I discovered Molly sitting on the table with her back to the door. Toby was sitting beside her but at least he looked up when I came in.

“Is something wrong?” I asked.

She didn’t move. Toby whined.

“I’ll just go have breakfast out,” I said. “In the park.”

That seemed fine with Molly.

Toby jumped up and followed me out.

“You are so mercenary,” I told him.

He yapped. I guess from Toby’s point of view a sausage is a sausage.

The Folly sits on the south side of Russell Square, the center of which is occupied by a park with fixed gravel paths, big trees that I didn’t know the names of, a fountain that was specifically designed to get children and small dogs soaking wet, and on the north side a café that does a decent double sausage, bacon, black pudding, egg, and chips. It was actually quite sunny, so I sat on the terrace outside the café and mechanically shoveled the food into my face. It really didn’t taste of anything, and in the end I put my plate on the floor and let Toby finish it off.

I walked back to the Folly and in through the main door where there was a drift of junk mail. I scooped it up. It was mostly flyers for local pizza joints and kebab houses, although there was one crudely designed leaflet from a Ghanian fortune-teller who felt we could only benefit from his insight into future events. I dropped the lot into the magazine rack that Molly leaves in the atrium for that purpose.

I felt a bit queasy, so I went into the toilet and threw up my breakfast and then I climbed back into my bed and went back to sleep.

I woke up again in the late afternoon, feeling sticky and with the discombobulated feeling you get when you sleep through the day for no good reason. I went down the corridor and ran a bath in the claw-footed enamel monstrosity that we have instead of a proper shower. I got it as scalding as I could take, yelped when it lapped against the bruises on my thigh, and stayed in there until my muscles relaxed and I got bored of impersonating Louis Armstrong singing “Ain’t Misbehavin’.” I couldn’t shave because of the cut on my cheek, so I left my chin with manly stubble and went to look for some clean clothes.

When I was growing up, the only way to keep my mum out of my room would have been to install steel security doors and probably not even that would have helped. It did mean that I’ve never been precious about people coming into my bedroom, especially if all they’re going to do is clean it and do the laundry. I put on khaki chinos, the quality button-down shirt, and my good shoes. I looked in the mirror. Miles Davis would have been proud of me; all I needed was a trumpet. There’s only one thing you can do when you look that good, so I picked up my mobile and called Simone.

It didn’t work — I’d blown the chip when I used magic on the Pale Lady.

I took one of my backup phones from the drawer in my desk, a crappy two-year-old Nokia with a pay-as-you-go SIM card. It already had my standard numbers saved so I added Simone’s and called her.

“Hi, baby,” I said. “Want to go out?”

When she stopped laughing, she said that she’d be delighted to.

Only students and people from Basildon go clubbing on a Sunday so we went to the Renoir to see Spirit of the Escalator — un film de Dominique Baudis , which turned out, despite the subtitles, to be a romantic comedy. The Renoir is an art cinema that sits underneath the Brunswick Center, a cream-colored shopping center and housing development that reminded me of an Aztec pyramid turned inside out. It’s less than two minutes’ walk from the Folly, so it was convenient. It’s also still got the old-fashioned seats where you can snuggle up to your girlfriend without injuring yourself on a cup holder. She asked me about the cut on my cheek and I told her I’d been in a scuffle.

Afterward we had supper at YO! Sushi — which Simone had never eaten at before, despite there being a branch practically outside her front door.

“I’m terribly loyal to the Patisserie Valerie,” she said by way of explanation.

She loved the little colored bowls trundling around the conveyer belt and was soon piling empty ones up by her plate like so many mounds of skulls. She was actually quite a dainty eater, but steady and determined. I picked at a bowl of spicy salmon rice. My stomach still wasn’t really settled, but it was a pleasure to watch the obvious delight she got from each dish. Fortunately the YO! Sushi closed before she exceeded my credit card limit and we tumbled out of the Brunswick Centre and walked back along Bernard Street toward Russell Square tube station. It had rained while we were in the cinema and the streets were slick and fresh. Simone stopped walking and dragged my head down so she could kiss me. She tasted of soy sauce.

“I don’t want to go home,” she said.

“How about my place,” I said.

“Your place?”

“Sort of,” I said.

The coach house is not the perfect crash pad but I certainly didn’t want Simone meeting Molly when she was in one of her moods. Simone blew right past my two grand worth of consumer electronics and went straight to the studio under the skylight.

“Who’s this?” she asked. She’d found the portrait of Molly reclining nude while eating cherries.

“Somebody who used to work here years ago,” I said.

She gave me a sly look. “Turn around,” she said. “And close your eyes.”

I did as I was told. Behind me I heard the stealthy rustle of clothes, a suppressed curse followed by a zip unfastening, the thump of her boots hitting the floor, the whisper of silk as it slipped over her skin. There was a long pause and then I heard the creak of antique furniture as she made herself comfortable.

She made me wait a little bit longer.

“You can turn around now,” she said.

She was reclining, nude and beautiful, on the chaise longue. She didn’t have a bowl of cherries so she’d let her fingers drift down to twist in the brown curls of her hair. She was so delicious I didn’t know where to start.

Then I saw it, a blotch like a port-wine birthmark in the corner of her mouth. I thought it was a smear of something she’d been eating but then it ripped while I was staring at it. With a hideous crunch her jaw splintered as a crude triangle of skin peeled back from her face. I saw muscle, tendon, and bone stretch and pop, and her jaw hung slack like that of a cut puppet.

“What’s wrong?” asked Simone.

Nothing. Her face was back as it had been, wide, beautiful, the arc of her smile fading as I staggered backward.

“Peter?”

“Sorry,” I said. “I don’t know what happened there.” I knelt down by the chaise longue and cupped her cheek in my hand — the bones beneath her skin were reassuringly solid. I kissed her, but after a moment she pushed my face away.

“Has something happened?”

“I was involved in an incident,” I said. “Somebody died.”

“Oh,” she said and put her arms around me. “What happened?”

“I’m not really supposed to talk about it,” I said and slipped my hand down her hip in the hope that it would distract her.

“But if you could talk about it,” she said. “You’d talk about it with me?”

“Sure,” I said. But I was lying.

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