Ellen Datlow - Tails of Wonder and Imagination

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From legendary editor Ellen Datlow,
collects the best of the last thirty years of science fiction and fantasy stories about cats from an all-star list of contributors.

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And the runner appeared, crashing her way through the trees, arms and legs flying—a young girl, the young girl from the Africa House terrace, Craig realised—heading straight for the source of the drumming.

“Hey! Stop!” Craig shouted as the swarm of mosquitoes swung its thousand-eyed head to follow the girl’s progress. The whole cloud tilted and curved after the girl. She screamed as they crowded around her head: hardly could she have announced her arrival any more extravagantly. Not that Craig had any idea who or what was responsible for the drumming, nor whether they represented a threat. He just had his instincts.

The girl had a head start on him. He ran as fast as he could but couldn’t close on her. Too many long lunches in The Eagle. Too many fast food containers in the bin under his desk. His heart beat a tattoo against his chest. He thrust his arms out in front of him to catch a tree trunk and so managed to stop short as the girl burst through into a wide clearing, the mozzies still shadowing her.

His hand-drums lying scattered at his feet, the drummer rose to his full height—six foot something of skin and bone, unfolding like some med student’s life-size prop. He was a white man, although it was impossible to judge his age. His feet and lower legs were bare, but the rest of him was clothed. Craig rubbed his eyes, which had started to go funny. Perhaps the heat and the exertion. The fear, maybe, which he acknowledged for the first time, his pulse scampering. The man’s coat constantly shifted in and out of focus, like an image perceived through a stereogram. Either there was something in Craig’s eyes obscuring his vision, or some filmy substance, spider’s web or other insectile secretion, draped across the undergrowth between him and the clearing. The tall man moved closer to Alison, who shrank away from him. He peered at her with bulging eyes that indicated thyroid disorder. His coat settled organically around his coat-hanger shoulders. Alison screamed and the coat shimmered. She lashed out with her right hand, drew a swathe through the living, clinging coat of mosquitoes. They swarmed about her head for a moment, mingling with the swarm that had aggravated her, before gravitating back to their host.

The man’s movements were slow. He seemed to make them reluctantly, as if he had no choice. His face was too sunken in the cheeks and uniformly white to betray any emotion. Stepping back from the girl, he picked up a long bone-white blood-stained instrument from the floor by his drums and strapped it over his skull. The false snout, a foot long by the look of it, wobbled hideously as he approached the girl again. The base of it—the knuckle joint, let’s face it, the thing had been fashioned from a human femur—rested against his mouth. He blew through it, a low burbling whistle, at which the mosquitoes became markedly less agitated and settled around him; Alison sank to her knees in a dead faint and he snuffled about her prone body.

Craig was furiously considering what action he could take when a further crashing through the undergrowth announced the arrival of Alison’s friends from the Africa House, bound and led by three tough-looking African youths who each mumbled what appeared to be a respectful greeting to the tall man—“Mbo,” they each seemed to be saying.

Lief, the Danish boy, had remained unresponsive throughout the trek from the beach. His girlfriend, Karin, was trembling with fear and continuous shock; Anna simply screamed whenever anyone came near her. Two of the youths took hold of Karin and Anna and laid them out flat on the ground. Grabbing lengths of dried palm leaves, they wound them around the girls’ ankles, going around and around several times, then over the loop in the other direction between the legs until they were secure. They left the arms. The third African youth swiftly bound Lief’s ankles in the same manner. Craig had to strain to see where the three were taken: beyond the lean-to on the far side of the clearing. But what lay hidden there, Craig could not see.

The tall white-skinned man was still inspecting Alison when one of the youths returned and started to bind her around the ankles as well. The man sat down once more upon the ground, his legs becoming dismantled beneath his hazy coat like a pair of fishing rods being taken apart. He picked up his hand-drums and began to play.

Craig took advantage of the noise to retreat a few yards from the edge of the clearing back into the forest. Twenty yards back, he crept around towards the back of the camp. It took him a while, because he had to move slowly to avoid alerting anyone to his presence, but he got there. Then it took him a moment before he recognised what he was seeing, even though this was what he’d been looking for. What he’d come to Africa for.

They hung from the branches of a single tree. Like bats.

Like bats, they hung upside down.

Like bats, or like the poor creatures Craig had seen in the museum in the town—bound, each one of them, at the ankles. Three dozen at least.

Most of them were completely drained of blood, desiccated, like the Bombay duck Craig would always order with his curry just to raise a laugh. Husks swinging in the breeze. Wind-dried Bombay duck. Long hair suggested which victims were female, while bigger skeletons hinted at male—but there was no way of telling with most of the poor wretches.

Nearest the ground hung the recent additions—Karin, Anna, Lief. Craig heard the tall man coming around the side of the hut, before he saw him. The wind was not strong enough to drown out the whining concert of the mosquitoes the tall man wore around himself like so many familiars. His own insectile eyes protruded as he looked at his new arrivals, all strung up and ready for him.

Behind him came two of the youths carrying Alison.

The tall man, wearing his bone nose-flute, took a tiny step towards Anna, whose screams were torn out of her throat at his approach.

I could already smell the coppery tang of blood even before the ancient ectomorph in the coat of mosquitoes prodded the young girl’s throat with the sharpened femur he wore strapped to his head .

Craig was ashamed at himself, but couldn’t stop the opening sentences of his eye-witness account forming in his mind.

I was smelling the blood he had already spilt. I must have smelled it on him or in the air, because the ground beneath my feet nourished no more exotic blooms than the surrounding forest, for he spilled no blood. This exiled European, this tall, spindly shadow of a man—scarcely a man at all—drank the blood, every last drop. It was what kept him alive. I sensed this as much as deduced it as my eye ranged across the bat-like corpses suspended from his tamarind tree. At the same time I felt a shadow fall across my heart, from which I knew I should never be free, even if I were somehow to effect an escape for myself and the youngsters who had joined the monster’s collection .

This was Craig’s problem now. The purple prose would die a death at the hands of the paper’s subs—but thinking of it in terms of the news story he had come out here to investigate helped him distance himself sufficiently to keep his mind intact, to remain alert. Whatever the odds stacked against him, he still possessed the element of surprise.

While he was still thinking, racking his brains for an escape route, the tall man’s head jerked forwards, driving the tip of his bone-flute into the hollow depression of Anna’s throat. Blood bubbled instantly around the puncture then disappeared as it was sucked down the bone. Craig forced his eyes shut, fighting his own terror of spilt blood. But he had heard the man’s first swallow, his greedy gargle as he tried to accommodate too much at once. Craig had always believed himself the hard man of investigative journalism, hard to reach emotionally—his bed back home never slept two for more than one night at a time—and impossible to shock. His fear of the sight of blood had never been a problem before; he avoided stories which trailed bloody skirts—car wrecks and shoot-outs—not his style.

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